The Curtain Up Show Album of the Year 2018 nominees

Best UK Cast Recording
Broken Wings – Original Concept Album
Calendar Girls – Original London Recording
Everybody’s Talking About Jamie – Original West End Cast Recording
Six The Musical – Studio Cast Recording
Working: A Musical – Original London Cast Recording
Young Frankenstein – Original London Cast Recording

Best American Cast Recording
Frozen – Original Broadway Cast Recording
Mean Girls – Original Broadway Cast Recording
My Fair Lady – 2018 Broadway Cast Recording
Once On This Island – New Broadway Cast Recording
Pretty Woman – Original Broadway Cast Recording
The Prom – Original Broadway Cast Recording

Best Solo Album
Audra McDonald – Sing Happy
Carrie Hope Fletcher – When The Curtain Falls
David Hunter – Silver Linings
Louise Dearman – For You, For Me
Natasha Barnes – Real
Sutton Foster – Take Me To The World

Oscar Week Film Review: The Greatest Showman

Defying the critics and showcasing the marvellous Keala Settle, there’s more to like about The Greatest Showman than you might think. Or not.

“The noblest art is that of making others happy”

There’s always something amusing about a piece of art that manages so successfully to flick two fingers at the critics and right now, none more so than The Greatest Showman. In the UK alone, it has achieved a box office consistency near the top of the list unseen since Avatar, the cast recording has been at the top of the album charts for the past two months, and such is its hold on the zeitgeist that it is now holding singalong performances across a range of cinemas.

None of which you would have predicted on its critical reception ahead of its Boxing Day release. It’s not an accurate portrayal of PT Barnum’s life, some said; it doesn’t have enough of a dramatic narrative, others sniffed; still more have derided its complete lack of any post-modern ironic edge, de rigueur for a contemporary musical so they’d have you believe. And there’s merits to all of these points though they do seem to spectacularly miss the point of the film, which is pure entertainment. Continue reading “Oscar Week Film Review: The Greatest Showman”

Review: Young Frankenstein, Garrick

If gay jokes and boob jokes and dick jokes are your thing, then Young Frankenstein is for you. Not for me though, not at all. 

“Though your genitalia
Has been known to fail ya
You can bet your ass on the brain”

It’s alive…barely. Mel Brooks’ Young Frankenstein staggers into the West End after some more time on the operating table since its 2007 Broadway opening (2 new songs are among the changes made) and a short run in Newcastle to tighten the bolts. But for a piece of new musical theatre, it is so desperately old-fashioned that you half expect Russ Abbot and Bella Emberg to pop up and do a turn.

Given that Brooks is now over 90 and that the film on which it is based dates from 1974, it is perhaps little surprise that it feels dated. But also given director/choreographer Susan Stroman’s close collaborative relationship with him, the opportunity to be necessarily brutal about what works and what doesn’t feels to have been lost, lightning really hasn’t struck twice for the creators of The ProducersContinue reading “Review: Young Frankenstein, Garrick”

Nominations for 2016-2017 Outer Critics Circle Awards

John Gassner Playwriting Award
Jaclyn Backhaus, Men on Boats
Sarah DeLappe, The Wolves
Paola Lázaro, Tell Hector I Miss Him
Qui Nguyen, Vietgone
Bess Wohl, Small Mouth Sounds

Outstanding Actor in a Musical
Christian Borle, Falsettos
Nick Cordero, A Bronx Tale
David Hyde Pierce, Hello, Dolly!
Andy Karl, Groundhog Day
Tony Shalhoub, The Band’s Visit Continue reading “Nominations for 2016-2017 Outer Critics Circle Awards”

Nominations for 2017 Lucille Lortel Awards

Outstanding Play
Indecent Produced by Vineyard Theatre in association with La Jolla Playhouse and Yale Repertory Theatre. Written by Paula Vogel, Created by Paula Vogel & Rebecca Taichman
Oslo Produced by Lincoln Center Theater. Written by J.T. Rogers
Underground Railroad Game Produced by Ars Nova. Written by Jennifer Kidwell and Scott R. Sheppard
Vietgone Produced by Manhattan Theatre Club in association with South Coast Repertory. Written by Qui Nguyen
The Wolves Produced by The Playwrights Realm in association with New York Stage and Film and Vassar’s Powerhouse Theatre Season. Written by Sarah DeLappe

Outstanding Musical
The Band’s Visit Produced by Atlantic Theater Company. Music and Lyrics by David Yazbek, Book by Itamar Moses, Based on the screenplay by Eran Kolirin
Dear Evan Hansen Produced by Second Stage Theatre in association with Stacey Mindich Productions. Book by Steven Levenson, Music and Lyrics by Benj Pasek and Justin Paul
Hadestown Produced by New York Theatre Workshop. Written by Anaïs Mitchell
Ride the Cyclone Produced by MCC Theater. Book, Music, and Lyrics by Brooke Maxwell and Jacob Richmond
The Total Bent Produced by The Public Theater. Text by Stew, Music by Stew and Heidi Rodewald Continue reading “Nominations for 2017 Lucille Lortel Awards”

Album Reviews: Betty Buckley – Stars and the Moon: Live at the Donmar / Judy Kuhn – Stars and the Moon: Live at the Donmar Rodgers, Rodgers & Guettel /Leading Ladies

