Review: The Clockmaker’s Daughter, Trinity Laban

“We only have so much time”

I don’t often make it to drama school productions but an invitation to see The Clockmaker’s Daughter at Trinity Laban Conservatoire of Music and Dance was one I found hard to resist. I loved the Michael Webborn and Daniel Finn musical when I saw it premiere at the Landor last year and whilst we wait patiently for a cast recording (I asked Santa again and I have been a good boy this year…), this felt like an ideal opportunity to revisit the show, appropriate too as Webborn is an alumnus of this very institution.

So, The Clockmaker’s Daughter was presented here by Trinity Laban’s final year Musical Theatre students, with two teams of lead performers sharing the four shows and the rest of the company doing them all. And it’s impressive to think that there’s this much talent to share the roles, especially with the quality of Lucy Elson’s confident turn as the titular Constance. Both vocally and acting-wise, she demonstrated an impressive maturity that could well mark her as one to watch in the future. Continue reading “Review: The Clockmaker’s Daughter, Trinity Laban”

Album Review: Prodigy (Original Cast Recording)

“I wanna play my own kinda song
With no one to tell me its wrong”

Jake Brunger and Pippa Cleary’s musical Prodigy was commissioned and developed by the National Youth Music Theatre and received its premiere last summer, inconveniently whilst I was on holiday, and so I’m glad to say that an Original Cast Recording has now been released in cahoots with the good folk of Auburn Jam Records. It was a busy year for Brunger and Cleary as their musical of The Secret Diary of Adrian Mole Aged 13 ¾ also opened in Leicester and even more so when you discover how Prodigy was developed.

Set behind the scenes of a barely fictional reality TV show to find Britain’s best upcoming classical musician, we delve into the lives of the five young finalists in all their teenage awkwardness, social stuntedness and parental pressure. And drawing on the talents of the NYMT available to them, the writers tailored the material to actor-musician roles, allowing the leads to play off their skills and not just them, more than half of the cast of 27 play some kind of actor-musician part, not bad for a bunch of 11-23 year olds. Continue reading “Album Review: Prodigy (Original Cast Recording)”