Review: The Pietà, St Johns in Piccadilly

Sometimes, though increasingly rarely for me these days, a visit to the theatre can completely take you by surprise by totally exceeding any expectations you might have, if indeed you have any at all. I was taken to The Pietà by a good friend, and I agreed purely on the strength of it being Frances Barber doing something in a church, St Johns in Piccadilly to be precise, and by jove am I glad I did.

Named for the famous statue by Michaelangelo of the Virgin Mary cradling her son’s broken body, this piece takes that theme of motherly anguish and relocates it to the gun-crime-ridden streets of modern-day Manchester. It is a dramatic monologue of a mother who witnesses her son’s violent death, but the role of the mother is shared by Frances Barber who recites text, a soprano vocalist Claire O’Brien and a cor anglaisist Jessica Mogridge who each take turns in portraying the mother, sometimes alone, sometimes together. Continue reading “Review: The Pietà, St Johns in Piccadilly”