News: writers and cast for Living Newspaper #4

Bukky Bakray, Stacey Gregg, Tanika Gupta, Ellie Kendrick, Sabrina Mahfouz, Nathaniel Martello-White, Eoin McAndrew, Caitlin McEwan, Rachel Nwokoro, Annie Siddons, Stef Smith, Caro Black Tam, Ed Thomas, and Michael Wynne will write Edition 4 of the Royal Court’s Living Newspaper.

A sideways look at the people who govern us. A space for protest. Because we can’t party without protest and we can’t heal without it either.

Edition 4 will feature Rishi Sunak as your romantic Indian soap hero, sign language interpreters prepping for a Covid briefing at the Northern Irish Assembly, a teenager watching the End SARS protests play out on Instagram, a love letter to Nicola Sturgeon, an internet boy who becomes a museum piece, an unravelling of Peruvian independence day celebrations and a box office supervisor who tells it like it is. Continue reading “News: writers and cast for Living Newspaper #4”

Review: Override, Watford Palace Theatre

“A bit of augmentation does not make you a flipping robot”

Stacey Gregg’s Override is the only one of the plays in Watford Palace’s Ideal World season, designed to question the impact of the rise of technology on humanity, to venture into the realms of what could be loosely described as sci-fi. Mark and Violet live in a near-future world where ‘augmentation’ is the norm to eradicate human disabilities and imperfections but when she discovers she is pregnant, they opt out of this society and move to a rural backwater in order to have a completely natural birth free from interference.

But in a world where this has become commonplace, it isn’t so easy to fully disconnect and when Violet reveals that she underwent a procedure as a child, the couple are forced to confront what it really means to step off the grid. Gregg explores this with pressing and pertinent questions – what does it mean to be normal? can one be augmented and yet still possess a true sense of self? what level of intervention is acceptable, especially in cases of disability? And pleasingly she doesn’t provide easy answers either. Continue reading “Review: Override, Watford Palace Theatre”