A new series of monologues, curated and produced by Michelle Collins alongside the Equity Benevolent Fund, has been released online for charity. Entitled “#FortheLoveofArts”, the scheme sees acting talent come together to raise funds for beleaguered artists and individuals during the ongoing pandemic.
Appearing in the series are Lesley Manville, Ian McKellen, Adjoa Andoh, Miriam-Teak Lee, Derek Jacobi, Layton Williams, Sue Johnston, Jason Watkins, Sanjeev Bhaskar, Pearl Mackie and more. Some of the monologues are brand new works penned especially for the series.
The monologues can be viewed on the Equity Benevolent Fund’s YouTube channel.
“I don’t really need to look very much further”
As The Bodyguard is soon to close in the West End with a UK tour scheduled for early next year, it seemed as good a choice as any for a Friday night out with the girls and a few bottles of wine. I saw the show when it first opened and recognised it exactly for what it is, uncomplicated blockbuster fun, and so I was happy to revisit. One of the sadder things about the continuation of the run though has been the move to star casting – I didn’t see Beverley Knight so I can’t comment on her performance but the current incumbent of the Rachel Marron role, immortalised by Whitney at the cinema, is X-Factor winner Alexandra Burke, a singer with no theatre experience.
Did it matter? It’s hard to tell in the end – she has the requisite booming voice to deliver the selections from Whitney’s back catalogue that are scattered through the show, although she really cannot resist the misguided inclination to throw in extra licks, riffs and wobbles into every single number, as if to prove a point that no-one is making. And her acting is neither here nor there, falling back on a lot of gesticulation to say what’s she saying and against a male lead part that asks nothing of Tristan Gemmill but to look craggy and an understudy on for sister Nicki (her singing voice strong but whose spoken accent was truly transatlantic, as Welsh as it was American), fitting right in.
Continue reading “Re-review: The Bodyguard, Adelphi Theatre”
“The consequences of doing the right thing…”
Cape Wrath, or Meadowlands as it was retitled for the US market, was a 2007 TV drama which aired on Channel 4, following the fortunes of a family who have to enter a witness protection programme in an idyllic new neighbourhood but increasingly find that they may just have jumped from the frying pan into the fire. Lucy Cohu stars as the matriarch of the family, Evelyn Brogan, who with her twin children have been uprooted due to some unspecified incident that involved her husband, David Morrissey’s Danny and over the eight episodes of the show, it proves a good showcase for her talents.
Created and largely written by Robert Murphy, the story unwinds as a psychological thriller as the Brogans struggle to come to terms with their new way of life and find many a mystery which keeps their paranoia levels justifiably high. Morrissey’s Danny is the main investigator of the strange goings-on around him as his testy relationships with Nina Sosanya’s Samantha, the bureaucrat who runs the programme, Ralph Brown’s magnificently moustached policeman and Tom Hardy’s lascivious handyman with an eye on his daughter instantly put him on guard as he soon clocks that something suspicious is going on in their new home. Continue reading “DVD: Cape Wrath / Meadowlands”