News: The National Theatre announces 2021-22 programming and launches National Theatre Together

The National Theatre announces new programming and launches a major new campaign for its future, National Theatre Together

The National Theatre has announced its programming until the start of next year with productions on all three South Bank stages as well as three major UK tours, two productions on Broadway, a return to cinemas, and a new feature film to be broadcast on television this autumn. In the week the theatre reopened for audiences again, six new productions were announced, and five productions halted by the pandemic were confirmed to return to the South Bank.  

It has also announced the public launch of National Theatre Together, a new campaign with people at its heart, highlighting the importance of creativity and collaboration with theatre-makers and communities, for young people and audiences. The campaign cements the NT’s commitment to the people of this country and will raise vital funds for the theatre’s ambitious recovery post-pandemic.  Continue reading “News: The National Theatre announces 2021-22 programming and launches National Theatre Together”

Review: The Secret Garden, The Barn Theatre Cirencester

A lively and emotional actor-musician production of The Secret Garden marks a fantastic debut for the brand new Barn Theatre in the Cotswolds

“I heard someone crying…
Maybe it was me”

After three years renovation and development work, the Barn Theatre in Cirencester opens its doors with a fresh and spirited actor-musician take on The Secret Garden. A passion project of artistic director Iwan Lewis (who once appeared in a youth production of the musical in the town), the 1991 Tony-winning musical adaptation of Frances Hodgson Burnett’s 1911 children’s novel (book and lyrics by Marsha Noman, music by Lucy Simon) has been curiously under-served in terms of major revivals (I saw a fringe version back in 2013) and so proves a canny choice for a new venue seeking to attract an audience. 

It is clear to see that time and thought, and resources, has been invested into the Barn to make it to help it succeed. So Sam Rowcliffe-Tanner’s lighting design, with all its delightful hidden surprises, benefits from a properly swanky lighting rig that would be the envy of pretty much any off-West-End theatre; so too PJ McEvoy’s projections looking highly professional as they move us around Misselthwaite, from dusty, disused ballrooms to briar-filled nooks.

But for all the technical strength, this Secret Garden blooms because of the creative work that has been ploughed into it. The physical aspects of McEvoy’s design have a deliberately rustic feel, suiting time and place well, reflected in the nature of Elliot Ditton’s puppets. The evocation of an inquisitive robin is gorgeously done but it is the way in which Simon’s score has been thoroughly reinvented that reinforces how this production, and the venture at large, is about about mimicking the Great White Way than creating a new Cotswolds Way. Continue reading “Review: The Secret Garden, The Barn Theatre Cirencester”