“You don’t need to be thinking about Alice Morgan right now”
By the time that the television series Luther started on BBC1, I was already keen on Ruth Wilson as an actress but the first episode of the first series – which now ranks as one of my all-time favourite pieces of television ever – confirmed her as one of the most exciting people we have working in this country. The show is a high-quality detective drama featuring Idris Elba as DCI John Luther, a member of the Serious Crime Unit, whose unconventional and often controversial methods frequently sets him at odds with his colleagues and his estranged wife who end up paying the price for his uncompromising genius.
Entirely written and created by Neil Cross, there’s a most pleasing continuous feel to the six-part series which combines a ‘story of the week’ format featuring some extremely gory and plain icky crimes with larger story arcs which build to the shockingly climactic finish of Episode 6. Ruth Wilson stars as research scientist Alice Morgan, who is involved in the former in Episode One but soon turns into the latter as a wonderfully twisted kind of relationship builds between her and Luther. It is hard to say much more without revealing too much for those who haven’t seen it – shame on you if you haven’t, go and watch it now! – but the way in which Wilson slowly subverts our expectations in that first hour is nothing short of superlative, the gradual reveal completely compelling, the way she says the word ‘kooky’ deserves an award category of its own. Continue reading “DVD Review: Luther Series 1”
“There’s a fine line between calculation and deceit”
A rare foray into television for David Hare as both writer and director, Page Eight was broadcast on the BBC in 2011 but as ever, I missed it at the time – most likely I was in the theatre. On it went to my lovefilm list and up it came just in time for my little spy-fest. Career intelligence analyst Johnny Worricker has his life turned upside down when his MI5 boss and best friend dies suddenly of a heart attack, having revealed the explosive contents of a file which threatens the UK/US alliance and the future of MI5 itself. His artist daughter has something important to tell him, his strikingly attractive neighbour Nancy Pierpan has suddenly appeared on the scene with a (not-so) hidden agenda and the well-oiled wheels of the slippery government are determined to oust him whilst keeping its secrets. Old-school to his core, Worricker is confronted with a series of dilemmas, political, moral, personal, as he faces up to this contemporary world and his place within it.
Aside from the obvious thrill of a new piece of writing from David Hare, Page Eight also contained some utterly luxurious casting and an exceptional, tailor-made central role for Bill Nighy as Worricker. Ineffably cool as only Nighy can be, the art-collecting, jazz-listening, women-seducing figure at the centre of the story was a perfectly convincing presence but the real star was Hare’s writing. Though undoubtedly a contemporary spy story, it eschewed the glossy thriller territory of Spooks for a no less compelling, intelligently intertwining yet thoroughly believable sequence of events. Shocks and surprises still came, but from people and actions rather than exploding helicopters or extended chase scenes and so it had a deeply satisfying quality that demanded, and rewarded, the attention. Continue reading “DVD Review: Page Eight”
“Find love that burns your very soul”
A BBC4 television adaptation of the two DH Lawrence novels The Rainbow and Women In Love, although named solely after the latter, the Women In Love DVD was one I had been looking forward to delving into, mainly due to the presence of such luminous actresses as Rachael Stirling, Rosamund Pike and Saskia Reeves. Imagine my surprise, and indeed pleasure to a certain degree, to find that naked male wrestling was also part of the bargain in this William Ivory-directed two-parter.
Centred on the lives and loves of the two Brangwen sisters, Guthrun and Ursula, as they react against the staid lives of their parents with stridently independent action, yet each end up in relationships with men that are endlessly complicated, not least by the feelings between those two men, Gerald Crich and Rupert Birkin. The first part dealt with these lives individually in England and only slowly brought them together, leaving much of the second half to take place in the Southern African diamond mines and deserts (replacing the Tyrolean Alps of the original) where the partnerships literally reached boiling point. Continue reading “DVD Review: Women In Love”
“Some patterns are more difficult to find than others”
I’m nothing if not contrary: I refused endless invitations to see The History Boys despite many people raving about it, I’m just odd like that sometimes. But when someone who really ought to have known better(!) tried to prejudge my response to Complicite’s A Disappearing Number, I was resolved to enjoy it no matter what! After touring India, it is returning to London for a limited engagement after a well-received run in 2008. And fortunately, I really did find it to be contemplative, moving and ultimately most beautiful.
It is incredibly hard to describe just what the show is about as it is impossible to do it justice. On the face of it, it is two love stories: in the modern day, bookish maths lecturer Ruth and stockbroker Al are desperate to start a family as they’ve both turned 40, and then in the 1910s we see the developing relationship between father of modern mathematics G.H Hardy and prodigious Indian maths genius Srinivasa Ramanujan. But it is so much more as well, with a staging of breathtaking invention that works in elements of movement, vocal effects, chanting, Asian dance, and a slick technological aesthetic with some outstanding projection work, beautiful lighting effects and a smoothly everchanging backdrop that seamlessly changes from blackboard to whiteboard to screen to wall and much more besides. Continue reading “Review: A Disappearing Number, Complicite at the Novello Theatre”