Following its opening at the Watermill Theatre, a critically acclaimed sell-out tour in 2019, a highly successful Christmas season at The Other Palace in 2019, a Grammy nomination and 3 Olivier Award nominations, Amélie The Musical arrives in the heart of the West End this summer. Following the government roadmap announcement, tickets are on sale now for a socially distanced audience at the Criterion Theatre from Thursday 20 May. Olivier-nominee Audrey Brisson (The Elephantom, Pinocchio and Pericles (National Theatre), The Flying Lovers of Vitebsk (Kneehigh), and The Grinning Man
(Bristol Old Vic)), will return to the role of ‘Amélie’.
The five–time Oscar®-nominated film will be brought to life once again by a cast of actor-musicians and set to a critically acclaimed re-orchestrated score. With music by Hem’s Daniel Messé, lyrics by Nathan Tysen and Daniel Messé and book by Craig Lucas, Amélie The Musical is directed by Michael Fentiman. The full cast includes Sioned Saunders as Gina, Flora Spencer-Longhurst as Georgette, Rachel Dawson as Amandine/Philomene, Oliver Grant as Lucien/Mysterious Man, Chris Jared as Nino Quincampoix, Caolan McCarthy as Hippolito/Elton John, Samuel Morgan-Grahame as Joseph/Fluffy, Kate Robson-Stuart as Suzanne, Jack Quarton as Blind Beggar, Jez Unwin as Raphael/Bretodeau and Johnson Willis as Collignon/Dufayel. Nuwan Hugh Perera, Miiya Alexandra, Robyn Sinclair and Matthew James Hinchliffe complete the ensemble. Continue reading “Musical news aplenty”
An interesting set of nominations from The Stage which range from the inspired to the incredible (in the bad sense) – trying to encompass all theatre will always have its trials but who in the world thought Robbie Williams deserved the nod here?!
Best performer in a play – sponsored by Audible
• Saida Ahmed for Little Miss Burden at the Bunker, London
• Katie Erich for Oliver Twist at Leeds Playhouse (in a co-production with Ramps on the Moon)
• Brooklyn Melvin for Oliver Twist at Leeds Playhouse (in a co-production with Ramps on the Moon)
• Daniel Monks for Teenage Dick at the Donmar Warehouse, London
• Rachel Nwokoro for Little Baby Jesus at the Orange Tree Theatre, London
• Jessica Rhodes for The Sugar Syndrome at the Orange Tree Theatre, London
• Khai Shaw for Little Baby Jesus at the Orange Tree Theatre, London
• Bobby Stallwood for Faith, Hope and Charity at the National Theatre, London Continue reading “Nominees for The Stage Debut Awards 2020”
An extraordinary piece of boundary-pushing musical theatre, Preludes is a special delight at the Southwark Playhouse
“Dangling on the melting edge of sleep”
You’d think there would come a point where it barely seems worth mentioning that musical theatre is a genre which contains multitudes, yet the stereotypical image of jazz hands prevails, people so easily writing off ever seeing any musical. I’m not saying that Dave Malloy’s Preludes would be the first choice to try and convince them otherwise, but it would certain shatter their preconceptions.
Malloy’s study of a crucial period in the life of Russian composer Sergei Rachmaninov is startlingly imaginative. Using the hypnotherapy sessions Rach endured in real life, Malloy delves into the realm of all their possibilities, to explore the demons that plague him, the complexity of his creative process, the society that trammels him, endlessly slipping between past and present, fantasy and reality. Continue reading “Review: Preludes, Southwark Playhouse”