“You won’t get that out a book on prison procedure
When those suits get caught on the hook, that’s when they need ya”
Bad Girls ran for eight years on ITV, covering the whole gamut of women’s prison storylines from the sublime to the senseless, and now the women of HMP Larkhall live on in Bad Girls the Musical, written by original creators Maureen Chadwick and Ann McManus with music and lyrics by Kath Gotts. Taking many of the characters and fashioning its own story from a range of plotlines across the lifetime of the show, Will Keith’s production for the Union makes for an effective translation from screen to stage.
Perhaps naturally, given the size of the 17-strong company and the number of introductions that thus need to be made (even for those familiar with the TV show), the main thrust of the story takes a little time to come into focus. The corrupt practices of prison officer Jim Fenner, fond of doling out privileges in return for sexual favours, eventually crystallises the motives of the diverse cast of inmates but there’s also the slow burning relationship between lifer Nikki and reformist governor Helen that adds to a book which may seem slight but is ultimately dramatically satisfying. Continue reading “Review: Bad Girls the Musical, Union Theatre”
The inevitable end-of-year lists of favourite plays and performances will be soon be coming (I just have to, you know, stop seeing shows…) but something I did last year which I really enjoyed was a compendium of “top moments in a theatre”, the breath-taking, show-stopping aspects of productions that have etched themselves in my mind over the past year. Continue reading “10 of my top moments in a theatre in 2015”
“Your eyes will tell me all I want to know
When you come home once more”
Christmas 1944 in an end-of-the-pier theatre in Clacton-on-Sea – Sincerely Yours sees a troupe of entertainers put on a show for the latest conscripts about to ship off to the front and looks at their lives both on and off the stage as Britain enters another year of war and they themselves go overseas to join the war effort. Part of the LAMBCO Fringe Festival at the Landor, it’s a sweetly-played nostalgic tribute to those who endured through wartime, and to those who did not.
The show is at its strongest in the production numbers, which are really rather impressive. Robbie O’Reilly’s choreography works well in the limitations of this space to still give a full tap routine with ‘Pack Up Your Troubles’ and keeps its tongue firmly in cheek when Carmen Miranda gets involved. Jennifer Sims, Sarah Goggin and Sarah Day are fabulous as an Andrews Sister-esque vocal trio, ‘Don’t Sit Under The Apple Tree’ and ‘Boogie Woogie Bugle Boy’, two highlights among many. Continue reading “Review: Sincerely Yours, Landor Theatre”