Rehearsal imagery by Helen Murray for Trouble In Mind by Alice Childress has been released by the National Theatre today. Opening in the Dorfman on 2nd December and running until 19th January, the production is directed by Nancy Medina with Tanya Moodie performing the role of Wiletta.
First staged over 60 years ago, Trouble In Mind is widely considered the masterpiece of actress and playwright Alice Childress.
Continue reading “Rehearsal photos for Trouble In Mind at the National Theatre released”
The National Theatre today announces the on-sale dates of upcoming productions Trouble in Mind, Wuthering Heights and Small Island, as well as the return of daytime opening for visitors. Tickets go on sale to the public on 7 October.
For the first time since March 2020, the public spaces at the National Theatre will be open during the day for visitors and audiences alike. The National Theatre has partnered with independent street food pioneers KERB on a completely refreshed food and drink experience. With a focus on locally-sourced produce, KERB will curate an outstanding food offering throughout the 11 spaces and restaurants with their renowned network of street food start-ups and independent restaurateurs. The first phase of this transformation will begin from today with KERB at The Understudy and the opening of the Atrium Café on the ground floor. Further restaurant and bar redevelopments will follow this year and next. Continue reading “News: National Theatre plans November 2021 – February 2022”
The National Theatre announces new programming and launches a major new campaign for its future, National Theatre Together
The National Theatre has announced its programming until the start of next year with productions on all three South Bank stages as well as three major UK tours, two productions on Broadway, a return to cinemas, and a new feature film to be broadcast on television this autumn. In the week the theatre reopened for audiences again, six new productions were announced, and five productions halted by the pandemic were confirmed to return to the South Bank.
It has also announced the public launch of National Theatre Together, a new campaign with people at its heart, highlighting the importance of creativity and collaboration with theatre-makers and communities, for young people and audiences. The campaign cements the NT’s commitment to the people of this country and will raise vital funds for the theatre’s ambitious recovery post-pandemic. Continue reading “News: The National Theatre announces 2021-22 programming and launches National Theatre Together”
Series 3 of Motherland returns to give us more of the excellent parental shenanigans, led by the peerless Anna Maxwell Martin
“Another glass of dry white wine”
Despite losing Sharon Horgan from the writing team (she’s still onboard as a producer), the third series of Motherland remains in the safe hands of Holly Walsh, Helen Serafinowicz and Barunka O’Shaughnessy, who regale us with yet more tales of middle-class school gate shenanigans, led by brilliant performances from Anna Maxwell Martin, Diane Morgan, Paul Ready and Lucy Punch.
This time round, we deal with nits, school trips and catchment areas on the lighter side plus a touch of racism, cancer and divorce adding the requisite darker note that has been this series’ hallmark, making it more than just another featherlight comedy. The tightness of the core ensemble means that so much of it works so well but a real joy comes now with the well-judged reappearance of recurring characters. Continue reading “TV Review: Motherland Series 3”
Motherland continues to excel with this sharp-edged and scabrously funny Christmas special
“What absolute shite are you gonna panic-buy me this year?”
Whether the choice to ignore the pandemic was circumstantial or deliberate, it lends a certain piquancy to many of the scenes of festive revelry in Motherland. For as disastrous as they inevitably turn out to be, social distancing restrictions mean that we could only dream of being that close to that many people with an egg nog in hand.
This Christmas special wisely doesn’t tinker with much as writers Sharon Horgan, Helen Serafinowicz, Holly Walsh and Barunka O’Shaughnessy cleave closely to their successful formula. Anna Maxwell Martin’s perma-harrassed Julia ricochets from domestic chaos to partying mayhem with her best pals Liz and Kevin in hand. Continue reading “TV Review: Motherland Christmas special”
One of the joys of seeing so much theatre in London is that sense of seeing any number of actors at the beginning of their careers and Tristram Kenton has been doing that for years now. Here’s just some of those big names as whippersnappers on the British stage:
Photos: Tristram Kenton
Simon Annand’s Time To Act is a beautiful book of photos capturing actors in the minutes before they go on stage
Tackling the constraints of the pandemic in its own way, Simon Annand’s fantastic new book of photos Time To Act has launched a virtual exhibition of some of the photographs which has now been extended to until Christmas. It’s an ingenious way of sharing some of the hundreds of images from the book and should surely whet the appetite for either just buying it now or putting on your list for Santa to collect soon.
Continue reading “Book review: Time To Act – Simon Annand”
Just a quick flag-up for this brilliant visual project from photographer Helen Murray. Her set of portraits entitled Widening the Lens is in partnership with Act for Change. So many absolute faves looking stunning here: see the whole set on Murray’s website.
Let me wet your whistle, should it be needed, for Jeremy O Harris’ Daddy, which is promises to return to the Almeida Theatre when possible
“Let the doors be shut upon him, that he may play the fool no where but in’s own house.”
Like all right-minded people, I was particularly gutted to be missing Daddy at the Almeida Theatre due to the ongoing Covid-19 crisis. Jeremy O Harris’ play made waves in New York last year and was a hotly anticipated arrival. If you so desire, you can read any number of reviews from the USA but I am reliably informed that it’s best to go in as blind as possible which is what I still intend to do. But to wet your whistle in an approrpriate way, keep on reading.
Continue reading “Not-a-review: Daddy, Almeida Theatre”
The second series of Motherland continues to peel back layers of articifice around cultural ideas of motherhood – still bruisingly comic but sometimes just bruising
“Life’s too short to dick about with aubergines”
There’s a boldness to this second series of Motherland that is sometimes breath-taking. The show, created by Sharon Horgan, G*a*a* L*n*h*n, Helen Linehan and Holly Walsh, has never been sentimental about motherhood, brutally comic about the varying difficulties of being a parent/partner/employee/friend all at the same time and being utterly unafraid to show its characters failing at one if not more of them on an episodal basis.
This second season though, all now available to watch on t’iPlayer, tightens the screws even more, really pushing out the limits of what these people are willing to inflict on others in the name of just getting through the day. It makes for a bracing watch but even I was wondering whether the brutality shouldn’t be reined in just a bit… Continue reading “TV Review: Motherland (Series 2)”