Following its opening at the Watermill Theatre, a critically acclaimed sell-out tour in 2019, a highly successful Christmas season at The Other Palace in 2019, a Grammy nomination and 3 Olivier Award nominations, Amélie The Musical arrives in the heart of the West End this summer. Following the government roadmap announcement, tickets are on sale now for a socially distanced audience at the Criterion Theatre from Thursday 20 May. Olivier-nominee Audrey Brisson (The Elephantom, Pinocchio and Pericles (National Theatre), The Flying Lovers of Vitebsk (Kneehigh), and The Grinning Man
(Bristol Old Vic)), will return to the role of ‘Amélie’.
The five–time Oscar®-nominated film will be brought to life once again by a cast of actor-musicians and set to a critically acclaimed re-orchestrated score. With music by Hem’s Daniel Messé, lyrics by Nathan Tysen and Daniel Messé and book by Craig Lucas, Amélie The Musical is directed by Michael Fentiman. The full cast includes Sioned Saunders as Gina, Flora Spencer-Longhurst as Georgette, Rachel Dawson as Amandine/Philomene, Oliver Grant as Lucien/Mysterious Man, Chris Jared as Nino Quincampoix, Caolan McCarthy as Hippolito/Elton John, Samuel Morgan-Grahame as Joseph/Fluffy, Kate Robson-Stuart as Suzanne, Jack Quarton as Blind Beggar, Jez Unwin as Raphael/Bretodeau and Johnson Willis as Collignon/Dufayel. Nuwan Hugh Perera, Miiya Alexandra, Robyn Sinclair and Matthew James Hinchliffe complete the ensemble. Continue reading “Musical news aplenty”
If you’re still writing your lists for Santa, then Dear Audience could be just what you’re looking for. A theatrical coffee table book filled with over 140 pages showcasing the Arts industry, with exclusive imagery, personalised letters to audiences and much more besides.
There’s a veritable who’s who of stage folk involved, from Sally Ann Triplett, Michael Xavier and Frances Rufelle to Oliver Tompsett, Linzi Hateley and Andy Coxon, and the book has been put together by Sophie Ross and Danny Kaan’s Digi Creative. Pre-orders can be made now and are guaranteed for Christmas delivery.
You Will Be Found by #CheerUpCharlie & West End Friends, a fundraising charity single in aid of youth charity The Diana Award, has been released today by Auburn Jam Music to tie in with the start of National Anti-Bullying Week, which runs from 16th-20th November.
The star-studded single is led by ten-year-old Charlie Kristensen from Wokingham, whose experience of being bullied started the viral #CheerUpCharlie campaign. Charlie is joined on the song by numerous stage and screen stars including Wendi Peters, Layton Williams and Michael Xavier, with Iain Armitage, Michael Ball, Rufus Hound, and Faye Tozer amongst many famous faces reading their supportive messages on the song’s video. Continue reading “News: #CheerUpCharlie & West End Friends release ‘You Will Be Found’”
Auburn Jam Music are delighted to be releasing ‘You Will Be Found’ by #CheerUpCharlie & West End Friends, a fundraising charity single in aid of youth charity The Diana Award, on Sunday 15 November to tie in with the start of National Anti-Bullying Week (16-20 November).
The star-studded single is led by ten-year-old Charlie Kristensen from Wokingham, whose experience of being bullied started the viral #CheerUpCharlie campaign. Charlie is joined on the song by numerous stage and screen stars including Wendi Peters, Layton Williams and Michael Xavier, with Iain Armitage, Michael Ball, Rufus Hound, and Faye Tozer amongst many famous faces reading their supportive messages on the song’s video. The single is available to pre-save now on iTunes, Deezer, Spotify and Tidal at https://ditto.fm/you-will-be-found. Continue reading “News: You Will Be Found by #CheerUpCharlie & West End Friends to be released on 15th November”
Fourth Wall Live and The Hippodrome Casino London are thrilled to announce a series of over 40 shows at the Hippodrome Casino this winter. The season runs from 18 November every week for 5 weeks and will include two shows nightly at 7.00pm and 9.00pm.
