The Almeida’s Summer and Smoke transfers into the West End at the Duke of York’s Theatre to great success. And Patsy Ferran is a star.
“Reaching up to something beyond attainment…”
The Almeida’s Summer and Smoke was a huge hit in the spring so it was little surprise to hear a West End transfer was on the cards (especially compared to, say, The Twilight Zone…). And it has transplanted to the Duke of York’s in fine shape, Tom Scutt’s set losing none of its invitingly curved intimacy as it replicates the bare bricks of the N1 venue.
And Rebecca Frecknall’s production has lost none of its charge, mainly through retaining the electric chemistry between its leads – an exceptional Patsy Ferran as Alma and Matthew Needham as John. The complex emotional connection between their characters is the heart of the play and the stark simplicity of the staging reflects that from the outset. Continue reading “Re-review: Summer and Smoke, Duke of York’s”
A rarely performed Tennessee Williams emerges as a real gift in the form of Rebecca Frecknall’s Summer and Smoke at the Almeida
“I’m more afraid of your soul than you’re afraid of my body”
When ‘director’s theatre’ looks and feels like this, it’s hard to believe that anyone would take against it. Director Rebecca Frecknall, aided by designer Tom Scutt, throws out the rulebook when it comes to Tennessee Williams, and comes up with something beautiful, something that genuinely feels like Williams for a contemporary age.
It helps that Summer and Smoke is relatively unheralded among his vast canon. And that the Almeida under Rupert Goold is as close as you’ll come to a director’s theatre. But the key is Frecknall’s vision of a world unmoored from the turn-of-the-century Mississippi setting and relocated to somewhere altogether more elemental. Continue reading “Review: Summer and Smoke, Almeida Theatre”
Starting off the new brightly, the full cast of the Almeida’s production of Summer and Smoke has been announced.
Joining Patsy Ferran in the revival of Tennessee Williams’ play will be:
- Seb Carrington (Archie Kramer)
- Nancy Crane (Mrs Winemiller/Mrs Bassett)
- Eric MacLennan (Papa Gonzales/Vernon)
- Forbes Masson (Rev Winemiller/Dr Buchanan)
- Matthew Needham (John Buchanan)
- Tok Stephen (Roger Doremus/Dusty), and
- Anjana Vasan (Rosemary/Rosa Gonzales/Nellie).
Rebecca Frecknall directs, with Tom Scutt on design duties and Lee Curran on the lights . Summer and Smoke opens at the Almeida on 7th March for a month-long run.
“I’d rather walk in blood than walk a slave for he thy Emperor!”
For every Blue Stockings, there’s been a Pitcairn, with a Bedlam inbetween. No matter the AD, the commitment to new writing in the later part of the summer season at Shakespeare’s Globe has thrown a marked inconsistency. And Tristan Bernays’ Boudica proves no different, given an ambitious production by Eleanor Rhode which strives a little too hard to situate the play in an Emma Rice house-style, fun as it may come across.
So Game of Thrones-style storytelling mashes up against spirited covers of the likes of ‘London Calling’ and ‘I Fought The Law’, a great sense of energy percolating through this wooden O. But Bernays’ play doesn’t always fit easily with this treatment, written in blank verse that has to balance the required info-dump to flesh out this historical fiction with something more fascinatingly insightful about what might have driven the Queen of the Iceni. Continue reading “Review: Boudica, Shakespeare’s Globe”