Spotlight on Plays from Broadway’s Best Shows is the virtual theatre experience you’ve been waiting for. It’s Morgan Freeman, Patti LuPone, Laura Linney, Paul Mescal, Alan Cumming, and more of the world’s top actors performing their hearts out in a series of must-see plays, live from their living rooms — while you watch from yours.
Right now, get pay-what-you-can tix to 7 upcoming virtual productions by some of the most popular playwrights ever. These tickets are available only on TomorrowTix and every single purchase supports The Actor’s Fund.
Continue reading “News: 7 star-studded plays — streaming only on TomorrowTix”
Baron Fellowes of West Stafford stretches not a single muscle in pumping out more of the same in the tiresomely dull Downton Abbey the movie
“I want everything to stop being a struggle”
To crib the tagline of a certain jukebox musical (here we go again…) you already know whether you’re a fan of Downton Abbey the movie. By any stretch of the imagination, it is just an extension of the TV series and so is guaranteed to maintain that same level of comfort that you have always got from the Granthams et al, whether that’s good or bad.
For me, it means a thoroughly unchallenging film and one which proves increasingly dull. (For reference, I’ve only ever seen (some of) the Christmas Day episodes as my parents are fans.) The hook of the film is that it is now 1927 and King George V and Queen Mary are coming to stay for the evening and heavens to Betsy, we’re all of a dither. Continue reading “Film review: Downton Abbey (2019)”
“I heard the voice of God…and it was the voice of an obscene child”
Whilst the mere mention of Amadeus, for most people, will instantly call to mind something like
for a Europop-obsessed child of the 80s as I was, this was the only Amadeus in my world
Continue reading “Review: Amadeus, Chichester Festival Theatre”
“I long ago came to the conclusion that nothing has ever been definitely proved about anything “
Less of a review (the show is still previewing) and more of a musing on ‘actor tourism’ which is surely the main reason for this umpteenth revival of Noël Coward’s Blithe Spirit. The announcement of Angela Lansbury’s return to the London stage after nearly forty years was met with a surprisingly huge outpouring of excitement which subsequently went into overdrive with her elevation to damehood in the New Year. And such veneration is curious to observe when one is on the outside of it.
I think I missed the memo about Lansbury. I mean I’m pretty sure I’ve been in the same room when Murder She Wrote has been on but it was never something I’ve been enthusiastic about and in my personal pantheon of leading ladies, I have to say she is a long way off national treasure status. And clearly this will be controversial as evidenced from the audience in the Gielgud though – her arrival onstage was applauded, her exits were whooped, her curtain call garnering a considerable standing ovation. Continue reading “Not-a-Review: Blithe Spirit, Gielgud Theatre”