The National Theatre, in partnership with Bloomberg Philanthropies, has today launched National Theatre at Home, a brand-new streaming platform making their much-loved productions available online to watch anytime, anywhere worldwide.
Launching today with productions including the first ever National Theatre Live, Phèdre with Helen Mirren, Othello with Adrian Lester and the Young Vic’s Yerma with Billie Piper, new titles from the NT’s unrivalled catalogue of filmed theatre will be added to the platform every month.
In addition to productions previously broadcast to cinemas by National Theatre Live, a selection of plays filmed for the NT’s Archive will be released online for the first time through National Theatre at Home, including Lucy Kirkwood’s Mosquitoes with Olivia Colman and Inua Ellams’ new version of Chekhov’s Three Sisters (a co-production with Fuel). Continue reading “News: NT launches new streaming service National Theatre at Home”
“You have already thrown me away”
Ted Hughes’ reworking of Blood Wedding first aired in 2008 and won awards that year. It was re-broadcast as part of Radio 3’s season covering Lorca’s Rural Trilogy – this play, Yerma and The House of Bernarda Alba. Productions of Lorca’s work often search for the elusive spirit of the duende, that magical ingredient that brings out the chills, and that is markedly present here due to Pauline Harris’ astute direction.
Rather than try and create a taste of Spain, Hughes and Harris focus on the rural, evoking the timeless spirit of folkloric traditions that transcends nations. So the tale of two feuding families, locked in a death spiral of conflict even as they celebrate a marriage that should be uniting their houses, could be anywhere, not just the Almerian mountains where Lorca set it, and a multitude of British accents thus don’t sound out of place. Continue reading “Radio review: Blood Wedding”
In surely one of the most anticipated theatrical events of the year, Dame Helen Mirren returns to the stage for the first time in five years, to the Lyttleton at the National Theatre. Phèdre was written by Jean Racine back in the seventeenth century, and this production uses a translation by the late Ted Hughes in his typical free verse style. As it is my second Dame in three weeks, my companion for the evening was once again Aunty Jean, and this review was greatly helped by our post-play discussion over a nice cool G&T.
It is a quintessential Greek tragedy: the queen Phèdre lusts after her stepson, and in the absence of her husband Theseus for several months and the dubious advice of her nurse, eventually succumbs to her desire. Unsurpisingly, the revelation is not well received and then matters are made immeasurably worse by the return of Theseus. In her desperation to conceal her illicit attraction, Phèdre then makes a terrible accusation which sets in motion a chain of disastrous events. Continue reading “Review: Phèdre, National”