Eurobeat – The Pride of Europe rips the piss out of Eurovision with great affection and some seriously good tunes
“Clap and cheer like crazy people”
Eurobeat – The Pride of Europe rises like a phoenix once again, now being hosted by Liechtenstein as Craig Christie’s musical enters the streaming market with a filmed performance from the Clapham Grand. Directed with a knowing wryness by Max Bex Roberts, the shows brings together 9 European nations and the UK to work through any number of Eurovision stereotypes in highly amusing style.
The show actually does a great job of ripping the piss out of so many of the Eurovision staples around the songs as well. The show-stealingly good hosting (David O’Reilly’s Orla Aboard nailing it as Marlene Cabana), dry Eurocrats reading out the rules (Andy Coxon being adorkable), the local colour (Sooz Kempner and Scott Paige in brilliant form), the little clips before each song. And a final number by Marlene hits a surprisingly authentic emotional note which lifts the spirits just before the voting begins.
Fourth Wall Live have announced the world premiere of a new online version of the cult West End Musical Eurobeat – The Pride of Europe. This irreverent, hilarious homage and celebration of the world’s best-loved song contest will be filmed at The Clapham Grand and streamed globally from 30 April – 10 May 2021 on Stream.Theatre. Viewers will be asked to vote online after watching the show (Your vote really counts!) and The Results Show will be streamed from 14 – 18 May 2021.
Eurobeatwill be hosted by David O’Reilly’s “Orla Board” as Marlene Cabana the glamorous mistress of ceremonies, with a cast led by Joanne Clifton(BBC’s Strictly Come Dancing, The Rocky Horror Show, Flashdance), Tia Kofi (BBC Three’s RuPaul’s Drag Race UK Series 2), Harriet Thorpe (BBC’s The Brittas Empire, Cabaret) and Tom Read Wilson (C4’s Celebs Go Dating, BBC’s Celebrity Best Home Cook), the show will also star West End and musical theatre stars Christine Allado (Hamilton, The Prince of Egypt), Matt Croke (ITV’s The Voice, Disney’s Aladdin), Scott Garnham (Les Miserables, Billy Elliot, The Barricade Boys), Aisha Jawando (Tina in Tina, The Tina Turner Musical), Scott Paige (Cinderella, Nativity!), Claudia Kariuki, (Priscilla Queen of the Desert, School of Rock), David Ribi(Milkshake, Channel 5), comedian Sooz Kempner, Annell Odartey (WhatsonStage Awards), George Olney (Saturday Night Fever, Fiddler on the Roof), Alexzandra Sarmiento (Hamilton, Strictly Ballroom) and Jaime Tait (Motown, Beautiful). Continue reading “News: New version of Eurobeat – The Pride of Europe to stream”
It’s behind you. The Turbine lunges for the adult panto market with the brief if raucous fun of Cinderella – The Socially Distanced Ball
“Are you ready for some good old-fashioned family fun? Well you’re in the wrong fucking place”
Just a quickie for this as you pretty much already know whether you like pantomime or not and heaven knows, Cinderella – The Socially Distanced Ball isn’t the show that is going to change your mind about that. There’s been a rise in these adult pantos which in some ways are a no brainer, catering to a festive audience who want to drink merrily without children running in the aisles, but there’s a real skill to the best panto writing that locates a sweet spot of humour that can hit home for both adults and kids.
This Cinderella, penned by Jodie Prenger and Neil Hurst, makes no pretence at finding such a balance, it is proudly full-on smut from the word go and the highly game company, directed by Lizzy Connolly, throw themselves whole-heartedly into the filthy frolics and profane prose. Cut down to just over an hour and six characters, there’s barely time for the show to outstay its welcome and a nifty song and dance or two offers ample opportunity for the players to shine, particularly Scott Paige and Oscar Conlon-Morrey’s wonderfully vile Ugly Sisters.
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It’s like the Superbowl, but for fans of musical theatre. Book your tickets at the Turbine Theatre here.
Jet Set Go! (3rd-5th February)
This show about a transatlantic cabin crew has been bopping around since 2008 so its interesting to see how it gets refreshed more than a decade late. Appearing in it this time round will be Siubhan Harrison,Lizzy Connolly,Michael Mather,Tyrone Huntley and Simon Bailey.
Ever behind the curve, I present 10 of my top moments in a theatre over the last ten years (plus a few bonus extra ones because whittling down this list was hard, and it will probably be different tomorrow anyway!)
Extraordinary Public Acts for a National Theatre
The establishment of the Public Acts programme at the National Theatre offered up something sensational in Pericles, an initiative designed to connect grassroot community organisations with major theatres, resulting in a production that swept over 200 non-professional performers onto the stage of the Olivier to create something that moved me more than 99% of professional productions. A truly joyous and momentous occasion.
Eugenius returns to The Other Palace having found a hugely enthusiastic cult audience; it really isn’t unproblematic for a new musical though
“We’re not nerds, we’re geeks”
Complete with superfan Sundays and audience members who have nailed the choreography, Eugenius‘ return to The Other Palace is a classic piece of fan service. I’m not so sure I count myself as one of those fans though, ultimately I want something more forward-thinking from my new musical theatre. Read my 2.5 star review for Cheap Theatre Tickets here.
Running time: 2 hours 20 minutes (with interval) Photo: Scott Rylander Eugenius is booking at The Other Palace until 20th October