Rafe Spall and Esther Smith continue to be charm personified in the second series of Apple TV’s Trying
“No-one’s laminated my life story yet”
As Apple TV continues to try and meaningfully break through, its commitment to its original series is commendable. Ted Lasso is riding the slowburn train to award success and also getting a second series if somewhat more under the radar, sweet comedy Tryinghas also returned.
The show centres on thirty-something Camdenites Nikki and Jason and their efforts to grow their family. The first series tackled their (lack of) fertility and the start of their journey through the adoption process and this second sees them continuing to navigate this bureaucratic and emotional minefield. Continue reading “TV Review: Trying Series 2 (Apple TV)”
Rafe Spall and Esther Smith impress in British comedy Trying, helped by the likes of Imelda Staunton and Cush Jumbo
Just a quickie for this, as I’ve only just started to actually have a look at what is on AppleTV since they decided to extend my free trial. Created and written by Andy Wolton, Tryingis a rather sweet and very typically British sitcom that follows Jason and Nikki, a 30-something couple as they struggle to conceive naturally and decide that they would like to adopt. Led by Rafe Spall and Esther Smith, the show is lots of fun and is blessed with some wonderful supporting performances.
Forever skirting that comedy/drama line, Trying is unafraid of tackling some rather meaty issues. Infertility and what that does to a couple, the inequities of the adoption system, funding for ESOL classes… And even the simplest idea of how relationships grow and are tested by the act of self-reflection – how do you measure achievement when London property prices lock you into renting forever and opportunities to climb the job ladder are way too few and far between. Continue reading “TV Review: Trying (Apple TV)”
Ever behind the curve, I present 10 of my top moments in a theatre over the last ten years (plus a few bonus extra ones because whittling down this list was hard, and it will probably be different tomorrow anyway!)
Extraordinary Public Acts for a National Theatre
The establishment of the Public Acts programme at the National Theatre offered up something sensational in Pericles, an initiative designed to connect grassroot community organisations with major theatres, resulting in a production that swept over 200 non-professional performers onto the stage of the Olivier to create something that moved me more than 99% of professional productions. A truly joyous and momentous occasion.
Not even the excellent Siân Brooke can do much to save David Hare’s new play I’m Not Running at the National Theatre for me
“Jesus says don’t get too fond of anything because one day you’re going to lose it”
I’m Not Running is David Hare’s 17th new play to be presented at the National Theatre but for a playwright known for espousing the state of the nation in his work, there’s a frustrating vagueness that leaves him feeling just a little out of touch. Perhaps real-life events overtook him but for a play about contemporary left-wing politics in the UK, there’s little here that rings with profound resonance.
Rather, there’s a story about a woman, a doctor, swept up into the world of politics when her heading of a campaign to save a local hospital from closure springboards her into winning a seat as a single-issue MP. And it’s not long before she’s ostensibly lured by the prospect of becoming the Labour Party’s first female leader, an issue complicated by the presence of an old boyfriend high in the party ranks. Continue reading “Review: I’m Not Running, National Theatre”
So much goodness announced here in the National Theatre’s near future – particularly excited for Nine Night’s transfer, what looks like a leading role for Siân Brooke and the prospect of Joanna Riding’s ‘Losing My Mind’.
National Theatre Season: July 2018 – January 2019
Nine Night, Natasha Gordon’s critically acclaimed debut play transfers to the West End following a sold-out run at the NT
Further cast announced for Antony and Cleopatra alongside Ralph Fiennes and Sophie Okonedo, playing from September
Cast confirmed for world premiere of David Hare’s new play I’m Not Running, including Siân Brooke, Alex Hassell and Joshua McGuire
Peter Brook returns to direct at the National Theatre for the first time in 50 years with The Prisoner, co-directed with Marie-Hélène Estienne
Following the acclaimed Consent, Nina Raine returns to the NT with her new play Stories starring Claudie Blakley
Anthony Neilson makes his NT debut with new play TheTell-Tale Heart, based on the short story by Edgar Allan Poe
Alexander Hanson and Joanna Riding to join the cast of Follies alongside Janie Dee and Peter Forbes, returning to the Olivier Theatre in February 2019
War Horse returns to the NT marking the centenary of Armistice Day
Antony and Cleopatra and I’m Not Running to broadcast to 65 countries worldwide as part of NT Live
In some ways, you can’t blame ’em for trying to replicate the extraordinary success of the first series of Doctor Foster, quality drama that fast became a rare appointment-to-view fixture with a rare return to weekly instalments. And given that writer Mike Bartlett is known for his prolific nature, that a second series quickly came into the offing was no great surprise.
But it can be hard to recapture the magic and though all of the key players have returned – most notably warring ex-couple Suranne Jones’ Gemma and Bertie Carvel’s Simon – this set of five episodes has really suffered from a lack of raison d’être. Waves of vicious revenge percolate throughout but with no discernible driving narrative beyond that, it proved far less engaging. Continue reading “TV Review: Doctor Foster Series 2”
“You haven’t lost your faith in people, have you?”
The problem with using superlatives is that it is so easy to get carried away. And having declared the second series of Unforgottento be sure of being one of the best pieces of television we’ll see this year, I’m now having to addThe Moorsideto that same category. The first episode blew me away and the second, directed by Paul Whittington and written by Neil McKay, confirmed the show as a devastating tour de force.
Occupying the slightly hazy ground of docudrama, where real-life events are augmented with highly researched dramatised scenes, The Moorside nevertheless smacks of the ring of truth from start to finish. The second instalment picks up with Shannon Matthews having been found by the police and whilst the community who came together so dramatically to search for her celebrate, questions about Karen Matthews’ involvement in the disappearance of her daughter hang ominously in the air. Continue reading “TV Review: The Moorside Episode 2”
“Anyone tells you you’re not a good mother, you can tell them to shove it up their arse”
Coming from the same creative team as the extraordinary Appropriate Adult, it is no surprise that the first episode of new BBC two-parter The Moorside was a superlative hour of TV, leaving me eagerly awaiting the second instalment next week (just like the good old days, none of your stripping a show across consecutive days here). And as they did by looking at the deeds of Fred and Rosemary West through the experience of the social worker drafted in to assist him, the 2008 case of missing Dewsbury schoolgirl Shannon Matthews is retold here largely through the eyes of Julie Bushby, a friend of Shannon’s mother, who was instrumental in leading the community effort to find the young girl.
Where Appropriate Adult excelled was in its first-rate casting, securing the services of Emily Watson, Dominic West and a truly fearsome Monica Dolan to lend the work real gravitas. And if The Moorside doesn’t necessarily have an Oscar nominee in its company, it has a no less sensational trio at its core (all with sterling theatrical credits too). Sheridan Smith is the highest profile as Julie Bushby but Gemma Whelan (Game of Thrones’ Yara Greyjoy) more than matches her with a frankly terrifying performance of blankness curdling into disturbing strangeness as Shannon’s mother Karen. And following on from her recent high profile turn in Sherlock, Siân Brooke also excels as her increasingly sceptical friend Natalie. Continue reading “TV Review: The Moorside Episode 1”