Despite that title, The Guernsey Literary and Potato Peel Pie Society proves unremarkable in its gentle cosiness
“Everyone lost someone in this war”
Directed by Mike Newell and written by Don Roos and Tom Bezucha from the novel of the same name by Mary Ann Shaffer and Annie Barrows, The Guernsey Literary and Potato Peel Pie Society really ought to have hit the spot for me. Women-heavy wartime story – check, a cast including Lily James and Katharine Parkinson – check, and a title you can’t help but misremember.
But it never really clicks into gear as greater than the sum of these parts, sticking at a tone of gently cosy which is never offensive, but rarely remarkable with it. Set just after the end of the Second World War in 1946, the plot follows a London-based writer who becomes fascinated by the experience of the residents on the island of Guernsey which, lest we forget, was under German occupation. Continue reading “DVD Review: The Guernsey Literary and Potato Peel Pie Society (2018)”
“Everyone knows it’s the start of the Third World War”
Written in 1977 about events in 1948, there can be a temptation to dismiss the campery and dated gender politics and racial stereotyping of Privates on Parade as outdated and offensive. An argument could be made – and it is one that I have made myself before – that such notions need to be interrogated and challenged by productions. But equally, when the writing is intelligently nuanced and the direction sensitively done, audiences can be left to do this for themselves.
And so it is – I find – with Peter Nichols’ play with songs, presented here by Kirk Jameson at the Union. Take the time to delve beneath the surface and you’ll soon see there’s incisive commentary about the insidious nature of colonialism, about the personal freedoms that can be explored when released from the social strictures of home, about the contemporary lack of opportunities for women, about how war is an equal opportunities offender when it comes to shattering happiness, whether gay or straight. Continue reading “Review: Privates on Parade, Union Theatre”