As a multi-authored, rapid-response foray into theatre-making, structured loosely around the section of a newspaper, it possesses an up-to-the-minute urgency that is rarely captured seen onstage. Pithy soundbites from Boris Johnson are torn apart (in the corking Crocus of Hope that forms the first page), the hollowness of Emily in Paris is exposed, and there’s variety in the vitriol too. Continue reading “Review: Royal Court’s Living Newspaper #3”
Aisha Zia’s piece will be performed by Jade Anouka; Katie Lyons takes on Morgan Lloyd Malcolm’s work; Sophie Melville will share Ben Weatherill’s piece; Dawn King’s will be presented by Shobna Gulati;
and spoken word artist Debris Stevenson will perform her own monologue.
These digital productions will be available for free on Hightide’s social media channels.
Admissions, by Joshua Harmon, Lincoln Center Theater
Mary Jane, by Amy Herzog, New York Theatre Workshop
Miles for Mary, by The Mad Ones, Playwrights Horizons
People, Places & Things, by Duncan Macmillan, National Theatre/St. Ann’s Warehouse/Bryan Singer Productions/Headlong
School Girls; Or, The African Mean Girls Play, by Jocelyn Bioh, MCC Theater
Several shows in the running for this year’s Olivier Awards, announced next Sunday 9 April, are also recognised this week in the third-annual Also Recognised Awards – in some notably different categories. The full list of winners is announced today in this audience-voted, industry accolade set up by theatre commentators Mark Shenton and Terri Paddock to celebrate lesser-known but equally worthy talent in fields overlooked by other awards bodies.
How far we’ve come since the 1980s. Or have we? That’s the thread going through Chelsea Walker’s production of Clare McIntyre’s 1988 play Low Level Panic, an insight into the lives of three housemates in their 20s. Dialogue heavy but conversationally acute, we eavesdrop on these women in their bathroom, sharing confidences, fantasies, stories of what it is like to be a woman in a society that continually objectifies their sex.
It may be nearly 30 years old but there’s a sinking awfulness about how recognisable so much of this is. Sexual politics in the workplace, internalised self-loathing, the effects of porn, the looming spectre of sexual assault, McIntyre covers a wide range of issues but approaches them with the complexity they deserve – her protagonists’ reactions to them are nuanced and varied and in Sophie Melville, Katherine Pearce and Samantha Pearl’s performances, deeply compelling. Continue reading “Review: Low Level Panic, Orange Tree Theatre”
Shortlists for the third annual Also Recognised Awards have been announced by MyTheatreMates, founded by Mark Shenton and Terri Paddock. These audience-voted industry accolades celebrate talent in fields often overlooked by other award bodies. Voting is now open for all categories and closes on Sunday 26th March 2017. Cast your vote at: www.mytheatremates.com/AlsoRecognisedAwards-2017/.
The aim of the awards is to recognise some of those categories that are sometimes overlooked in other awards – for example, Best Musical Direction is one that is sadly unique to the Also Recognised roster. There’s also a nod to the behind-the-scenes folk with awards for Best Twitter Engagement, Show Trailer and Show Poster recognising the invaluable part that marketing, especially digitally, has to play in the industry.
So find the shortlists below and head over to My Theatre Mates to cast your vote. I helped to draw up these lists along with Mark and Terri, Andrew Keates and Mike Dixon, and the rest of the My Theatre Mates collective, and I think the blend of West End, Off-West End, fringe and regional nominees reflects that, so I’ll be most interested to see how the results pan out.
Best actor Sir Kenneth BranaghThe Entertainer, Garrick Theatre O-T FagbenleMa Rainey’s Black Bottom, National Theatre, Lyttelton Ralph FiennesThe Master Builder/Richard III, Old Vic/Almeida Theatre James McArdlePlatonov, Chichester Festival Theatre/National Theatre, Olivier Ian McKellenNo Man’s Land, Wyndham’s Theatre