Burn Bright’s Better in Person is a series of five short plays by five fantastic women written for and set on a Zoom call.
Monday 25th May. 8pm.
5 plays. £5.
Monday 25th May. 8pm.
5 plays. £5.
Just a quickie for this as it felt a bit more work-in-progress than much else I’ve seen at the VAULT Festival. Essence marks the latest work from frequent collaborators Sarah Henley and Tori Allen-Martin and is supported by The CULTIVATE Bursary, in Association with COMMON and the Newbury Corn Exchange.
A tight two-hander set in Peckham, it takes the form of an odd couple play as early 30s semi-recluse Elyot has his methodical routine shattered by the arrival of teenager Laquaya breaking into his flat. She claims an intimate connection between the two and even as he denies its possibility, they discover other ties that bind. Continue reading “Review: Essence, VAULT Festival”
Sure, there’s all sorts of big ticket shows coming to London in 2020 (with big ticket prices too to go with their big names), like Sunday in the Park with George with Jake Gyllenhaal, Sister Act with Whoopi Goldberg, A Doll’s House with Jessica Chastain. But there’s so much more to discover if you venture away from Shaftesbury Avenue…
1 The Glass Menagerie, Odéon–Théâtre de l’Europe at the Barbican
Not that I want to be predictable at all but Isabelle Huppert! Acting in French! Right in front of you! I understand that van Hove-fatigue might be setting in for people but only a FOOL would pass up the chance to see one of our greatest living actors. A FOOL!
2 The Glass Menagerie, Royal Exchange
And if you wanted to do a direct compare and contrast, Atri Banerjee’s revival for the Royal Exchange will be worth checking out too for an alternative perspective.
3 The Wicker Husband, Watermill
Even before Benjamin Button tore my heart apart, I was excited for the arrival of this new musical by Rhys Jennings and Darren Clark but now, the bar has been raised even higher. And the gorgeous intimacy of the Watermill feels like a perfect fit.
4 Children of Nora, Internationaal Theater Amsterdam
Me: “I don’t need any more Ibsen in my life”
Also me: Robert Icke revisiting the world of A Doll’s House through the eyes of the next generation? Yes please.
5 Romantics Anonymous, Bristol Old Vic
I don’t think I thought this delicious Koomin and Dimond musical would ever actually return, so this short run in the UK ahead of a US tour feels like a real blessing. Now where did I put my badge? Continue reading “20 shows to look forward to in 2020”
“When I’m with you, normal rules don’t
I have to admit that seeing pop-rock on the description of a show always gives me a little pause, my preference always tending towards a genteel piano and strings arrangement when it comes to my musical theatre. So it was a pleasure to discover that I really enjoyed Tim Prottey-Jones and Tori Allen-Martin’s score for Muted, a musical previously known as After The Turn while in development by Interval Productions.
And it is a fascinating show too, with a book by Sarah Henley which unfolds around the story of Michael, a young musician on the verge of a big break whose life is shattered when his mother is killed in a hit-and-run accident. Rendered mute by the loss and under the care of his uncle, his life only begins to show signs of restarting when an ex-girlfriend comes to visit and we see just how much the death reverberated around this group of people. Continue reading “Review: Muted, Bunker Theatre”
Leanne Best for The Match Box at The Tricycle
Lucy Ellinson for Grounded at The Gate
Vicki Lee Taylor for On A Clear Day You Can See Forever at The Union
Phoebe Waller-Bridge for Fleabag at Soho