Disney’s Olivier Award-winning stage musical Beauty and the Beast has announced the cast to star in the re-imagined and re-designed new production. Staged by members of the original award-winning creative team, Beauty and the Beast will open a UK & Ireland Tour at The Bristol Hippodrome on Wednesday 25 August 2021 (National Press Night: Wednesday 29 September).
Courtney Stapleton and Emmanuel Kojo will play the iconic lead roles, Belle and her Beast, as spectacular new designs and state-of-the-arttechnology fuse with the classic story, bringing the beloved tale to new life. Courtney’s credits include Dear Evan Hansen, Six, Les Misérables and Bat Out of Hell, and Emmanuel is best known for performing in Oklahoma!, Girl from the North Country, Show Boat and The Scottsboro
Boys. Continue reading “News: Beauty and the Beast reveals its UK tour cast”
The curtains are lifted once again for Curtains as it is available to watch online again
“I’m sorry but this theatre is in quarantine”
I enjoyed the Kander & Ebb musical Curtains when it made its long-awaited West End debut over the festive period, and was saddened when its ambitious UK tour had to be curtailed once lockdown was enforced. The producers had filmed a performance from early in the run though for their archive and have generously made it available to watch through their website here. And for the completist in me, it has turned out well as it meant I have the opportunity now to see Ore Oduba in the role that Andy Coxon covered for the West End stint.
Paul Foster’s production is great fun, full of wryly comic performances (Samuel Holmes is a standout here), stunning dance (Alan Burkitt – swoon!) and musical theatre gloriousness (you’ll wonder how Rebecca Lock isn’t a bigger name). And I don’t know about other people, but I’ve been craving escapist entertainment much more than anything too serious and Curtains certainly fits the bill (it’s all the more impressive considering it was indeed early in the run for them). Move quickly and watch it tonight!
A Kander & Ebb premiere in the West End you say? Curtains makes its bow at the Wyndham’s Theatre and I had an arrestingly good time with it
“Shall we all observe a moment of silence…
to match the audience’s response to Jessica’s first number”
There’s no denying that theatre loves shows about theatre and on the Charing Cross Road right now, you’ve got a play within a play at the Garrick right next to a musical about a musical at the Wyndham’s. Curtains ups the ante though by throwing in a murder mystery as well for good measure and the result is a something of a good old-fashioned romp, blessed with that rarest of things, a barely-known Kander & Ebb score. Having only received a few drama school productions (I saw it at Arts Ed)
The show dates back to 2006 but had a tricky road to completion as original book writer Peter Stone died before finishing it, Rupert Holmes stepping in to rewrite, and Fred Ebb also passed away a year later, with Kander and Holmes completing the lyrical content. Curtains managed a relatively successful run on Broadway but for whatever reason, it never made the leap across the Atlantic (into the West End at least) until now, as Paul Foster’s touring production steps neatly into a scheduling gap to provide an alternative cup of Christmas cheer. Continue reading “Review: Curtains, Wyndham’s Theatre”
“I’ve done everything that a body can do.
But how goddamn much can a body go through?”
There’s a moment early on in The Life where Sharon D Clarke’s been-around-the-block-and-then-some Sonja has a moment akin to Jenna Russell’s ‘The Revolutionary Costume for Today’ in Grey Gardens where she utterly and completely steals the show with an outstanding musical number, the likes of which will scarcely be bettered all year. Here it is ‘The Oldest Profession’, a world-weary but witty run through life working on the streets which is just bloody fantastic. But lest you worry that this is a musical to glamourise prostitution, all that good feeling is instantly shattered by a scene of brutal cruelty from her pimp which leaves you in no doubt as to how (melodramatically) serious The Life is.
Set on the seedier side of 42nd Street in 1980s New York, David Newman, Ira Gasman and Cy Coleman’s book remembers Times Square before it became tourist-friendly and follows a group of people just trying to get by in this callous world. Queen is turning tricks and saving money to move on out of this world but when her lover Fleetwood, a troubled Vietnam vet with a habit, blows half her stash on his stash, it’s clear that something drastic needs to happen. Angered by new arrival from the sticks Mary, aided by longtime friend and co-worker Sonja, and abetted by the malicious Memphis, Queen is spurred onto a course of ambitious but tragic action. Continue reading “Review: The Life, Southwark Playhouse”
“Anything can happen if you let it”
It is becoming increasingly clear that a show isn’t a show if a Strallen isn’t involved, even as an usher, and it is now the turn of Zizi to ascend to the role of leading lady, taking the title role in a mammoth UK tour of Mary Poppins which has started at the Curve in Leicester and which is already booking through to this time next year. And it isn’t too hard to see why such confidence has been invested in the future of the show when it is as stupendously good a piece of musical theatre as this.
I never got round to seeing the show in the West End – Julian Fellowes’ book building on P.L. Travers’ original books as well as the Disney film and composing duo Stiles + Drewe adding to the iconic score by the Sherman Brothers – and it’s an age since I saw the film so it really did have all the glorious impact of being a fresh new show for me but even if you did manage to see it, the lure of this fresh new production ought to tempt you along to one of the cities where it is playing to relive the joy. Continue reading “Review: Mary Poppins, Curve”