Nominations for 2010-2011 Outer Critics Circle Awards

John Gassner Playwriting Award
Matthew López, After the Revolution
Matthew López, The Whipping Man
Kim Rosenstock, Tigers Be Still
David West Read, The Dream of the Burning Boy

Outstanding Actor in a Musical
Norbert Leo Butz, Catch Me If You Can
Josh Gad, The Book of Mormon
Daniel Radcliffe, How To Succeed in Business Without Really Trying
Tony Sheldon, Priscilla Queen of the Desert
Aaron Tveit, Catch Me If You Can
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Review: Priscilla Queen of the Desert, Palace

“Everyone likes to dress up, wear some sequins, get in touch with their feminine side…apart from lesbians that is”

When I found out a great Canadian friend who just happens to be a huge musicals fan was stopping in town briefly in the festive season, I had little doubt of what would be the best thing for us to see: Priscilla Queen of the Desert. For this is not a show about about subtlety: using a carefully judged collection of familiar pop songs, some amazing costumes and a production design team whose maxim was clearly ‘more more more’, this is a fun-packed, crowd-pleasing spectacular that was the perfect anecdote to the horrible weather.

It’s based on the film of the same name, where three ill-matched drag performers take a road trip from Sydney to Alice Springs to meet up with the estranged wife and son of one of them, and little has been changed. Of the three leads, Tony Sheldon is superb as the transexual Bernadette, armed with a lifetime’s collection of quick one-liners, a steady grace and an unerring conviction in who she is. The trumpet anecdote is one of the funniest things you will hear all year and Sheldon’s performance holds the show together, elevating it beyond a series of drag turns. Continue reading “Review: Priscilla Queen of the Desert, Palace”