Ivo van Hove’s take on All About Eve ticks all my boxes at the Noël Coward Theatre, great work from Gillian Anderson, Lily James and a stellar Monica Dolan
“I’ll admit I may have seen better days, but I’m still not to be had for the price of a cocktail, like a salted peanut”
This isn’t the production to change people’s mind about Ivo van Hove. His style is so thoroughly ingrained, his team of collaborators so deeply embedded, that you couldn’t play a drinking game watching one of his shows and stay standing. Live video feed, drink! Backstage people wandering round, drink! A moody slow rise, drink! But what you also get is an amazing calibre of actor throwing themselves headlong into the work, ever-innovative ways of using theatrical space, and the kind of emotional intensity that remains rare. Drink drink drink!
Now that we’re comfortably sloshed, I can tell you that I loved All About Eve (and I only had one G&T, honest). You’ll have to look elsewhere for critiques on how good an adaptation of Joseph L Mankiewicz’s film of the same name and Mary Orr’s play The Wisdom of Eve it is, I ain’t seen either and wanted to go into this sight unseen. What I can talk about is the startling insight offered by the actress’s-eye view, projected onto screens from a camera built into a dressing room mirror. About Gillian Anderson’s titanic performance. About Sheila Reid’s welcome return to the stage. About Monica fucking Dolan. Continue reading “Review: All About Eve, Noël Coward Theatre”
So much to keep on top of – pics from All About Eve, videos from Waitress, foodie secrets from Gingerline and casting news from Emilia
We’re just three weeks away from All About Eve starting previews and these rehearsal pics ought to whet anyone’s appetite.
And more importantly if you’ve not booked yet, details have been released about day seats and a front row lottery – this will definitely not be one to miss.
Day Seats: Available in person at the Box Office from 10am on a first come, first served basis. Maximum x2 per person. Limited availability. £25.00 per ticket.
Front Row Lottery: In partnership with Today Tix. More information on how to enter will be announced on the All About Eve social media channels from Friday 25 January 2019. Maximum x2 per person. £25.00 per ticket. Continue reading “Some goodies for a cold January Thursday”
A strong opening concept makes the first half of series one of Liar a must-see, until convention creeps in to mar the second.
“I feel like I’m in Dawson’s Creek“
From the very beginnings of Liar, it is tough to like central character Laura Nielson. She’s the type of person who goes canoeing in the morning before going to work, she’s the kind of secondary school teacher who happily flips the bird to unruly students, heck she even sings to Sam Smith in the shower. But before you can get too annoyed with her for being someone who doesn’t prebook her taxi before going on a date, the hammer blow of date rape lands heavily to reshape our preconceptions.
The cleverness of Harry and Jack Williams’ series, at least for its first few episodes, is how it toys with those expectations. As Laura reels from the aftermath of her dinner with handsome surgeon Andrew Earlham, the shattered narrative structure flits repeatedly from present to past as it also switches perspective. It’s a neatly disorientating device that constantly calls into question the ‘truth’ of what we’re hearing or seeing, really ramping up the ‘he said she said’ format as consequences unravel dramatically for the both of them. Continue reading “TV Review: Liar (Series 1)”
“We have done it for so long. It is who we are. It has to happen”
A play about FGM – female genital mutilation – could never be easy to watch, it should never be easy to watch. But the genius of Charlene James’ Cuttin’ It – initially written for radio and now expanded with direction from Gbolahan Obisesan – is that it makes it essential to watch, theatrical but still truthful, fierce and yet fearless, if you’re more shell-shocked at the end of a play this year, I’d be surprised.
Told in the form of overlapping monologues from fifteen-year-old Somali-born teenagers Muna and Iqra, Cuttin’ It tells of two very different young women. Muna has been in the UK since she was three, Iqra arrived as a refugee when she was ten and though they now attend the same school, there’s worlds between them. But they have something in common, FGM, and in the space of just over an hour, we see just how much. Continue reading “Review: Cuttin’ It, Young Vic”