No spoilers, but the second series of His Dark Materials is a continued absolute triumph
“Your duty is to protect the girl…and the boy”
We may have lost an episode of the second series of His Dark Materials to the pandemic but you really couldn’t tell, its atmospheric and elegiac storytelling feeling like some of the most mature work on screen right now. Jack Thorne’s adaptation of Philip Pullman’s novel(s) manages a brilliant balance between faithfulness and invention, an added scene between Mrs Coulter and Lee Scoresby is a sensational addition. And the direction from Leanne Welham and Jamie Childs keeps the show looking amazing.
From Lyra’s enduring guilt over Roger’s demise in the Series 1 finale, to climactic struggles that lead to some truly traumatising conclusions, the odyssey that Lyra and Will take from their Oxfords to Cittàgazze and beyond is nothing short of stunning. Dafne Keen’s Lyra remains as intellectually curious as ever but Amir Wilson’s Will takes the spotlight as he’s forced to reckon with the weight of responsibility forced onto his shoulders. And he is achingly good, a new maturity coming forth episode by episode. Continue reading “TV Review: His Dark Materials, Series 2”
David Nicholls’ The Understudy translates to an amiable radio play with Stephen Fry, Sarah Hadland and Russell Tovey
Unswayed by the arrival of Covid-19, playwright Henry Filloux-Bennett and director Giles Croft have adapted their putative theatrical production of The Understudy into a two-part audio version. David Nicholls’ early novel about a jobbing actor has been lightly updated and the injoke-heavy result is rather good fun.
Narrator Stephen Fry takes us through the journey of Stephen McQueen (no relation!) as he prepares to understudy a hunky young actor in the West End and espies an opportunity to collude with the 12th sexiest man in the world to allow him to philander away and let Stephen chase the stardom that has eluded his career so far. Continue reading “Review: The Understudy”
The Understudy is a brand new radio play that will be broadcast in two parts on Wednesday 20th May and Wednesday 27th May to raise funds for the theatre industry which is facing a devastating impact from the Covid-19 health crisis. The Lawrence Batley Theatre in Huddersfield will split proceeds of this project with charities including the Theatre Development Trust (SOLT and UK Theatre), Acting for Others and Equity Charitable Trust.
Coming together at a time that matters the most, the stellar line-up of actors currently confirmed to perform in The Understudy includes Stephen Fry, Emily Atack, Sheila Atim, Layton Williams, Russell Tovey, Sarah Hadland, Mina Anwar and many more. The cast and creative team involved in The Understudy will take part completely in isolation and actors will record their lines at home that will be brought to life by an exceptional sound design team. Continue reading “News: The Understudy – a brand new radio play with Stephen Fry, Emily Atack, Sheila Atim, Layton Williams and more”
So many of the recommendations for shows to see next year focus on the West End. And for sure, I’m excited to catch big ticket numbers like All About Eve, Come From Away, and Waitress but I wanted to cast my eye a little further afield, so here’s my top tips for shows on the London fringe (plus one from the Barbican) and across the UK.
1 Medea, Internationaal Theater Amsterdam at the Barbican
Simon Stone’s sleekly contemporary recasting of Euripides is straight up amazing. Anchored by a storming performance from Marieke Heebink, it is as beautiful and brutal as they come. It’s also one of the few plays that has legit made me go ‘oh no’ out loud once a particular penny dropped. My review from 2014 is here but do yourself a favour and don’t read it until you’ve seen it.
2 Macbeth, Watermill Theatre
2018 saw some disappointing Macbeths and I was thus ready to swear off the play for 2019. But the Watermill Ensemble’s decision to tackle the play will certainly break that resolve, Paul Hart’s innovative direction of this spectacular actor-musician team will surely break the hoodoo…
3 Noughts and Crosses, Derby Theatre, and touring
Pilot Theatre follow on from their strong Brighton Rock with this Malory Blackman adaptation by Sabrina Mahfouz, a Young Adult story but one which promises to speak to us all. Continue reading “20 shows to look forward to in 2019”
Camden Stands with Grenfell Tower: An evening of music and poetry in aid of Grenfell Tower Fire Fund.
Hosted by Ché Walker, Friday 23rd June sees a night of music and poetry in honour of the victims of the Grenfell Tower tragedy and to benefit the Grenfell Tower Fire Fund. Doors will open at 7pm, with the event starting at 7.30pm at Wac Arts’ premises near Belsize Park.
Tickets £20, £10 concessions: bookings can be made online here.
If you want to donate directly to the fund established by Queen’s Park Councillor Eartha Pond, the link is https://www.gofundme.com/grenfell-tower-fire-fund. Continue reading “News: Camden Stands with Grenfell Tower – an evening of music and poetry”
“Open your eyes, what do you see?”
It may well have had much to do with the fact that I was knackered after the previous six but I have to admit that the seventh final session of the Women Centre Stage: Power Play Festival was probably my least favourite of the day. The 24 Hour Plays | Making Headlines programme saw writers respond to headlines of the moment to create rapid response plays – none of which really lived up to the quality of the programmed works that had preceded them.
There were lots of interesting ideas floating around – Rebecca Lenkiewicz and director Anna Ledwich’s scorching take-down of Vogue’s declaration that the cleavage is out of fashion probably worked the best, interleaved with a young woman’s desperate search for adequate healthcare and the inadequacy of male responses to a serious discussion about breasts. And Charlene James’ kidnap drama with a twist gave Maggie Steed a cracking part to play, directed by Alice Hamilton. Continue reading “Review: Women Centre Stage: Power Play Festival – 24 Hour Plays | Making Headlines”