Rafe Spall and Esther Smith impress in British comedy Trying, helped by the likes of Imelda Staunton and Cush Jumbo
Just a quickie for this, as I’ve only just started to actually have a look at what is on AppleTV since they decided to extend my free trial. Created and written by Andy Wolton, Trying is a rather sweet and very typically British sitcom that follows Jason and Nikki, a 30-something couple as they struggle to conceive naturally and decide that they would like to adopt. Led by Rafe Spall and Esther Smith, the show is lots of fun and is blessed with some wonderful supporting performances.
Forever skirting that comedy/drama line, Trying is unafraid of tackling some rather meaty issues. Infertility and what that does to a couple, the inequities of the adoption system, funding for ESOL classes… And even the simplest idea of how relationships grow and are tested by the act of self-reflection – how do you measure achievement when London property prices lock you into renting forever and opportunities to climb the job ladder are way too few and far between. Continue reading “TV Review: Trying (Apple TV)”
James Graham’s Quiz makes a marvellous leap from stage to screen
“People still want to gather as a nation, to experience something big together”
Not a huge amount to say about the TV adaptation of James Graham’s Quiz, a show I enjoyed in the West End, not least because of its interactive elements (even if we lost). It bloomed in the televisual treatment, losing a little of its structural intricacy but gaining a narrative through-line that really worked, the explosive arrival of Helen McCrory’s QC making it worth the while. And the story remains as intriguing as ever, though just as free from doubt for me.
They totally did it, right – the Ingrams may have been stitched up in court by the tinkered-with evidence (and credit to Matthew Mcfadyen and Sian Clifford for two excellent performances) – but they totally did it. Fun to see cameos like Paul Bazeley’s Lionel from Legal and Maggie Service’s Kerry the Floor Manager, and original cast members like Sarah Woodward and Keir Charle too.
Despite an excellent cast, Robert Holman’s Making Noise Quietly gains little in this transfer to the big screen
“I think you’re being very hard on him”
Being asked to review things is always a privilege but when the matter at hand is based on a play I found interminably dull, it can be a tricky business. Directed by Dominic Dromgoole, Making Noise Quietly is based on an elliptical triptych of short plays by Robert Holman, all centred on the human effects of war.
From 1944 to 1982 and then on again to 1996, the film examines how the shellshock of major conflict can reverberate all the way back to the home front, and the varying routes it can take. From conscientous objectors to death in service to inescapable cycles of abusive and violence, the scope is huge. Continue reading “Film review: Making Noise Quietly (2019)”
Ahead of the film’s release on 19th July, a new trailer has been released for Making Noise Quietly
“Not with those muddy boots on”
Since his decade at the helm of Shakespeare’s Globe, Dominic Dromgoole has turned his hand to Oscar Wilde seasons with his new theatre company Classic Spring and has also set up the film company Open Palm Films – no resting on his laurels here. Not only that, but he’s also now making his directorial feature film debut with an adaptation of Robert Holman’s Making Noise Quietly. Continue reading “Film news: trailer for Making Noise Quietly released”
“I’ve learned though bitter experience that the last thing to do with Norman is take him seriously. That’s exactly what he wants.”
What to do with theatre vouchers? Trying to find the kind of theatrical experience that I might not normally have splashed out on isn’t always the easiest, so Chichester Festival Theatre’s announcement that their staging of Alan Ayckbourn’s The Norman Conquests would be in the round, and that onstage ‘terrace’ seating would be available, a plan fell into place. And so for two of the three plays, I was up onstage (in different seats) and for the third, down in the stalls.
Seeing the plays from different perspectives felt appropriate as that is the nature of Ayckbourn’s trilogy written in 1973. Three times we visit the same group of six characters over the same weekend but based in a different part of the house. So (in the order I saw them on this trilogy day, a couple of days before press night I should add), Table Manners is set in the dining room, Living Together in the living room, and Round and Round the Garden is in the attic*. Continue reading “Review: The Norman Conquests, Chichester Festival Theatre”
Love’s Labour’s Lost
Gemma Arterton and Michelle Terry (almost) in the same play, how my heart doth beat. Sam Yates’ Love’s Labour’s Lost combines Arterton and David Dawson dashing delightfully through the corridors of the Royal Palace of Olite of Navarre, Spain as Berowne and Rosaline, whilst drawing in elements from the gorgeous 2009 production at the Globe – one of my favourite clips from the whole Complete Walk.
Continue reading “The Complete Walk, from the comfort of your sofa #7”