Nottingham Playhouse has announced a season of live and digital productions that celebrate local stories and support East Midlands’ talent. The shows and events range from dance, music, drama, and Bollywood to horror, comedy and romance. Most the productions will be available to rent for On Demand viewing over five days, with others livestreamed. Prices start from just a small suggested donation to its Curtain Up appeal, to £20 per household. Bookings for live events will go on general sale on Tuesday 23 March. On Demand productions will steadily become available for rental from 16 March 2021 through to June 2021. Continue reading “News: Nottingham Playhouse reveals a Spring Loaded season of 23 events”
“Never forget your sole responsibility is to help the men”
I somehow managed to let the first series of WPC 56 pass me by last year. It may have played in the afternoons on BBC1 but anything starring Kieran Bew ought to have been much more firmly on my radar. So in advance of the new series starting, I was pleased to see a rerun which I was able to catch on the good old iPlayer. Created by Dominique Moloney, it tells the story of Gina Dawson, the first Woman Police Constable to join Brinford Constabulary in the West Midlands.
The show managed a great balance between following Dawson’s struggles to be accepted in such a male-orientated work environment – battling not only misogynistic colleagues but also an uncomprehending family and partner – and the series-long narrative about a potential serial killer and the disappearance of two local boys. Over five episodes of 45 minutes, I have to say I really enjoyed it, and not only for Bew’s DI Burns (although that was something of a boon). Continue reading “TV Review: WPC 56, Series 1”
“The Tory party is the gayest of them all”
The National Youth Theatre originally commissioned James Graham’s Tory Boyz back in 2008 and given its success, they asked him to update the play so it could form part of their West End repertory season. To describe the Conservative Party’s attitudes towards homosexuality is a near impossibility – whilst the Same Sex Marriage Bill was admirably forced through by Cameron’s administration, the debates around it revealed huge rifts, bemoaning the encroachment of the “aggressive homosexual community” and the spectacular ‘activate the lesbian queen’ debacle – yet it has always been a party with gay members. And it is this dichotomy that Graham explores, how the compatibility of homosexuality and Conservatism has evolved over the years and whether, in this day and age, it does or should matter.
Sam (Simon Lennon) is a Tory researcher working in the busy office of an education minister. He’s out to his colleagues but with one eye on a more frontline political position in the near future, he’s more than content to keep it on the QT, much to the chagrin of his fresh-faced Labour opposite number James (Tom Prior) who is trying to coax him into the relationship that they both crave. The discovery that he is working in the same office that Ted Heath started his own career in inspires Sam to research that man and the rumours that swirled around his sexuality – scenes that we see played out in flashback – and in an additional plot, Sam also visits a secondary school to try and engage a disinterested group in politics with a weekly mock-Parliament set up, something which in turn also threatens to lead him to a stronger self-understanding. Continue reading “Review: Tory Boyz – National Youth Theatre of Great Britain at the Ambassadors Theatre”
“How can we know what we’re capable of”
Premiered in 2010, Prince of Denmark is Michael Lesslie’s prequel to Hamlet and coming out of the National Theatre Connections programme, it has a strong teen focus making it an ideal part of the National Youth Theatre of Great Britain’s season at the Ambassadors Theatre. Set some 10 years or so before the events of Shakespeare’s play, Lesslie focuses on the younger inhabitants of Elsinore and imagines how they might have interacted as teenagers, sowing the seeds for what we know is to come.
It is a slight piece, barely an hour long, and director Anthony Banks has wisely decided to augment it with atmospheric sequences – whether the testosterone fuelled swordplay, including some very nifty foot flicks, or the beautiful harmonies of musical interludes, there’s a sense of teenage ennui being batted away at every turn as life in the royal court trundles on. At the heart of it is Hamlet, the prince who thinks he wants to be treated like a normal man, but with the arrival of brother and sister Laertes and Ophelia comes an increased emotional volatility. Continue reading “Review: Prince of Denmark – National Youth Theatre of Great Britain at the Ambassadors Theatre”
Who better to tell stories of youthful (over-)exuberance than a group of exuberant youths. The National Youth Theatre of Great Britain’s 2013 Autumn season ‘Coming of Age’ continues with a West End residency of three plays, performed in rep at the Ambassadors Theatre.
First up is Lolita Chakrabarti’s adaptation of Romeo and Juliet which relocates the play to the vibrant but cut-throat world of Camden market in the mid-1980s. In the shadow of long dole queues and the rise of a violent sub-culture, this tale of teenage “star-cross’d lovers” is recast in a new light and indeed a new sound, accompanied by a ska and New Wave-heavy soundtrack, performed live to form a cinematically aural backdrop where needed. It creates a vividly energetic atmosphere and one which charges the production with a fresh vibrancy. Continue reading “Review: Romeo and Juliet – National Youth Theatre of Great Britain at the Ambassadors Theatre”