“What on earth is a soul?”
As the development of artificial intelligence advances ever closer to Skynet territory, so too does the complexity of the ethical questions around it. And it is these moral tensions that Simon Vinnicombe’s new play R and D focuses on – as science creates robots seem ever more human, capable even of independent thought, where do we draw the line? Or is it already too late, is Judgement Day already written in the future history books?
R and D begins innocuously, as these things always do. Scientist David offers to cheer his widowed writer brother Lewis up by offering him a £3 million job (as you do), merely spending time with a woman called April and reporting on their relationship. Trick is, she’s one of the most sophisticated robots ever constructed and through her interactions with the emotionally compromised Lewis, the bounds of technological progress are messily, murkily exceeded. Continue reading “Review: R and D, Hampstead Downstairs”