As Crazy Coqs prepares to hopefully open on May 17th, they have an exciting programme of online shows to keep you entertained until then. Book in now for Julian Ovenden, David Soul, Giles Terera, Ute Lemper, Nerina Pallot and Benjamin Scheuer and Jim Moray.
Supporting the COVID-19 Emergency Relief Fund Featuring over 150 performers and musicians, reunited from across the world to present a truly unique, memorable and breath-taking performance of ‘All That Jazz’ from the legendary Kander and Ebb musical Chicago. Bringing together former Broadway, West End and International Tour company members, ‘All That Jazz’ provides plenty of razzle dazzle, featuring award winning stars that played the roles of Velma Kelly, Roxie Hard and Billy Flynn including Ute Lemper, Sally Ann Triplett, Debbie Kurup, Bonnie Langford, Sue Kelvin, Ian Kelsey, Michael Greco, David Hasselhoff, Annette McLaughlin, Gaby Roslin, and many more.
Text “SUPPORT” to 70111 to donate £5, or 70007 to donate £2 (UK ONLY) or donate any amount at www.madtrust.org.uk/covid
“A lot of people have lost faith in America”
I quite like the film version of Chicago but was surprised by the extent to which I had internalised its soundtrack upon listening to this London Cast Recording from 1997. Part of that lies in the fact that it is good few years since I’ve seen it onstage but there’s no excuse really, for a theatre nut like me. And sure enough, surrendering to the thrill of Ruthie Henshall and Ute Lemper here was a genuine pleasure and a great way to revisit Kander & Ebb’s score.
Henshall’s Roxie and Lemper’s Velma are surely among the best that these characters have ever been sung. The unrelenting stunt casting that kept the show a West End presence perhaps devalued the music a bit but in these hands, with these voices, you come to really appreciate the emotional complexity and proper darkness of these women and what they’re forced to do in order to keep their head above water and then some. Continue reading “Album Review: Chicago (1997 London Cast Recording)”
“Sometimes I stand in the middle of the floor”
With the National’s highly anticipated production of Follies (Dominic Cooke directing a cast of 37 and an orchestra of 21, lest you forget) about to start previews in a week’s time, I thought I’d listen to about a hundred different versions of perhaps its most famous song – ‘Losing My Mind’ – and try and decide on a top ten, with the assumption of course that whatever Imelda Staunton will do with the song will be completely, utterly, life-changingly extraordinary (no pressure Meldz).