The National Theatre has today announced that two new filmed productions have been added to its streaming service National Theatre at Home: the Young Vic’s Cat on a Hot Tin Roof and the National Theatre and Out of Joint’s co-production Consent. Continue reading “News: National Theatre adds Cat on a Hot Tin Roof and Consent to streaming platform”
Simon Annand’s Time To Act is a beautiful book of photos capturing actors in the minutes before they go on stage
Tackling the constraints of the pandemic in its own way, Simon Annand’s fantastic new book of photos Time To Act has launched a virtual exhibition of some of the photographs which has now been extended to until Christmas. It’s an ingenious way of sharing some of the hundreds of images from the book and should surely whet the appetite for either just buying it now or putting on your list for Santa to collect soon.
“The human animal is a beast that dies but the fact that he’s dying don’t give him pity for others”
Whatever the reasons behind the decision to open Benedict Andrews’ Cat On A Hot Tin Roof directly into the West End, a first for the Young Vic, you can’t help suspect that it has been informed by the extraordinary success of their 2014 collaboration on A Streetcar Named Desire. Equally, it is tempting to feel the play would be better off on The Cut, the better for its intimacy to really sizzle.
There’s certainly the attempt to raise the temperature – Andrews has his leads Jack O’Connell and Sienna Miller in various states of undress for large swathes of the play – but for all the skin exposed, there’s little sexuality between Tennessee Williams’ central couple, the reasons for which are painstakingly revealed later on. And ultimately it is a disconnect that reads better than it plays. Continue reading “Review: Cat On A Hot Tin Roof, Young Vic at the Apollo”
Originally developed as live shows in Melbourne and the Edinburgh Festival, multi-award winning and ‘two-time Edinburgh Comedy Award Nominee’ comic storyteller Sarah Kendall is set to bring her critically acclaimed trilogy of funny and moving stories to BBC Radio 4 starting on Tuesday 28th February. Continue reading “Round-up of news and treats and other interesting things”
“Outside it is winter. But in here it’s so hot.”
It is 22 years since Sam Mendes debuted his iconic revival of Kander and Ebb’s musical Cabaret with Alan Cumming (re)creating the role of the Emcee and in the hallowed grounds of Studio 54, he is back in that part overseeing a succession of bright young things taking on the equally iconic character of Sally Bowles. Michelle Williams (Dawson’s not Destiny’s) opened up this run and Sienna Miller will step into the shoes next month but it is recent Academy Award nominee Emma Stone was the original choice for this particular revival.
A fascinatingly honest interview reveals the reason why she couldn’t open the show but circumstance prevailed to allow her to join the company and ever so pleasingly, right at the moment that I was in town. And she is brilliant in the role, it’s no mean feat putting her own spin on a character that has been so effectively previously immortalised but Stone manages it, finding a real sense of a new, fresh, personality for Sally that is more emotional, fragile even, laying bare all the vulnerability of a young woman aching for a place to belong in a world that is turning its back on her, and so many others. Continue reading “Review: Cabaret, Studio 54”
Best Comedy Series
The Big Bang Theory (CBS)
The Middle (ABC)
New Girl (Fox)
Parks and Recreation (NBC)
Best Drama Series
The Americans (FX)
Breaking Bad (AMC)
Downton Abbey (PBS)
Game of Thrones (HBO)
The Good Wife (CBS)
Homeland (Showtime) Continue reading “3rd Critics’ Choice Television Awards nominees”
Rebecca Hall – Parade’s End (BBC Two)
Sienna Miller – The Girl (BBC Two)
Anne Reid – Last Tango in Halifax (BBC One)
Sheridan Smith – Mrs Biggs (ITV) Continue reading “2013 British Academy Television Awards nominations”
“Blondes make the best victims”
Much of the Twitter buzz I noticed about the BBC drama The Girl was along the lines of ‘isn’t Sienna Miller a better actress than I thought she was’. Like Keira Knightley, the celebrity construct around her dominates public perception and frequently skews coverage of her performance, but I have always rather liked her as an actress, way back from when she starred with Helen McCrory in As You Like It. So I was keen to take in this TV programme looking at the difficult creative relationship between Miller’s Tippi Hedren and Toby Jones’ Alfred Hitchcock.
Hitchcock plucked working model Hedren pretty much from obscurity and placed her in two of his finest films, The Birds and Marnie, but his demanding directorial style was particularly punishing on her as he worked out his own issues of sexual obsession and when she finally broke free, he made sure she didn’t work for another five years. Based on interviews with Hedren herself, it may be a biased account of events but it undoubtedly has the ring of some truth about it. Continue reading “TV Review: The Girl”
Best Motion Picture
Life of Pi
Zero Dark Thirty
Musical or Comedy
The Best Exotic Marigold Hotel
Salmon Fishing in the Yemen
Silver Linings Playbook Continue reading “The 70th Golden Globe Awards – nominations”
“Be the flame, not the moth”
Taking in Lasse Hallström’s 2005 film version of Casanova was quite an odd experience in the end, a rather overwhelming sadness at Heath Ledger’s passing struck me from the off, in a manner that hadn’t hit me before, even whilst watching his final performances in The Dark Knight and The Imaginarium of Doctor Parnassus much closer to his untimely death in 2008. But I was resolved to watch as many films with Helen McCrory in as possible and so I continued with it.
She plays Casanova’s mother and so her appearance was limited to an opening sequence which set the scene for the film, her leaving him with his grandmother as a young boy and then disappearing from his life. [SPOILER ALERT] She then reappears in the finale in the nick of time to save Casanova’s bacon and is involved in the swashbuckling, sword-brandishing showdown as all those trying to catch up with the lusty lothario chase him through the streets of Venice. It’s a small role, and one that sadly allows little opportunity for McCrory to really make her mark, one would be hard-pressed to really remember her in this particular film, but sometimes that is just the way it goes. Continue reading “DVD Review: Casanova”