The series will feature stars from the world of musical theatre, comedy and magic with all tickets priced £20. Audiences will be safely socially distanced following the most up-to-date safety guidelines. There will be 130 tickets on sale per show and tickets go on sale soon. Sign up at www.fw-live.com for advance presale and further announcements. Continue reading “News: the Hippodrome to host music, magic and comedy this winter”
IT STARTS WITH A SPEECH
Presented by Irvine Iqbal
This award is for those that made the speech night after night encouraging audiences to donate, making a huge impact during the Bucket Collections in 2019.
Winner: Ashley Zhangazha
FABULOUS FUNDRAISING AWARD
Presented by Harriet Thorpe
This award is for the most inventive way of fundraising for Acting for Others.
Winner: Richard Carson Continue reading “Golden Bucket Awards 2020”
Big doesn’t always mean better, size does matter, it’s not how big it is it’s what you do with it – whatever the pun, Big the Musical is a severe disappointment at the Dominion Theatre
“I want my room,
I want my bed.
I want my mom,
I want to go home”
A crucial moment in Big the Musical sees Zoltar the fortune-telling machine say “make your wish, make your wish…” and I think my wish is that one day the Dominion Theatre will find a show that properly suits it, and that can fill it – once again, this is not the one. Director/choreographer Morgan Young’s production of the classic 1980s movie initially looks swish – Simon Higlett’s design dominated by an impressive curved HD video wall but a raft of questionable decisions mitigate against it, almost at every step.
You can see the thinking behind the casting – a Strictly winner, someone off Corrie, a member of Girls Aloud even – but they just don’t feel like the best people for the roles by any stretch. Jay McGuiness doesn’t exude anywhere near the requisite amiability and charisma to be this kind of leading man and whilst he’s technically right there with the dancing – the Act 1 closer is brilliantly choreographed by Young – but there’s no emotion carrying through with it, near fatal when you’ve got Tom Hanks to live up to. Continue reading “Review: Big the Musical, Dominion Theatre”
On 6th November 2016, Rodgers and Hammerstein’s ever popular State Fair will be performed for the first time on the London stage as a symphonic concert by the London Musical Theatre Orchestra under award winning director and Evening Standard Awards nominee Thom Southerland (currently doing amazing work with Ragtime) at Cadogan Hall.
In a double first for the LMTO, this is also the first full scale public performance by the company which debuted its inaugural gala, in June of this year, to a packed house at Bishopsgate Institute where the orchestra is in residence. Continue reading “Round-up of news and treats and other interesting things”
“You’ll enjoy the thrill because you can”
There’s an event at the St James Studio in a couple of weeks called Sunday at the Musicals which has over 20 female singers coming together to celebrate the world of musical theatre, showing off what can be achieved in the freedom of the one-night cabaret form. Which just goes to point up the relative disappointment of a night called An Evening with Matthew Strachan & Guests which just managed the two, with one song a piece.
Strachan is a composer of considerable credits (as per Wikipedia) but has the ignominy, or perhaps renown, of being best known for writing the theme tune to TV show Who Wants To Be A Millionaire. And as we discover throughout the couple of hours of his show, there’s much more to his back catalogue, with time spent in Nashville writing for others providing an anecdote or two to accompany the material. Continue reading “Review: An Evening with Matthew Strachan & Guests, St James Studio”
“Who threw all the pickles down the stairs?”
They say write about what you know but when your childhood memories of 1950s Derby recall nothing so much as 1970s sitcom humour, I’m not sure that Michael Kirk’s Hatched ‘n’ Dispatched isn’t the exception to the rule. Co-written with Gemma Page and directed by Kirk himself, the show is a self-described “mucky romp through the morals, memories and music of the 1950s” but whilst it has an undeniable comic edge that fitfully breaks through to genuine humour, too often it is laboured and criminally inconsistent.
Bouncing from sex farce to serious drama, domestic violence rubbing shoulders with domestic comedy, the play never settles into a groove and crucially, it lacks credibility once matters start to darken and we’re meant to take things more earnestly. Which kind of flies in the face of much of the acting – Wendi Peters is delightfully battle-axed as matriarch Dorothy-Mavis, who won’t let anything her feckless family does get in the way of her social climbing but there’s little sense of depth to the character, an emotional underpinning that would justify this later shift. Continue reading “Review: Hatched ‘n’ Dispatched, Park Theatre”