This trio of album revies covers Betty Buckley – Stars and the Moon: Live at the Donmar, Judy Kuhn – Stars and the Moon: Live at the Donmar Rodgers, Rodgers & Guettel, and Leading Ladies

“I’ll give you truth and a future that’s twenty times better than any Hollywood plot”

I’ve only been blessed to see Betty Buckley onstage once and I wish it had been in another show than Dear World but hey, you can’t win them all. For now, I have to make do with records such as Stars and the Moon: Live at the Donmar and it is quite the effective alternative. A boldly theatrical programme, with a focus on new musical theatre writing and jazz-inflected arrangements, means it is a constantly intriguing collection and something so interesting for such an established performer as Buckley to deliver. The accompaniment to ‘Send in the Clowns’ is a thing of wonder, as this version of Adam Guettel’s ‘Migratory V’. Continue reading “Album Reviews: Betty Buckley – Stars and the Moon: Live at the Donmar / Judy Kuhn – Stars and the Moon: Live at the Donmar Rodgers, Rodgers & Guettel /Leading Ladies”

Winners of 2013 Lucille Lortel Awards

Outstanding Play
Bethany – Produced by Women’s Project Theater; Written by Laura Marks
Cock – Produced by Stuart Thompson, Jean Doumanian, Royal Court Theatre, William Berlind, Scott Delman, Dena Hammerstein, Jon B. Platt, Scott Rudin, Ted Snowdon, True Love Productions; Written by Mike Bartlett
Detroit – Produced by Playwrights Horizons; Written by Lisa D’Amour  
The Flick – Produced by Playwrights Horizons; Written by Annie Baker
WINNER – The Whale – Produced by Playwrights Horizons; Written by Samuel D. Hunter 

Outstanding Musical
WINNER – Dogfight – Produced by Second Stage Theatre; Music and Lyrics by Benj Pasek and Justin Paul, Book by Peter Duchan

Giant – Produced by The Public Theater in association with The Dallas Theater Center; Book by Sybille Pearson, Music and Lyrics by Michael John LaChiusa, Based on the novel by Edna Ferber 
Murder Ballad – Produced by Manhattan Theatre Club; Conceived by and with Book and Lyrics by Julia Jordan, Music and Lyrics by Juliana NashThe Other Josh Cohen – Produced by Amas Musical Theatre in association with Scandobean Productions, LLC; Book, Music and Lyrics by David Rossmer and Steve Rosen  
Skippyjon Jones – Produced by TheatreworksUSA; Book and Lyrics by Kevin Del Aguila, Music by Eli Bolin, Based on the book by Judy Schachner   Continue reading “Winners of 2013 Lucille Lortel Awards”

Nominations for the 2013 Drama Desk Awards

Outstanding Play
Annie Baker, The Flick
Christopher Durang, Vanya and Sonia and Masha and Spike
Joe Gilford, Finks
Richard Greenberg, The Assembled Parties
Amy Herzog, Belleville
Deanna Jent, Falling
Richard Nelson, Sorry

Outstanding Musical
A Christmas Story: The Musical
Giant
Hands on a Hardbody
Here Lies Love
Matilda
Natasha, Pierre & The Great Comet of 1812
The Other Josh Cohen
Continue reading “Nominations for the 2013 Drama Desk Awards”

Nominations for 2012-2013 Outer Critics Circle Awards

John Gassner Playwriting Award
Ayad Akhtar, Disgraced
Paul Downs Colaizzo, Really Really
Joshua Harmon, Bad Jews
Samuel D. Hunter, The Whale
Aaron Posner, My Name Is Asher Lev

Outstanding Actor in a Musical
Bertie Carvel, Matilda the Musical
Santino Fontana, Rodgers & Hammerstein’s Cinderella
Rob McClure, Chaplin: The Musical
Billy Porter, Kinky Boots
Matthew James Thomas, Pippin
Continue reading “Nominations for 2012-2013 Outer Critics Circle Awards”

Nominations for 2013 Lucille Lortel Awards

Outstanding Play
Bethany – Produced by Women’s Project Theater; Written by Laura Marks
Cock – Produced by Stuart Thompson, Jean Doumanian, Royal Court Theatre, William Berlind, Scott Delman, Dena Hammerstein, Jon B. Platt, Scott Rudin, Ted Snowdon, True Love Productions; Written by Mike Bartlett
Detroit – Produced by Playwrights Horizons; Written by Lisa D’Amour  
The Flick – Produced by Playwrights Horizons; Written by Annie Baker
The Whale – Produced by Playwrights Horizons; Written by Samuel D. Hunter 

Outstanding Musical
Dogfight – Produced by Second Stage Theatre; Music and Lyrics by Benj Pasek and Justin Paul, Book by Peter Duchan
Giant – Produced by The Public Theater in association with The Dallas Theater Center; Book by Sybille Pearson, Music and Lyrics by Michael John LaChiusa, Based on the novel by Edna Ferber 
Murder Ballad – Produced by Manhattan Theatre Club; Conceived by and with Book and Lyrics by Julia Jordan, Music and Lyrics by Juliana NashThe Other Josh Cohen – Produced by Amas Musical Theatre in association with Scandobean Productions, LLC; Book, Music and Lyrics by David Rossmer and Steve Rosen  
Skippyjon Jones – Produced by TheatreworksUSA; Book and Lyrics by Kevin Del Aguila, Music by Eli Bolin, Based on the book by Judy Schachner   Continue reading “Nominations for 2013 Lucille Lortel Awards”