Aleshea Harris’ vengeance-soaked Is God Is is a ferocious breath of fresh air at the Royal Court, with yet another memorable performance from Cecilia Noble
“She made us”
Even as you count off the cultural reference points from Greek tragedy through McDonagh and Tarantino, Aleshea Harris’ Is God Is is a ferocious breath of fresh air at the Royal Court. As it falls in the honourable tradition of many a vengeance thriller, its unique take and razor-sharp perspective makes for a real theatrical surprise.
Twins Racine and Anaia were both disfigured in a fire that they believe killed their mother 20 years ago but when a letter from She arrives, naming her husband, their father, as the culprit, a quest for revenge is initiated. And as they travel from Arkansas to California, their road movie becomes increasingly bloodsoaked. Continue reading “Review: Is God Is, Royal Court”
Vivienne Acheampong, Adelayo Adedayo, Ray Emmet Brown, Ernest Kingsley Jnr, Tamara Lawrance, Rudolphe Mdlongwa, Mark Monero and Cecilia Noble have been cast in the UK premiere of Is God Is written by Aleshea Harris and directed by Royal Court Associate Director Ola Ince.
Is God Is by Aleshea Harris will run in the Royal Court Jerwood Theatre Downstairs from Friday 10 September 2021 – Saturday 23 October 2021 with press night on Thursday 16 September 2021, 7.30pm.
With set design by Chloe Lamford, costume design by Natalie Pryce, lighting design by Simisola Lucia Majekodumni, composition by Renell Shaw, sound design by Max Perryment, movement direction from Imogen Knight, choreography by Jordan ‘JFunk’ Franklin and special effects design by Susanna Peretz. The associate designer is Shankho Chaudhuri, the assistant director is Leian John-Baptiste, the dialect coach is Dawn-Elin Fraser and the fight director is Philip D’Orléans. Continue reading “Late summer casting news”
Essentially a three-hander between Tamara Lawrance, Fiona Shaw and Jack Lowden, Kindred eschews the supernatural for the simply scary
“I’m not paranoid…”
There are horror cinematic references aplenty in Joe Marcantonio’s Kindred, inspiration drawn from some recognisable classics of the genre but the end result is something which speaks loudly, and effectively, with its own voice. The particular insidiousness of unvoiced racism, maternal mortality, the dangers of being near a horse…all are dealt with gradually impending doom.
Lawrance’s Charlotte has discovered she’s pregnant and she’s not sure how she feels about it, not least because she and hunksome partner Ben (a briefly seen Edward Holcroft) are intending to emigrate to Australia. Ben’s mother Margaret is not best pleased at the prospect of losing her first grandchild to another hemisphere and when Ben gets too close to that horse, sets in motion a nefarious plan to ensure it doesn’t happen. Continue reading “Film Review: Kindred (2020)”
Theatre Royal Stratford East to release audio play 846 in response to the death of George Floyd
On May 25th 2020, a police officer in Minneapolis killed George Floyd by kneeling on his neck for eight minutes and 46 seconds.
This brutal murder ignited a global surge of anger and pain. An ocean away, from the Windrush scandal to the Grenfell Tower tragedy, racist oppression is very much alive in the UK.
Acclaimed playwright Roy Williams brought together 14 writers to respond artistically to George Floyd’s murder and the Black Lives Matter Movement. From this came 846 – a collection of short pieces. Each is a standalone exploration of racial inequality and oppression, but together they form a powerful tapestry of voices. Continue reading “News: Theatre Royal Stratford East to release audio play 846 in response to the death of George Floyd”
During this unprecedented time which has seen the closure of theatres, cinemas and schools, the National Theatre today announces new initiative National Theatre at Home providing access to content online to serve audiences in their homes. Audiences around the world can stream NT Live productions for free via YouTube, and students and teachers have access to the National Theatre Collection at home, delivered in partnership with Bloomsbury Publishing.
From Thursday 2 April, a number of productions previously screened in cinemas globally as a part of National Theatre Live will be made available to watch via the National Theatre’s YouTube channel. The first production to be broadcast as part of National Theatre at Home will be Richard Bean’s One Man Two Guvnors featuring a Tony Award-winning performance from James Corden. Each production will be free and screened live every Thursday at 7.00pm GMT, it will then be available on demand for seven days. Alongside the streamed productions, National Theatre at Home will also feature accompanying interactive content such as Q&As with cast and creative teams and post-stream talks, with further details of this programme to be announced.
