The Theatre Channel returns with Episode Eight, a special devoted to Stephen Schwartz featuring Alice Fearn, Louise Dearman, Melanie La Barrie and more
“Just when i thought my heart was finally numb”
With impeccable timing, The Theatre Channel has produced a new episode, its eighth in total, which this time focuses on the work of Stephen Schwartz. The show continues to spread its wings geographically, this time heavily featuring the Park Theatre who are co-producers on this episode, but in a number from Working – Alice Fearn’s ‘It’s An Art’ – the cafe is front and centre which feels like a neat nod to its origins at The Theatre Cafe.
Schwartz himself features throughout, able to provide fascinating snippets of info about the material, both old and new. Having recently played the Charing Cross Theatre over the summer, the cast of 1972’s Pippin sing ‘Magic to Do’, but we also get to hear a vibrant duet from 2016’s Magic Flute-inspired Schikaneder, ‘Dream Big’ sung gloriously by Stewart Clarke and Christine Allado. Continue reading “Review: The Theatre Channel – Episode Eight Stephen Schwartz”
Adam Blanshay Productions’ acclaimed web series The Theatre Channel returns with a show stopping musical spectacular to honour the legendary composer and lyricist Stephen Schwartz (Wicked; Pippin; Godspell). Under the new direction of Olivier Award nominated choreographer Fabian Aloise (Evita, Regent’s Park Open Air Theatre; Wicked, Germany) Schwartz’s modern masterpieces will come alive led by a sensational cast, including leading West End women Alice Fearn (Wicked; Come From Away), Louise Dearman (the only woman to play both Elphaba and Glinda – Wicked; Evita), and Christine Allado (The Prince of Egypt; Hamilton).
Further casting includes the incredible Stewart Clarke (Be More Chill; Fiddler on the Roof), Melanie La Barrie (Wicked; & Juliet), Cedric Neal (Back to the Future; Motown: The Musical) and the cast of the critically acclaimed revival of Pippin at the Charing Cross Theatre, with their fantastic rendition of ‘Magic To Do’. This marks the first time The Theatre Channel is doing a music video in collaboration with a production currently running in the West End, as they continue to evolve their concept. Continue reading “News: The Theatre Channel announce a Stephen Schwartz spectacular for Episode 8”
With powerful performances from Michael Xavier, Josefina Gabrielle and more, plus a sneak peek at the forthcoming Carousel, Episode Seven of The Theatre Channel is a marvellous showcase for Rodgers and Hammerstein
“Bachelor dandies, drinkers of brandies What do I know of those”
Episode Seven of The Theatre Channel is presented in a co-production with Regent’s Park Open Air Theatre, as it focus on the songs of Rodgers and Hammerstein allows us get a taster of their forthcoming production of Carousel. And not only that, there’s illustrative contributions throughout from Ted Chapin, former president of The Rodgers and Hammerstein Society, lending a real weight to an already entertaining episode.
For the most part, stagings are fairly straight-forward, taking advantage of the lush greenery of Regent’s Park. And when the songs are this good, there’s not much need to that much more. Josefina Gabrielle oozes class as she sashays through Allegro’s ‘The Gentleman is a Dope’ and new graduates Tavio Wright and Ethlinn Rose put the bandstand to good use in a gorgeous ‘Sixteen Going On Seventeen’, complete with ecstatic dance break. Continue reading “Review: The Theatre Channel – Episode Seven Rodgers and Hammerstein”
Danny Mac, Kerry Ellis and Layton Williams star in The Theatre Channel – Episode Six: Showstoppers, with added Antonio Banderas
“Let’s go on with the show”
The beauty of so many theatrical things going digital is that it is now harder to properly miss out on something. Episode Six of The Theatre Channel, subtitled Showstoppers, aired last month but I let it slip me by – fortunately it is available on demand so in advance of dipping into its newest Rodgers and Hammerstein tribute, I gave it a shot.
And I’m glad I did, as it very much indulged my inner theatrical nerd by stretching its definition of showstopper way beyond the Phantom and Les Mis classics you might have expected them to plump for. Instead, we get hits from the likes of The Last Five Years, Sideshow, If/Then and Annie Get Your Gun, proving that wonders well beyond the West End hits. Continue reading “Review: The Theatre Channel – Episode Six: Showstoppers”
Adam Blanshay Productions’ renowned The Theatre Channel is back with a jam-packed Rodgers and Hammerstein special. Embracing the return of live theatre, the episode is a co-production with Regent’s Park Open AirTheatre ahead of their unique take on the classic Carousel this summer.
