After a premiere in Birmingham last year…
Sean Mathias’ production of The Exorcist has resurfaced in the West End just in time for Hallowe’en in the hope of recreating the chills and thrills of the 1973 movie, despite the fact that it is notoriously difficult to get horror right in the theatre.
We saw a preview and there may have been wine involved, hence the gif mood-board presented here rather than your fully-fleshed review. So… Continue reading “Review: The Exorcist, Phoenix”
This year’s iteration of the Norfolk and Norwich Festival 2017 runs from 12 – 28 May and with it comes a substantial programme of circus, literature, classical and contemporary music, dance, family activities, performance, theatre, visual arts and The Adnams Spiegeltent that befits the fourth biggest arts festival in the country.
Eyecatching inclusions include
“Is that blood on the ceiling?”
Like many things in this country, the National Health Service is something that we all love to complain about – long waiting lists, jam-packed A&E departments, staff without any time to pay enough attention. But it is also an institution that many of us have cause to give huge thanks for, so to see it gradually decimated from within by insidious Coalition politics is a bitter pill indeed to swallow, though it is one which we have taken without too much complaint. Stella Feehily’s This May Hurt A Bit marries her own recent experiences of our health service with an overtly political study of how it has gotten into its current state and how we have let this happen.
Perhaps unsurprisingly, the personal inflections to her writing produce the most effective part of the play. Her partner, who just happens to Max Stafford-Clarke who directs here, suffered a stroke a few years ago and from their interactions with the NHS, comes the story of the elderly Iris and her family who are sucked into the system when she falls ill with a suspected stroke. Stephanie Cole brings a hugely affecting dignity to the role, laced with a cutting sense of humour, as she tolerates the mayhem of a modern overstretched hospital ward and her two adult children (Brian Protheroe and Jane Wymark) bicker by her bedside about whether they should go private or not. Continue reading “Review: This May Hurt A Bit, St James Theatre”
“That damned woman”
Cause Célèbre is perhaps one of the most eagerly awaited events of the Terence Rattigan centenary celebrations, being directed by Thea Sharrock who helmed the multi-Olivier-winning After the Dance at the National Theatre last year. She brings this play, the last to be written by Rattigan in 1976 before his death the next year, to the Old Vic featuring the return to the stage of Anne-Marie Duff, alongside Niamh Cusack and a large supporting cast. This was a preview performance and I attended as part of the What’s on Stage group outing.
The play is based on the 1930s real-life story of Alma Rattenbury, a woman nearly 40 accused and put on trial for murdering her elderly husband along with her 18-year old lover. Society was scandalised and enthralled by the trial, not necessarily because of the crime but because of the moral profligacy that was perceived in Alma taking such a young lover, and one who was her servant to boot, and it is the attitudes of society that Rattigan focuses on. He introduces the fictionalised character of Edith Davenport into the narrative, a woman of very traditional values who is the forewoman of the jury hearing Alma’s case, yet who is struggling with her own issues as she is divorcing her feckless husband and dealing her son who has inherited his father’s taste for debauchery (as she sees it), a crucial point being that he is the same age as Alma’s lover, something which clouds her judgement from the start. Continue reading “Review: Cause Célèbre, Old Vic”
My intention is, honestly, to see less theatre this year and try and regain some semblance of a normal life again on the odd evening. But the curse of advance booking and grabbing cheap(er) tickets whilst you can has meant that there’s already an awful lot of theatre booked for 2011. Some have been booked without a huge deal of enthusiasm, but others have a dangerous amount of anticipation attached to them…and so I present to you, the shows I am most excited about seeing this year (so far).
Antonioni Project – Toneelgroep Amsterdam at the Barbican
The Roman Tragedies was hands down one of the most exhilarating and refreshing theatrical experiences of 2009 and possibly my life, I’m even headed to Amsterdam in May to see a surtitled production of their Angels in America. So when I heard that the same Dutch theatre company were returning to the Barbican in February, tickets were booked instantly and I am feverishly over-excited for this now! Continue reading “Shows I am looking forward to in 2011”