Review: The Theatre Channel – Episode Six: Showstoppers

Danny Mac, Kerry Ellis and Layton Williams star in The Theatre Channel – Episode Six: Showstoppers, with added Antonio Banderas

“Let’s go on with the show”

The beauty of so many theatrical things going digital is that it is now harder to properly miss out on something. Episode Six of The Theatre Channel, subtitled Showstoppers, aired last month but I let it slip me by – fortunately it is available on demand so in advance of dipping into its newest Rodgers and Hammerstein tribute, I gave it a shot.

And I’m glad I did, as it very much indulged my inner theatrical nerd by stretching its definition of showstopper way beyond the Phantom and Les Mis classics you might have expected them to plump for. Instead, we get hits from the likes of The Last Five Years, Sideshow, If/Then and Annie Get Your Gun, proving that wonders well beyond the West End hits. Continue reading “Review: The Theatre Channel – Episode Six: Showstoppers”

Nominations for the 2020 Drama Desk Awards

Outstanding Play
The Inheritance, by Matthew Lopez
Heroes of the Fourth Turning, by Will Arbery, Playwrights Horizons
Cambodian Rock Band, by Lauren Yee, Signature Theatre
Greater Clements, by Samuel D. Hunter, Lincoln Center Theater
Halfway Bitches Go Straight to Heaven, by Stephen Adly Guirgis, Atlantic Theater Company/LAByrinth Theater Company

Outstanding Musical
A Strange Loop, Playwrights Horizons/Page 73 Productions
Octet, Signature Theatre
The Secret Life of Bees, Atlantic Theater Company
Soft Power, The Public Theater
The Wrong Man, MCC Theater Continue reading “Nominations for the 2020 Drama Desk Awards”

Review: High Fidelity, Turbine Theatre

A complete lack of charm makes this musical adaptation of High Fidelity tough-going at the Turbine Theatre

“Ian’s here
To offer a safe haven
Where you can be yourself
Unshackled and unshaven.”

I’d forgotten about Natalie Imbruglia, so I was happily grateful for the (albeit sneering) reminder about her in High Fidelity and popped her greatest hits on on the way home from Battersea’s Turbine Theatre. I was not tempted to listen again Tom Kitt’s score, which is a bit of a problem when you’ve just seen a new musical. It’s indicative of this choice of production at this new theatre, which at best could be described as curious, though problematic feels closer to the truth.

Though Nick Hornby’s novel and its inevitable cinematic adaptation garnered a level of popularity, they were very much products of their time, the 90s in microcosm. And David Lindsay-Abaire’s US adaptation, retooled here for the UK by Vikki Stone, does little to adjust that, ultimately coming up with something that already feels like a period piece. Oh look a geek, haha! Oh look a vegan, hahaha! Oh look a woman who’s way out of my league who was somehow my girlfriend and who I will stalk until she gets back together with me, hahahahahaha. Continue reading “Review: High Fidelity, Turbine Theatre”

Album Reviews: Over the Moon: The Broadway Lullaby Project / Mamma Mia / Il Divo – A Musical Affair

This trio of album reviews covers Over the Moon: The Broadway Lullaby Project, Mamma Mia! The Movie Soundtrack and Il Divo – A Musical Affair

“You know I’ve got
So much that I wanna do”

Over the Moon: The Broadway Lullaby Project has an amazing list of performers, composers, and musicians behind it, all coming together to create a 2-CD set and 48-page children’s book to benefit breast cancer research, support and education. And rather wonderfully, it is an utterly gorgeous record. Brilliant jazz musicians accompany writers like Michael John LaChiusa, Adam Gwon and Kristen Anderson-Lopez & Robert Lopez in indulging their gentler side to create the prettiest tunes. And then a cast of dreams sing them – just listen to Raúl Esparza’s aching tenderness on ‘This Little World’, or Donna Murphy’s crystal clear ‘Lucky’ (by Stephen  Schwartz) – we should all be so lucky to be lulled to sleep this way. Continue reading “Album Reviews: Over the Moon: The Broadway Lullaby Project / Mamma Mia / Il Divo – A Musical Affair”

Nominations for the 2018 Drama Desk Awards

Outstanding Play
Admissions, by Joshua Harmon, Lincoln Center Theater
Mary Jane, by Amy Herzog, New York Theatre Workshop
Miles for Mary, by The Mad Ones, Playwrights Horizons
People, Places & Things, by Duncan Macmillan, National Theatre/St. Ann’s Warehouse/Bryan Singer Productions/Headlong
School Girls; Or, The African Mean Girls Play, by Jocelyn Bioh, MCC Theater

Outstanding Musical
Desperate Measures, The York Theatre Company
KPOP, Ars Nova/Ma-Yi Theatre Company/Woodshed Collective
Mean Girls
Old Stock: A Refugee Love Story, 2b Theatre Company/59E59
SpongeBob SquarePants Continue reading “Nominations for the 2018 Drama Desk Awards”

Nominations for 2017-2018 Outer Critics Circle Awards

John Gassner Playwriting Award
Kate Benson, [PORTO]
Jocelyn Bioh, School Girls; Or, the African Mean Girls Play
Lindsey Ferrentino, Army and the Orphans
Meghan Kennedy, Napoli, Brooklyn
Dominique Morisseau, Pipeline

Outstanding Actor in a Musical
Harry Hadden-Paton, My Fair Lady
Joshua Henry, Carousel
David M. Lutken, Woody Sez
Conor Ryan, Desperate Measures
Ethan Slater, SpongeBob SquarePants
Continue reading “Nominations for 2017-2018 Outer Critics Circle Awards”

Album Review: Bring It On: The Musical (2012 Original Broadway Cast Recording)

“Even mocking cheerleaders cannot hide the emptiness in my soul”

Before Hamilton, but after In The Heights, Lin-Manuel Miranda found the time to write the score to the musical adaptation of one of my legit favourite films, the Kirsten Dunst-starring high school cheerleader classic Bring It On. With Tom Kitt and Amanda Green, Miranda brings a defiantly 90s feel to the sound of Bring It On: The Musical, an interesting choice that doesn’t always necessarily work but is fascinating with it.

The story has been changed a little from the film from what I could make out but the bones of it remain the same – intense rivalries both within high school and with other high schools culminating the cheer-off of all cheer-offs at National where everyone has to ‘bring it’. And reflecting the urban diversity of this world, elements of pop, RnB and hip-hop are easily folded into the Broadway template make this modern, if weirdly dated, score. Continue reading “Album Review: Bring It On: The Musical (2012 Original Broadway Cast Recording)”