Lots of exciting news coming out of the National Theatre today, including actors Nicola Walker, Giles Terera and Kristin Scott Thomas, directors Simon Stone, Lynette Linton and Nicole Charles, and returns for Small Island, Beginningand The Ocean at the End of the Lane
The National Theatre has today announced nine productions that will play on the South Bank in 2020-2021 alongside previouslyannounced shows. These run alongside their international touring productions, three plays that will tour to multiple venues across the UK and a West End transfer. The NT also announces today that it will increase the quantity of low-price tickets on the South Bank by 25%, with 250,000 available across the year at £20 or less.
Ruth Wilson excels in the intriguing Mrs Wilson, a drama that couldn’t possibly be true…
“You know all you need to know”
Mrs Wilson begins with ‘the following is inspired by real events’ but the truth is even more than that, as main protagonist Alison Wilson is played by Ruth Wilson, who just happens to be her granddaughter. For the story is taken from the extraordinary revelations of her own family history and adapted into a three-part serial here, which is marvellously tense and beautifully filmed.
We begin on an ordinary day in the early 60s as Alison nips home from her job to make a lunch of cold cuts for her novelist husband Alec. He doesn’t make it down to the table though as he’s kicked the bucket and instantly, hints of mystery abound as she hides his wallet and makes a surreptitious phone call. What she doesn’t expect is the knock on the door a few days later from a woman who claim to be his wife. Continue reading “TV Review: Mrs Wilson”
“I don’t know if you’ll ever love me as much as I love you but one day you’ll understand why I’ve done this to you”
It’s perhaps rather telling that a play that can claim the sobriquet “the most performed play by a female playwright” yet still be receiving its first London revival since its premiere here at the Royal Court in 1989. Fortunately, newly formed production company Tiny Fires are here to rectify that by mounting My Mother Said I Never Should at the St James Theatre (in its self-acknowledged first all-female production since opening three and half years ago – the clues are there…).
The fractured narrative of Charlotte Keatley’s play may not confound modern audiences more used to such theatrical playfulness but it was a novel enough concept that it was rejected several times by key theatres when first written. Which makes it all the more impressive that its structure still holds up beautifully today, complex without being confusing, as it takes its time to lay out all random pieces of a jigsaw which ultimately combine to tell the story of four generations of women from a single family from the North-West. Continue reading “Review: My Mother Said I Never Should, St James Theatre”
2016 is nearly upon and for once, I’ve hardly anything booked for the coming year and what I do have tickets for, I’m hardly that inspired by (the Garrick season has been ruined by the awfulness of the rear stalls seats, and I only got Harry Potter and the Cursed Child tickets due to FOMO). Not for the first time, I’m intending to see less theatre next year but I do have my eyes on a good few productions in the West End, fringe and beyond. Continue reading “20 shows to look forward to in 2016”