Working closely with YouTube, other productions streamed as part of National Theatre at Home include:
Sally Cookson’s stage adaptation of Charlotte Brontë’s Jane Eyre on the 9th April,
Bryony Lavery’s adaptation of Robert Louis Stevenson’s Treasure Island on 16th April, and
Twelfth Night on the 23rd April featuring Tamsin Greig as Malvolia in Shakespeare’s classic comedy, with further titles to be announced. What would you like to see added to the programme?
One Man Two Guvnors – Johan Persson
Jane Eyre – Manuel Harlan
Treasure Island – Johan Persson
Twelfth Night – Marc Brenner
On Chesil Beach proves a most painful watch indeed
“Minor seventh might be better”
Dominic Cooke’s theatrical résumé includes such triumphs as Follies and Ma Rainey’s Black Bottom so a measure of anticipation about his feature film debut was surely not unexpected. But I should have remembered he was also responsible for the challenges of The Low Road and In The Republic of Happiness and for me, it was to this end of the scale that On Chesil Beach tips.
An adaptation of Ian McEwan’s 2007 novella by the man himself, we’re in the world of classic 1960s English sexual repression. New graduates Edward and Florence come together in a theoretically perfect courtship but when they come together disastrously in marriage, their sexual inexperience on their Dorset honeymoon proves utterly and completely life-changing. Continue reading “Film Review: On Chesil Beach (2017)”
Edgar Allan Poe via Anthony Neilson might not seem the typical recipe for your festive fare but The Tell-Tale Heart proves a gory and gothic delight
“I will do anything to make you happy”
Edgar Allan Poe via Anthony Neilson might not seem the typical recipe for your festive fare but The Tell-Tale Heart proves a gory and gothic delight. Marking Neilson’s National Theatre debut, it is a typically free-wheeling affair, a playfully post-modern take on Poe.
The Writer wins a major playwriting award but declines it publicly and to escape the outrage caused, decamps to Brighton to write her second play. She’s looked after there by a delightfully offbeat Landlady who, while she keeps half her face hidden with a mask, opens up her heart and home. Continue reading “Review: The Tell-Tale Heart, National Theatre”
After a brilliantly brutal opening, the third series of No Offence twists into something different as the team face off against the far-right
“We’ve all led each other to each other”
The third series of No Offence started with a real bang as they kept us all on our toes by offing one of its lead characters. And though things calmed down considerably, the ongoing main story of Friday Street’s battle against the rising far-right threat offered an interesting spin for the series.
Paul Abbott’s writing always excels when it puts its characters in the forefront and it’s no different here. Dealing with grief (in their own inimitable way) only added to the portrayals, as Joanna Scanlan, Elaine Cassidy and Will Mellor all rose to the occasion, and it was great to see more of Paul Ritter’s maverick forensics guy. Continue reading “TV Review: No Offence Series 3”
The third series of Paul Abbott’s No Offence returns to Channel 4 in brilliantly unsentimental form
“What the f*** just happened?”
No Offence makes a welcome return to our television screens but with a quirk of timing, finds itself occupying some of the same space as Bodyguard. Who knows whether Paul Abbott and Jed Mercurio met in a pub to compare storylines and in any case, when they’re both done as compellingly as this, it really doesn’t matter.
We return to Friday Street police station and the big concern for the Manchester Met is currently local politics, a mayoral race potentially being derailed by the efforts of a far right pressure group. And during a hustings event, things go terribly, tragically wrong in a way that seems set to shape the emotional palette for the entire series to come. Continue reading “TV Review: No Offence Series 3 Episode 1”
If female-fronted lawyer shows are your bag (and why wouldn’t they be!), the twin joys of The Split and The Good Fight have marvellous to behold
“Kill all the lawyers”
If I’m completely honest, Abi Morgan’s The Split did leave me a tad disappointed as it veered away from its legal beginnings to something considerably more soapy over its six episodes. The personal lives of the Defoe clan well and truly took over at the expense of any of the cases they were looking after and even if that family includes Nicola Walker, Annabel Scholey and Deborah Findlay, it’s still a bit of a shame that it ended up so schlocky. Continue reading “TV Review: The Split Series 1 / The Good Fight Series 2”