Punk becomes very hard-going in a raucous but overlong Jubilee at the Lyric Hammersmith
“Welcome to “Jubilee”. An iconic film most of you have never even heard of, adapted by an Oxbridge twat for a dying medium, spoiled by millennials, ruined by diversity, and constantly threatening to go all interactive. You poor fuckers.”
There’s a sense of Chris Goode’s adaptation of the 1978 Derek Jarman film Jubilee getting out ahead of itself as one of its key characters delivers the above speech pretty much as we begin. But no amount of self-awareness can give this production enough life to sustain its punkish attitude over a bloated running time.
Running at a reconfigured Lyric Hammersmith (design by Chloe Lamford) after playing the Royal Exchange late last year, there’s a definite statement of intent from the very beginning as the queer inhabitants of a squat take up residence. Cocks are waved, breasts are bared, queens are transported (Lizzie One Point Zero) and new kweens established, Travis Alabanza’s Amyl Nitrate. Continue reading “Review: Jubilee, Lyric Hammersmith”