The National Theatre has today announced the latest productions to be made available on its streaming platform, National Theatre at Home. Launching today are two National Theatre productions: Hansard, Simon Woods’ witty and devastating play, directed by Simon Godwin (Romeo & Juliet, Twelfth Night); and Treasure Island, adapted by Bryony Lavery (Frozen, Kursk) from the iconic novel by Robert Louis Stevenson and directed by Polly Findlay (Antigone, Beginning). New productions are added each month and since launching in December 2020, there are now 28 productions available to stream on the platform. Continue reading “The National Theatre adds Hansard and Treasure Island to streaming platform National Theatre at Home”
Full of shocks that actually mean something, Series 5 of Spooks is one of its absolute best
“The British people will accept anything if you serve it up with a picture of Will Young in the shower”
A cracking series of Spooks that starts off with a series of bangs, robbing Colin of his life and Juliet Shaw of her ability to walk, the introduction of Ros Myers to the team is an invigorating success, particularly as she inspires Jo to become more badass too. This incarnation of the team really does click well, responding smoothly to the enforced changes in personnel, though newly single father Adam’s mental health crisis too often feels like a plot device rather than a genuine exploration of PTSD.
Subject-wise, the relevance level remains high, particularly pertinent when it comes to national crises with panic buying and over-stuffed hospitals feeling all too real. The role of fundamentalist zealots is shared equally between Christian and Islamic believers over the series and even if the finale underwhelms somewhat, the eco-terrorism theme hasn’t become any less significant.
I’m still not over it, the defenestration of Ruth Evershed. Having finally made it to a date with Harry, which went about as well as could be expected, she runs up against a murderous Oliver Mace conspiracy and ends up having to fake her own death to protect Harry and ends up fleeing the country. An ignominious end for the heart of the team. Continue reading “Lockdown TV Review: Spooks Series 5”
Lindsay Duncan and Alex Jennings prove entirely watchable in Hansard, a sharp new play at the National Theatre
“It’s the great mystery of our time…the insatiable desire of the people of this country to be fucked by an Old Etonian”
Hansard opens at the National Theatre with an impeccable sense of timing. As the blinkered thinking of Brexit and the perilous threats of prorogation rock Parliament, Simon Woods’ play (his first) urges consideration of what political discourse has become and also reminds us history reflects with a coolly unblinking eye – messages you wonder whether the watching George Osborne took onboard but at all…
Set in May of 1988, Diana Hesketh and her husband of 30 odd years Robin, a Tory MP, are poiltical opposites and don’t we know it. From the opening shots to the final quiet devastation, her left-leaning sensibilities and his Thatcher-loving ways tear ever-increasing strips off each other in a manner redolent of Whose Afraid of Virginia Woolf but one which also leaves you wondering how they ever made it this far. Continue reading “Review: Hansard, National Theatre”
All sorts of goodies were announced today for the upcoming slate of productions at the National Theatre, including Small Island, Peter Gynt, and Top Girls
Small Island, a new play adapted by Helen Edmundson from Andrea Levy’s Orange Prize-winning bestselling novel, will open in the Olivier Theatre in May. Directed by Rufus Norris, the play journeys from Jamaica to Britain through the Second World War to 1948, the year the HMT Empire Windrush docked at Tilbury. Small Island follows the intricately connected stories of Hortense, newly arrived in London, landlady Queenie and servicemen Gilbert and Bernard. Hope and humanity meet stubborn reality as, with epic sweep, the play uncovers the tangled history of Jamaica and the UK. Hundreds of tickets for every performance available at £15. Small Island will be broadcast live to cinemas worldwide as part of NT Live. Continue reading “News from the National Theatre Autumn 2018 Press Conference”
“A Mrs Bennett, a Miss Bennett, a Miss Bennett and a Miss Bennett, sir.”
I deliberately chose to rewatch this version of Pride and Prejudice as Joe Wright’s film was the last I saw and I wanted to remind myself of it on its own merits, before returning to the iconic BBC television adaptation. Joe Wright seems to inspire a strength of feeling in some people which is almost akin to that which his frequent collaborator Keira Knightley is (IMHO) unfairly subjected and I don’t imagine his choice to take on Austen’s beloved story in an abridged film format and to cast Knightley as Elizabeth Bennett would have endeared him to anyone new.
But Wright’s visual eye cannot be doubted as he has a clear gift for condensing and crystallising the key emotional moments of a story. He captures beautifully the informality of a public dance where the people actually talk, contrasted with the private moments of secrets and passions for all concerned; his customary flowing tracking shots are present and correct and there’s a hugely romantic feel. This really comes through in his composition of scenes – the first touch between the pair as Darcy lifts Elizabeth into her carriage is powerfully charged, the sense of emotional freedom that comes for the girls when they are allowed to dance is always convincing and there’s a clever reinterpretation of the wet shirt scene that tips the nod to the original but stands on its own two feet – Macfadyen wins my vote over Firth for those that are interested. Continue reading “DVD Review: Pride and Prejudice (2005)”
“Sometimes it’s not about knowing the right answer”
Starter for 10 may only have been filmed seven or eight years ago but for several of its leads, it feels like a lot longer. For it is a great opportunity to see James McAvoy, Rebecca Hall and Benedict Cumberbatch earlier in their careers and all exhibiting a youthful freshness which has now matured out of their performances. David Nicholls wrote the screenplay from his own novel, about a working class Essex lad to makes it to university in Bristol, the first in his family, and pursues his long-cherished dream of participating in TV quiz show University Challenge.
McAvoy plays Brian, the naïf at the heart of the story, looking almost impossibly young and appealingly handsome and there’s fun to be had in his awkwardness at settling into uni life, his pursuit of the brittle TV presenter wannabe blonde Alice, played by Alice Eve and his burgeoning friendship with Rebecca Hall’s politically active student Rebecca. Hall is wonderful here, full of quirky charm and wry humour and as the ‘right’ one for Brian, even though he can’t see it, there’s a great pull to their relationship. Continue reading “DVD Review: Starter for 10”
“You will not menace the House of Windsor”
Lucy Cohu has the dubious pleasure of being one of the few women I would probably turn for, she radiates an old-school glamour and sensuality that I find near-irresistable and I’ve loved the few stage performances of hers I have been able to catch (Speaking in Tongues, Broken Glass and A Delicate Balance). So I was quite happy to take in the Channel 4 television movie The Queen’s Sister, in which she took the lead role of Princess Margaret, in the name of the Jubilee Weekend 😉
It’s a semi-fictionalised account of her life by Craig Warner (although knowing so little of the reality, I couldn’t have told you what was real and what wasn’t) which focuses on her struggles against the establishment as she followed a life of largely wanton hedonism and leaving a trail of paramours behind her. Whether her previously married lover whom she was forbidden from wedding, the long-suffering husband prone to infidelity, the young pop singer who offers a faint hope of redemption, her relentless partying, fondness of always having a drink in her hand and general spoiltness consistently makes life difficult for herself.
Continue reading “DVD Review: The Queen’s Sister”