The National Theatre, in partnership with Bloomberg Philanthropies, has today launched National Theatre at Home, a brand-new streaming platform making their much-loved productions available online to watch anytime, anywhere worldwide.
Launching today with productions including the first ever National Theatre Live, Phèdre with Helen Mirren, Othello with Adrian Lester and the Young Vic’s Yerma with Billie Piper, new titles from the NT’s unrivalled catalogue of filmed theatre will be added to the platform every month.
In addition to productions previously broadcast to cinemas by National Theatre Live, a selection of plays filmed for the NT’s Archive will be released online for the first time through National Theatre at Home, including Lucy Kirkwood’s Mosquitoes with Olivia Colman and Inua Ellams’ new version of Chekhov’s Three Sisters (a co-production with Fuel). Continue reading “News: NT launches new streaming service National Theatre at Home”
Simon Annand’s Time To Act is a beautiful book of photos capturing actors in the minutes before they go on stage
Tackling the constraints of the pandemic in its own way, Simon Annand’s fantastic new book of photos Time To Act has launched a virtual exhibition of some of the photographs which has now been extended to until Christmas. It’s an ingenious way of sharing some of the hundreds of images from the book and should surely whet the appetite for either just buying it now or putting on your list for Santa to collect soon.
Continue reading “Book review: Time To Act – Simon Annand”
James Graham’s Quiz makes a marvellous leap from stage to screen
“People still want to gather as a nation, to experience something big together”
Not a huge amount to say about the TV adaptation of James Graham’s Quiz, a show I enjoyed in the West End, not least because of its interactive elements (even if we lost). It bloomed in the televisual treatment, losing a little of its structural intricacy but gaining a narrative through-line that really worked, the explosive arrival of Helen McCrory’s QC making it worth the while. And the story remains as intriguing as ever, though just as free from doubt for me.
They totally did it, right – the Ingrams may have been stitched up in court by the tinkered-with evidence (and credit to Matthew Mcfadyen and Sian Clifford for two excellent performances) – but they totally did it. Fun to see cameos like Paul Bazeley’s Lionel from Legal and Maggie Service’s Kerry the Floor Manager, and original cast members like Sarah Woodward and Keir Charle too.
I like spy dramas, and Sarah Woodward and Sirine Saba, but The Haystack, at the Hampstead Theatre, is not the one
“Yes, we’re geeks, yes, we sit at computers all day, yes, we barely leave Cheltenham, but we are still, when it comes down to it, spies”
Running time: 2 hours 45 minutes (with interval)
Photo: Ellie Kurtz
The Haystack is booking at the Hampstead Theatre until 12th March
Sadly not the Steps musical of my dreams, One For Sorrow nevertheless left me a bit disappointed at the Royal Court
“You will do anything, in the end, to keep the people you love safe”
Finally, the Steps musical we’ve all been waiting for, and at no less august an institution as the Royal Court…
Sadly though, Cordelia Lynn’s One For Sorrow is a cruel attempt to lure Steps fans into theatres, leaving their hopes dashed. It’s no less than a tragedy.
Continue reading “Review: One For Sorrow, Royal Court”
Whether you get to make your West End debut or not, James Graham’s Quiz is great fun at the Noël Coward Theatre
“It’s a 50:50 – guilty or not-guilty”
It’s taken me a little while to get around to seeing James Graham’s Quiz but it proved more than worth it as this particular matinée was undoubtedly enhanced by the West End debut of…me and my Aunty Jean! Treading the boards of the Noël Coward Theatre was an unexpected bonus to a highly enjoyable afternoon, and I look forward to the next role that Mr Graham creates for me…
But back to the matter at hand. Transferring over from Chichester, Quiz takes a cock-eyed look at the world of light entertainment, and the way in which ‘constructed reality’ has bled into the larger narrative not just of our television, but of our society. Using the ‘coughing major’ scandal of Who Wants To Be A Millionaire as a jump-off point, we dive into meaty notions of truth and justice in a media-dominated age. Continue reading “Review: Quiz, Noël Coward”
|© Trevor Leighton
|Given how she’s doing such amazing work in Follies at the minute, it’s kinda gobsmacking to discover that Janie Dee has not one but two cabaret shows lined up for the beginning of October. Returning to Live at Zédel, fans have the pick of Janie Dee at the BBC – album launch or Janie Dee – Off the Record… or you can do both on the same night for a couple of dates if you’re that way inclined! I’m seriously tempted!
Continue reading “Round-up of news and treats and other interesting things”
The Merry Wives of Windsor
Dorney Court, Berkshire
I’m becoming less and less tolerant of men taking women’s roles, especially when there’s no reciprocity, and as much as I like Paul Chahidi – I don’t see why he gets to be one of the titular merry wives here opposite Mel Giedroyc. Rebecca Gatward’s fourth-wall smashing direction is very much in keeping with the Globe’s often broad sense of comedy but for me, it lacks any subtlety at all. Continue reading “The Complete Walk, from the comfort of your sofa #6”
“The girl in this tale isn’t quite half as predictable”
Jessica Swale’s Nell Gwynn took the Globe by storm last autumn so it was delightful news to hear that it would transfer into the West End. Sadly, it wasn’t able to hold onto Gugu Mbatha-Raw as its leading lady (nor the riotously scene-stealing Amanda Lawrence as her lady) but in finding Gemma Arterton to take over the role, Christopher Luscombe has ensured that the production makes the journey seamlessly as she is simply stunning in the role.
My 5 star review for Official Theatre can be read here.
Running time: 2 hours 30 minutes (with interval)
Photos: Tristram Kenton
Booking until 30th April
2016 is nearly upon and for once, I’ve hardly anything booked for the coming year and what I do have tickets for, I’m hardly that inspired by (the Garrick season has been ruined by the awfulness of the rear stalls seats, and I only got Harry Potter and the Cursed Child tickets due to FOMO). Not for the first time, I’m intending to see less theatre next year but I do have my eyes on a good few productions in the West End, fringe and beyond. Continue reading “20 shows to look forward to in 2016”