Just a brief reminder really that one of the TV highlights of the year (cos it will be, you know that) has just started – the fourth series of Unforgotten
“Why would someone keep a body for 30 years?”
My love for Nicola Walker has been one of the most consistent relationships in my life, so to see her land on the kind of project that people will rightly be talking about for years to come is highly satisfying. Chris Lang’s Unforgotten now enters its fourth series, an unlikely one you might have thought, given the way the last ended but it’s a welcome return indeed and one which deals adroitly with DCI Cassie Stuart’s uncertain relationship with her job.
Walker and Sanjeev Bhaskar’s Khan have lost none of their pleasingly undramatic chemistry as the deeply empathetic heads of the never knowingly over-worked cold case department, this time dealing with the discovery of a headless, handless body in a discarded freezer. And as ever, the casting is nigh on perfect (Victor Jenkins for this series) as the likes of the brilliant Liz White and Susan Lynch – both performers who do ‘sad’ so heartbreakingly well – emerge as part of the web of people intimately connected with the crime, the details of which will spill forth over the next five weeks. Can’t wait!
Since it is the season of goodwill to all men, I’m not going to belabour the point that it is a shame that ‘musicals’ have been lumped together as a category here, whereas the likes of Pinter and Kane got their own specials, whither Sondheim, Herman and Tesori. Still, it’s lovely as ever to stretch back over years of musical theatre productions to see some of Tristram Kenton’s most iconic shots for the Guardian:
Photos: Tristram Kenton
Chichester Festival Theatre has announced their Autumn plans and it looks to be a good’un. It includes:
– Sarah Kane’s Crave, directed by Tinuke Craig and starring Erin Doherty and Alfred Enoch, staged in a socially distanced Festival Theatre for 10 performances and live streamed to digital audiences
– for Christmas, a series of festive concerts (including one with Rebeccas Caine and Trehearn), followed by Chichester Festival Youth Theatre in a new version of Pinocchio by Anna Ledwich, directed by Dale Rooks
– Michael Ball, Sheila Hancock and Patricia Routledge in conversation with Edward Seckerson
– cabaret and comedy including Frisky & Mannish, The Black Cat Cabaret, Barely Methodical Troupe, Rich Hall, Suzi Ruffell, Russell Kane and Rosie Jones
– music ranging from a celebration of Sondheim with West End stars, to a song recital by Kate Royal, a new concert from Joe Stilgoe and a portrait of Rachmaninoff with Henry Goodman and Lucy Parham Continue reading “September theatre news, the UK version”
A new series of monologues, curated and produced by Michelle Collins alongside the Equity Benevolent Fund, has been released online for charity. Entitled “#FortheLoveofArts”, the scheme sees acting talent come together to raise funds for beleaguered artists and individuals during the ongoing pandemic.
Appearing in the series are Lesley Manville, Ian McKellen, Adjoa Andoh, Miriam-Teak Lee, Derek Jacobi, Layton Williams, Sue Johnston, Jason Watkins, Sanjeev Bhaskar, Pearl Mackie and more. Some of the monologues are brand new works penned especially for the series.
The monologues can be viewed on the Equity Benevolent Fund’s YouTube channel.
– Tom Hiddleston, Kristin Scott Thomas, Kit Harington, Simon Russell Beale, Indira Varma, Zawe Ashton and many more announced
– Happy Birthday, Harold will take place on what would have been the Nobel Prize winning playwright’s 88th birthday on October 10th
– Charity event will raise money for Amnesty International and Chance to Shine
– Tickets are on sale now
Continue reading “The Jamie Lloyd Company announces cast for charity gala to celebrate Harold Pinter’s birthday”
“No use permitting some prophet of doom”
Cabaret is a show which has had many a revival and many a cast recording made from those productions but it is Rufus Norris’ 2006 interpretation that seems to have lingered the longest, a new touring version starring Louise Redknapp and Will Young starts at the New Wimbledon in late September, one of many such revivals of this revival (I caught it in the West End in 2012 and the 2013 tour). And just to be clear, my comments are UK-based, for it is Mendes’ 1993 production that was most recently revived in the US (which I saw with Emma Stone at Studio 54).
And I have to say I love this particular cast recording – the sharpness of David Steadman’s musical direction is captured brightly and well on the record, and the performances sound pointed and fresh, a real testament to the recording process here. It’s a strong cast to be sure, led by the canny decision to cast Anna Maxwell Martin in the lead role of Sally Bowles. By no means a predictable choice, the decision to go for a shit-hot actress who can really focus on the character elevates the role entirely from all Liza Minnelli-based connotations and its notions that the role should be belted. Continue reading “Album Review: Cabaret (2006 London Cast Recording)”
The end of year round-up continues with the acting performances that stood out for me, the ones that made me sit up, and sometimes stand up. As ever, I have used the label ‘best’, the categories should really be considered ‘favourite’ as that is what the fosterIANs (fos-tîr’ē-ən) are – my favourites. So please find below the 2016 fosterIAN award nominations, categories expanded to 7 nominees (and sometimes more!) because I am that indecisive, winners to be announced in the coming days.
Best Actress in a Play
Uzo Aduba/Zawe Ashton, The Maids
Gemma Arterton, Nell Gwynn
Linda Bassett, Escaped Alone
Helen McCrory, The Deep Blue Sea
Maxine Peake, A Streetcar Named Desire
Juliet Stevenson/Lia Williams, Mary Stuart
Harriet Walter, The Tempest
Best Actor in a Play
Phil Dunster, Pink Mist
Paapa Essiedu, Hamlet
O-T Fagbenle, Ma Rainey’s Black Bottom
Rhys Isaac-Jones, Jess and Joe Forever
Lucian Msamati, Amadeus
Lucian Msamati, Ma Rainey’s Black Bottom
Danny Sapani, Les Blancs Continue reading “The 2016 fosterIAN nominations”
“Those on the outside clamouring to get in, those on the inside dying to get out”
The story of Edith Ewing Bouvier Beale and her daughter Edith Bouvier Beale was immortalised in a 1975 documentary called Grey Gardens. As part of the American aristocracy, insofar as their connections with the Kennedys (their niece/cousin Jackie would become Jacqueline Kennedy Onassis), they held a certain fascination but the discovery that they were living together in squalor, their fortune squandered and their East Hampton mansion overrun with cats, made them appallingly compelling subjects and consequently elevated them to cult status.
That it took someone ‘til 2006 to turn it into a musical feels like a surprise, but Doug Wright’s book, Scott Frankel’s music and Michael Korie’s lyrics are more thoughtfully considered than one might expect – reflected in the success of its Tony-winning Broadway transfer from Off-Broadway – and so it’s only fitting that it is now added to director Thom Southerland’s roster of musical theatre hits at the Southwark Playhouse. Continue reading “Review: Grey Gardens, Southwark Playhouse”
2016 is nearly upon and for once, I’ve hardly anything booked for the coming year and what I do have tickets for, I’m hardly that inspired by (the Garrick season has been ruined by the awfulness of the rear stalls seats, and I only got Harry Potter and the Cursed Child tickets due to FOMO). Not for the first time, I’m intending to see less theatre next year but I do have my eyes on a good few productions in the West End, fringe and beyond. Continue reading “20 shows to look forward to in 2016”