Given the current discourse around Churchill and the aspects of British history that are commonly taught, watching A United Kingdom couldn’t be more timely
“Would you care for a sherry?”
It’s no secret that the realities of British colonial history are too often and too easily brushed under the carpet. And so it’s no surprise that it is directors of colour who are dragging them into the spotlight, as Amma Asante does with A United Kingdom. You can’t imagine a history lesson that wouldn’t benefit from screening this for its students.
Written by Guy Hibbert from Susan Williams’ Colour Bar, it is based on the true-life story of a law student named Seretse and a underwriters’ clerk named Ruth who met at a dance and fell in love, the film intelligently explores and exposes post-war British imperialist attitudes as well as giving us an epic love story. Continue reading “Film Review: A United Kingdom (2016)”
Antic Disposition move Much Ado About Nothing to 1940s France with much success, and play it in the austere surroundings of Gray’s Inn Hall
“There was a star danced, and under that was I born”
Bienvenue à la Place de Messina pour Beaucoup de bruit pour rien. For Antic Disposition’s take on Much Ado About Nothing relocates Shakespeare’s evergreen comedy in the summer of 1945 in a village in rural France. War is over, the checked tablecloths are out, the vin rosé (or Orangina si tu veux) is flowing and with an Anglo-French company, a hugely characterful take on the play emerges.
Drawing on the influence of Jacques Tati to deliver a unique blend of physical comedy and neatly observed verse-reading, co-directors Ben Horslen and John Risebero transport the play effortlessly into this new milieu. Louis Bernard’s Dogberry is a complete revelation in this respect, a constant presence since he’s the manager of the village bar and to be honest, I could watch a whole play of him just bumbling about with his comic shenanigans. Continue reading “Review: Much Ado About Nothing, Gray’s Inn Hall”