Following acclaim for their spectacular musical-packed digital series, Adam Blanshay Productions’ The Theatre Channel is back with a sixth episode, featuring more theatrical legends and musical magic! The new episode, entitled ‘Showstoppers’, will kickstart proceedings with incredible performances from major West End talent including Danny Mac (Sunset Boulevard; Pretty Woman The Musical), Kerry Ellis (Wicked; We Will Rock You) and Layton Williams (Everybody’s Talking About Jamie; RENT). The series will be available to stream in a new partnership with Stream.Theatre from Friday 30th April, with tickets for Episode 6 now on sale.
Further talent involved includes dynamic sister duo Amber Davies (9 to 5; Love Island) and JadeDavies (Les Misérables; The Phantom of the Opera) as Side Show’s conjoined twins, alongside Katie Deacon (Mary Poppins; An American In Paris) showcasing the original A Chorus Line choreography by Michael Bennett. The track for this stunning rendition of ‘Music and the Mirror’ has been provided by Antonio Banderas’ Malaga-based Theatre company Teatro del Soho, following their acclaimed Spanish-language revival. Academy Award and Tony nominee AntonioBanderas will also be sharing his knowledge of the production in an extra special exclusive interview for The Theatre Channel, featured in the episode. Continue reading “News: All-star musical anthology series The Theatre Channel returns”
Composer, lyricist and performer Matthew Harvey has been announced as an associate artist at the Barn Theatre and to mark the occasion, they’ve released the debut recording of his song ‘Only A Moment’ featuring West End stars including Courtney Stapleton, Tyrone Huntley, Alexia Khadime & Emma Kingston.
The Sorcerer’s Apprentice brushes up well as a classy and confident new British musical
“You must be a young lady of extraordinary power”
Thwarted out of its planned run at the Southwark Playhouse at the beginning of the year, The Sorcerer’s Apprentice has worked its own kind of magic to re-emerge as an online production, available now to stream at stream.theatre over the next couple of weeks. And we should be mighty glad that it has, as it turns out to be a refreshing twist on familiar material, family-friendly without talking down to its audience and ultimately, a really rather lovely new British musical .
Acknowleding the relative paucity of Goethe’s original poem, Richard Hough’s book imagines a much richer world in which brooms can eventually go crazy. The show is set in Midgard, a place up in the far north with a unique and precarious relationship to the aurora borealis, one which is challenged by the desire for economic progress. There, only a single-father sorcerer and his rebellious daughter exploring her own magical potential can save the day, but they can barely talk properly together. Continue reading “Review: The Sorcerer’s Apprentice”
It’s a theatre that reliably creates memorable Christmas productions so it is good to hear that Forever Plaid will return to Upstairs at the Gatehouse from 16th December. The cast features Cameron Burt, George Crawford, Christopher Short and Alexander Zane, with Ian Oakley (musical director) and Jess Martin.
“I have not a bad word to say, about small towns. Per se.”
Expectations were high, how could they not be. Following on from the extraordinary success of Matilda, Tim Minchin’s next foray into musical theatre was to an adaptation of the 90s movie Groundhog Day, playing a two month run at the Old Vic ahead of a presumed Broadway transfer (a move that has had a little doubt cast on it by the withdrawal of major producer Scott Rudin). Now full disclosure, I saw it in its first week thanks to the PWC £10 tickets and the show went for a full month of previews before officially opening, so feel free to take my opinion with a pinch of salt.
For I did not enjoy Groundhog Day, at all. Worse than that, I was bored by it – at least hating something rouses some form of passion, but as Danny Rubin’s book cycled round and round and Minchin’s not unpleasant but in no way striking score dissipated into the ether, I wondered if Rudin might not have had the right idea. There’s a stellar performance from US import Andy Karl as the central Phil, carved out of that leading man material that is particularly American, but for me there was just too little magic emanating from Matthew Warchus’ direction to elevate the material.
Running time: 2 hours 30 minutes (with interval) Booking until 17th September