The National Theatre has announced a further five productions that will be streamed as a part of the National Theatre at Home series. Established in April to bring culture and entertainment to audiences around the world during this unprecedented period, National Theatre at Home has so far seen 10 productions streamed via the NT’s YouTube channel, with over 12 million views to date. These will be the final titles to be shared for free via YouTube in this period. However, future digital activity to connect with audiences in the UK and beyond is planned, with further details to be announced soon.
The productions will be broadcast each Thursday at 7pm BST for free and will then be available on demand for seven days. Titles added to the programme today include A Midsummer Night’s Dream from the Bridge Theatre, alongside Small Island, Les Blancs, The Deep Blue Sea and Amadeus from the National Theatre. Continue reading “News: National Theatre at Home final phase”
Perfect fun for lockdown viewing, Series 1 of Beautiful People is an indisputable camp classic
“Reading’s such a dump guys, I don’t know how you do it”
There’s camp and then there’s camp. The first episode of Series 1 of Beautiful People contains, among other things, Égoïste advert reenactments, Tennessee Williams-based inner monologues to the tune of ‘I Will Survive’, future dames Sarah Niles and Olivia Colman wrestling to the tune of ‘Spice Up Your Life’, and Sophie Ellis-Bextor covering ‘Jolene’. Naturally, it is huge amounts of fun.
Written by Jonathan Harvey from Simon Doonan’s memoirs, this 2008 comedy drama follows the life of thirteen-year-old Simon, who isn’t letting the fact that he lives in the sururban drudgery of Reading get in the way of being absolutely fabulous. He dreams of moving to London but until then, we get to see tales from his eventful childhood. Continue reading “TV Review: Beautiful People (Series 1)”
“Give me the history of the Congo in four and a half minutes”
There’s an ingenious moment in the middle of They Drink It In The Congo when a PR guy has to step in for an ailing colleague at an imminent press conference and utters the line above. The answer he gets exposes not only the vast complexity of the socio-political issues in the Democratic Republic of Congo but also the way in which Westerners seek to reduce them to manageable soundbites so that they can be dismissed as problems easily solved
Which in a nutshell is the key issue at the heart of Adam Brace’s new play for the Almeida. Aware of the impossibility of doing Congolese history justice in a couple of hours, he approaches the issue from an alternative angle, the impossibility of “doing something good about something bad”. Daughter of a white Kenyan farmer, Stef now works for a London NGO and is excited to be given the opportunity to organise ‘Congo Voice’, a new arts festival raising awareness of the issues there. Continue reading “Review: They Drink It In The Congo, Almeida Theatre”
“Do you think the rape of a continent dissolves in cigarette smoke?”
To think that just a couple of weeks ago, I hadn’t ever seen a play by Lorraine Hansberry and now I’ve seen two – the extraordinary A Raisin in the Sun which has now completed its UK tour and this new production of Les Blancs at the National. The sad reality is that there isn’t much more to see now, pancreatic cancer taking her life at just 34, but what a startling legacy this writer left of theatre that delves uncompromisingly into issues of race and identity, that remains as pertinent today as it did the mid-twentieth century when she was writing.
Hansberry didn’t get to complete Les Blancs before her death and so this final text was adapted by her sometime husband and collaborator Robert Nemiroff and it is directed here by Yaël Farber, making her National Theatre debut after her highly acclaimed 2014 The Crucible for the Old Vic. And people who saw that production will instantly recognise Farber’s modus operandi as this show opens in a highly atmospheric manner – a group of matriarchs, led by musical director Joyce Moholoagae, chanting and singing in Xhosa to leave us in no doubt what continent we’re on. Continue reading “Review: Les Blancs, National Theatre”
“The morning star always get wonderful bright the minute before it has to go”
Some images sear themselves into the mind, never to be forgotten and for me, the staging of the third act of Thornton Wilder’s Our Town was such a one – something so simply done yet achingly powerful in effect, all the more so given it isn’t immediately apparent. And after Mr Burns, it is the second time in three plays that the Almeida has delivered a doozy of a third act – one can’t help but feel sorry (or laugh) at the doofuses that left at any of the intervals.
It is interesting to see the strength of the reactions to David Cromer’s version of this show – in the Evening Standard, Fiona Mountford decries it as glib, desultory and that final act as smug(!) and Jake Orr dismissed it thus Continue reading “Review: Our Town, Almeida Theatre”