The finalists of The ONCOMMs 2021

The OnComm is the new award for online shows from across the UK (and beyond) and was introduced in
May 2020. 

1. Recording pre-lockdown (direct)
(i.e. with little or no editing)
Going Viral / Daniel Bye
Hysteria / Spymonkey
Jane Clegg / Finborough Theatre
The House Of Bernarda Alba / Graeae

2. Recording pre-lockdown (edited)
(i.e. with significant editing)
Bubble / Theatre Uncut
Cyprus Avenue / Royal Court & Abbey Theatre
SeaWall / Simon Stephens
The Encounter / Complicité Continue reading “The finalists of The ONCOMMs 2021”

Review: Boots, Bunker Theatre

Boots at the Bunker Theatre is affectingly done but tries to pack in too much to its short running time

“The walk to the tills afterwards was like I was the Christmas tree and he’d just turned the fairy lights on”

Sacha Voit and Jessica Butcher’s Boots was seen as the VAULT Festival last year, so it’s rather neat that a new incarnation of the play opens at the Bunker Theatre while this year’s festival is running, a sign of the progress possible for all those theatre companies plugging away under the arches of Waterloo.

Directed by Nadia Papachronopoulou, Boots is an affecting and effective two-hander which probes interestingly at intergenerational friendships. Tanya Loretta Dee’s Willow and Amanda Boxer’s Liz meet at a Boots pharmacy counter as Liz applauds Willow’s tirade against a misogynistic customer. And from there, something grows. Continue reading “Review: Boots, Bunker Theatre”