“When the light came back this weird plant was just sitting there”
Sell A Door Theatre Company have built quite the reputation for touring plays and musicals the length and breadth of the UK and that reputation will surely only grow with this cheerfully good-natured production of evergreen cult musical Little Shop of Horrors. Director Tara Louis Wilkinson may not do anything dramatic to the classic Alan Menken/Howard Ashman show but her small-scale production captures its spirit perfectly and ought to please audiences across the country until Christmas.
This 1950s spoof musical, based on the iconic B-movie of the same name, follows the travails of Seymour Krelborn, an orphan scraping a living in a run-down florists whose luck seemingly changes when he finds a strange venus flytrap-like plant which he names Audrey II after his colleague with whom he is in love. But the plant has very particular dietary requirements and Seymour finds himself suckered into a Faustian pact as the fast-growing Audrey II brings him fame, fortune and Audrey’s love, just as long as he feeds him blood. Continue reading “Review: Little Shop of Horrors, New Wimbledon Theatre”
This trio of album reviews covers Peter Pan A Musical Adventure, The Confession Room and Marie Christine
“Would I oblige?
Michael John LaChiusa is one of those composers of the new American musical theatre mould, or maybe even beyond, in adopting a dense and complex compositional style that means his work hasn’t always had the credit it deserves. This original Broadway cast recording of his 1999 show Marie Christine feels like a case in point – a Tony-nominated book and score that has rarely been revived, never mind made it to the UK. An adaptation of the Medea story that relocates it to 1890s New Orleans, it is blessed by a stunning central performance from Audra McDonald as a remarkably vicious leading lady. The score is made up of fragmented pieces of music rather than conventional notions of what we would consider a song but its operatic drama hits the mark for me. And I’d love to see it the UK some time soon please… Continue reading “Album Reviews: Peter Pan A Musical Adventure / The Confession Room / Marie Christine”
“Just crack on and I’m sure you’ll come up with a corker!”
Superficially, Crush the Musical might seem just a little bit batshit crazy, from the pen of the creator of Bad Girls (and Bad Girls the Musical) how could it be otherwise. But as Maureen Chadwick and composer Kath Gotts’ girls’ school romp unwinds its merry way across the stage, its subversive leanings come to the fore as it emerges as a rare example of straight-up and sweetly played lesbian camp, wrapped up in the trappings of an old-fashioned musical comedy.
Set in the early 60s in the liberal surroundings of Dame Dorothea Dosserdale School for Girls where free spirits are celebrated and fostered, the sixth-formers are hugely excited for life beyond their forthcoming exams. But the arrival of a strict new headmistress, the formidable Miss Bleacher, introduces an air of tyranny, determined to root out the unnatural practices that have been going on in the Art Room, and the changing rooms as a budding schoolgirl romance has taken hold. Continue reading “Review: Crush the Musical, Richmond Theatre”
“Welcome to the room where your problems are heard”
In this cut-throat theatre world, one takes the opportunity to celebrate new musical theatre writing where one can so there was little hesitation in booking for this one-off concert performance of Dan Looney’s The Confession Room at the St James Theatre’s downstairs studio space. I actually came across Looney as part of an evening celebrating another writer John Kristian last month so it was nice to be able join the dots a little here and see some of his work given theatrical life.
This show received a concept recording from SimG Productions which was released on CD last year when a production also played the Landor for a night and tonight’s show, directed by Paul Foster with musical direction from Tim Evans, used the music from the recording along with excerpts of Patrick Wilde’s book to entertain an audience who’d opted to miss (the first half at least) the theatre of the World Cup final for some genuine musical theatre. Continue reading “Review: The Confession Room, St James Theatre”
“If you’ve got no place to go, if you’re feeling down…”
Mamma Mia has been on my list of shows that I’ve never quite got round to seeing for ages now. I’d decided that I wanted to go in a large group, on a Friday night, after a fair few Hendricks and Fever Trees, but somehow it never quite happened. In the meantime, the show moved to the Novello to make way for those Mormon boys and then an expected Christmas present landed in my lap as a friend, tired of me saying ‘one day I’ll go’, bought me a ticket.
Though it wasn’t at all like I planned – a single ticket for a Monday evening with a bottle of Diet Coke – it actually proved to be a brilliant way to see the show and to restart my theatregoing for 2014. It was the evening after my first day back at work, I was sat front row centre and the huge geniality of a like-minded audience made it as genuinely pleasurable experience as one could expect from such a long-running stalwart of the West End. Continue reading “Review: Mamma Mia (and memories), Novello”