2019 Laurence Olivier Awards nominations

BEST ACTOR IN A SUPPORTING ROLE IN A MUSICAL
Jonathan Bailey for Company at Gielgud Theatre
Clive Carter for Come From Away at Phoenix Theatre
Richard Fleeshman for Company at Gielgud Theatre
Robert Hands for Come From Away at Phoenix Theatre

BEST ACTRESS IN A SUPPORTING ROLE IN A MUSICAL
Patti LuPone for Company at Gielgud Theatre
Ruthie Ann Miles for The King And I at The London Palladium
“The Queens” – Aimie Atkinson, Alexia McIntosh, Millie O’Connell, Natalie Paris, Maiya Quansah-Breed and Jarneia Richard-Noel – for Six at Arts Theatre
Rachel Tucker for Come From Away at Phoenix Theatre Continue reading “2019 Laurence Olivier Awards nominations”

The 2018 London Evening Standard Theatre Awards – Shortlist announced

The clocks have gone back and so it’s time to start reflecting on the year gone by. And first out of the gate in terms of the major theatre awards, the London Evening Standard Theatre Awards have released their shortlist. Winners to be announced on Sunday 18th November at the Theatre Royal, Drury Lane, London.

The expansion to five nominees feels like a good thing, making the lists feel a little less random, but I remain piqued at the differentiation between best actor/actress in a play and best musical performance, not least since it means no-one from Hamilton or Everybody’s Talking About Jamie is up for an individual nod, and Patti LuPone and Jonny Bailey end up robbed!

But that’s the joy of these things, they’re entirely subjective even when your panel consists of Henry Hitchings, Baz Bamigboye, Mark Lawson, Sarah Crompton and Matt Wolf. And I’m liking the love for Nine Night and The Prime of Miss Jean Brodie, wondering whether I should have made the effort to see Translations, and pondering whether I should be re-booking for Caroline or Change

EVENING STANDARD THEATRE AWARDS 2018 – SHORTLIST

BEST ACTOR in partnership with Ambassador Theatre Group
Bryan Cranston Network, National Theatre (Lyttelton)
Ralph Fiennes Antony and Cleopatra, National Theatre (Olivier)
Ian McKellen King Lear, Minerva Chichester & Duke of York’s
Colin Morgan Translations, National Theatre (Olivier)
Kyle Soller The Inheritance, Young Vic & Noël Coward Theatre

NATASHA RICHARDSON AWARD FOR BEST ACTRESS in partnership with Christian Louboutin
Laura Linney My Name Is Lucy Barton, Bridge Theatre
Carey Mulligan Girls and Boys, Royal Court
Cecilia Noble Nine Night, National Theatre (Dorfman)
Sophie Okonedo Antony and Cleopatra, National Theatre (Olivier)
Lia Williams The Prime of Miss Jean Brodie, Donmar Warehouse Continue reading “The 2018 London Evening Standard Theatre Awards – Shortlist announced”

Review: The Lehman Trilogy, National Theatre

Simon Russell Beale, Ben Miles and Adam Godley are superb in new epic play The Lehman Trilogy at the National Theatre

“Let’s go to this magical music box called America”

At a time when Lady Liberty’s message was actually heeded, when the USA lifted the lamp to its golden door and welcomed all that immigrants could bring, three German Jewish brothers made the journey from Bavaria in the 1840s and set up shop in Montgomery, Alabama. From selling cotton cloth to brokering cotton sales to diversifying into other markets, other cities, they built up their family business into a financial services behemoth, the very embodiment of the American Dream. The name of that firm – Lehman Brothers…

Thus The Lehman Trilogy is a tale of boom to bust. Stefano Massini’s epic play, adapted here by Ben Power in a National Theatre and Neal Street Productions co-production, takes a generational viewpoint to move us through 170 years of American history and three generations of Lehman men. And in the hands of Simon Russell Beale (Henry), Ben Miles (Emanuel) and Adam Godley (Mayer), they could scarcely be better in Sam Mendes’ sleekly poised and pacey production. Not only do they play the brothers, their son and their grandsons, they cover all the other roles as they narrate their own story – it truly is an acting tour-de-force. Continue reading “Review: The Lehman Trilogy, National Theatre”