A full-on Irish history epic, Tom Waller’s Eviction is an unflinching look at the difficult relations in 19th century Ireland with fearsome English landlords putting the frighteners on their Irish tenants and pushing them to ever more desperate measures. It’s really quite shocking but very well done and the production values are excellent – Gay Hian Teoh’s cinematography and Eddie Hamilton’s editing are top notch and a cast that includes Cillian Murphy and Rupert Vansittart make this well worth watching.
“He draweth out the thread of his verbosity finer than the staple of his argument”
Working my way through the Globe DVD collection from their 2009 season has been good fun and a nice way to catch up on shows that I did not see and in the case of Love’s Labour’s Lost, a show that I have never actually seen. Dominic Dromgoole’s revival of his 2007 production brought back several original cast members (although sadly not Gemma Arterton who made her stage debut here) to this early Shakespearean comedy.
Not having any knowledge or preconceptions about a play is always a nice state of affairs for me, but by the end I could tell that this was surely going to be one of those of his works that is deemed problematic. The King of Navarre and his court decide to forswear women and pleasure for serious study but the arrival of the Princess of France and her ladies and their mischievous ways challenges their resolve. But not content with four potential couplings, the youthful Shakespeare works in a number of additional sub-plots which seriously pull focus from any main story and combined with an extreme wordiness – it’s often trying too hard to be clever to be genuinely funny – and a kicker of an ending, it does make for a rather odd experience. Continue reading “DVD Review: Love’s Labours Lost, Shakespeare’s Globe”
“Don’t heckle a heckler, educate through reasonable debate”
I had certain expectations of Moonfleece, largely influenced by the fact that the BNP had roundly denounced the play even before it had opened at Bethnal Green’s Rich Mix, which is virtually a recommendation in itself, and the opening scenes seemed to confirm them with a group of young men, all members of a far-right political party, converging on an abandoned East London tower block and attempting to turf out a mixed-race squatter. But as the tale unfolds, it becomes apparent that this is a tale of secrets and lies, of bonds between families and friends, and the way in which these can be manipulated to support an ideology, however extreme: the politics is in the background rather than the forefront.
The meeting has been called by Curtis, the stepson of a Nick Griffin-like fascist political leader, in the tower block that was his former family home as he is being haunted by the memories and ghost of his older brother. He has asked his ex Sarah to bring a psychic friend Nina in order to conduct a séance to try and get to the bottom of things, but with her arrival comes a diverse group of her friends, including a gay student journalist, and a strident Indian best friend. Curtis is then forced to confront the major emotional crises of his life, namely the deaths of his father and brother and the circumstances that have led to him adhering to his stepfather’s party and its bigoted credo, throwing up the differences in his current friends, also party members, and the more liberal grouping of friends from his old life, surrounding his ex-girlfriend. And then there’s the squatters with a gift for storytelling, who has a story of particular significance to Curtis. Continue reading “Review: Moonfleece, Rich Mix”