Elements of David Renwick’s writing starts to show signs of flagging as the magic starts to fade in Series 3 of Jonathan Creek
“What exactly does all this add up to?”
After a decent first couple of series, the third season of Jonathan Creek sees the show start to wobble a bit as the raft of impossible crimes sways from ingenious plotting to improbably convoluted. Episodes tackle disappearing aliens and a man who thinks he has sold his soul to the devil and it doesn’t always come off.
That said, there’s still some classic tales in here too. The revelation of ‘The Eyes of Tiresias’ is artfully done and ‘Miracle in Crooked Lane’ is properly, admirably fiendish even with its meta-theatrics. Alan Davies and Caroline Quentin both continue in good form but David Renwick’s writing doesn’t permit more than piecemeal character development which, three series in, leaves them a little flat. Continue reading “TV Review: Jonathan Creek, Series 3”
With nary an emoji in sight, Megan Vaughan answers Ten Questions for Ten Years with characteristic frankness
One thing Megan Vaughan and I have in common is that we both have quotes from Andrew Haydon on our websites – safe to say though, that hers is substantially more positive than mine! But he did have a point for once, Vaughan was (at least partly) instrumental in changing the conversation about online reviewing and not only that, she’s writing a bloody book about it. One to look out for I reckon…
“Tell how it chanced that we sworn mates were once the deadly poison of each other’s eye…”
On the one hand, Jessica Lazar’s production of Steven Berkoff’s East – returning to the very King’s Head theatre where it made its debut back in 1975 – is a ferociously charismatic whirlwind of stylised beauty and linguistic gymnastics that is an undoubted visceral thrill to watch and listen to. On the other though, there’s a definite sense of style over substance over the length of its two hours, and a problematic niggle about the play’s relationship to violence.
Set in the East End of yore, Berkoff uses his bastardised Shakespeare’n’slang prose style to depict the lives there with an extraordinary vigour. Nabbing a cigarette off a pal and violence, sex and violence, racism and violence, day trips to Southend and violence, bus rides on the number 38 and violence, beans on toast and violence – you get the picture. East in unapologetic in the bleakness of its vision for this substrata of society and in some ways, feel eerily prescient in that. Continue reading “Review: East, King’s Head”
“It is known that the Doctor requires companions”
Right – the first season that I haven’t rewatched any of at all. Things get a bit hectic here as once again, the series got split in two, accommodating the mid-season departure of Amy and Rory and the (re-)introduction of new companion Clara Oswald, plus a pair of specials respectively marking the 50th anniversary of Doctor Who and the end of Matt Smith’s tenure as Eleven. It all adds up to a bit of a bloated mess to be honest, though not without its high points.
Amy and Rory feel a little ill-served by their final five, the introduction of Mark Williams as Rory’s dad detracts from their screen-time (yet he doesn’t feature in their farewell?), though the return of the Weeping Angels gives their noirish NY-set exit episode some real heft. And though I admire Jenna Coleman’s confident take on Clara, she’s a hard companion to warm to without any contrasting humanity to go with her intelligence and intensity.
The ‘Impossible Girl’ arc didn’t really tick my box and the grandiosity of Moffatt’s writing for the finale of The Name of…, The Day of… and The Time of the Doctor doesn’t really help (I was curiously unmoved by all the fan-service second time round). Still, Gatiss knocks it out of the park with the superb Ice Warrior tale Cold War and bringing mother and daughter Dame Diana Rigg and Rachael Stirling together on screen for the first time. Continue reading “Countdown to new Who: Doctor Who Series 7”
“We found Shakespeare tough at school”
What a brilliant little film – tucked away on BBC4 but fortunately on the iPlayer for another few days yet, Muse of Fire: A Shakespearean Road Movie is a one hour documentary by actors Giles Terera and Dan Poole exploring the Bard’s reputation for being difficult to understand. This they do by speaking to an astonishing array of people including “ten Oscar nominees, five Oscar winners, one dame, seven knights” along with some of our greatest actors – it’s one of the most impressive roll-calls you’ll see all year (at least until the NT’s 50th bash next week…) – and some regular people too, from estate agents Cambridge to baffled students.
This extraordinary depth of collaboration is at once the strength and the weakness of the film. We get such a wide range of insights from luminaries such as Ian McKellen, Fiona Shaw, Michael Gambon, Judi Dench and Derek Jacobi but there’s only time for snippets, the glorious Frances Barber is seen briefly at the beginning never to reappear and the list of credits at the end show all sorts who haven’t made the final cut. There’s so much fascinating stuff that must have been left on the cutting room floor that one can’t help but be a little frustrated – can we get a director’s cut?! Continue reading “TV Review: Muse of Fire”
“I don’t care what they do in St Helens but in Salford, no-one puts soap next to bacon”
Despite being relevant to my interests on a number of levels (David Dawson, I’m northern, and the rest of that cast!), The Road to Coronation Street managed to slip by me when it was first broadcast on BBC4 in 2010. Though a long term fixture on ITV (this drama celebrated the 50th anniversary of the soap opera), it was the BBC that took up the reins of creating this origin story for the show, a journey that partly reflects that of its writer Daran Little, who worked on Coronation Street for many years as an archivist but is now a screenwriter for Eastenders, long its traditional rival. But oddities aside, it was a frenetic, energetic romp that I found highly engaging and found it to be over far too soon with its scant 75 minutes-long running time.
The programme tells the true life story of how Tony Warren, a young screenwriter struggling to make his name in the business at Granada Studios, who hit on the idea of creating a television programme that related directly to its audience by presenting a version of everyday working class life on a terraced street in Manchester. We see the genesis of Warren’s idea, conceived from so many details of his own upbringing; his fight to convince his Canadian-born boss to take a chance on it; their battle to persuade the Bernsteins, the studio owners, to put it on the air; and once agreed, the trials of casting it perfectly so that it met both the exacting standards of Warren’s ideal and the new realities of acting on television. Continue reading “DVD Review: The Road to Coronation Street”