A new version of Sunday at the Musicals will return to The Actors’ Church in London on Sunday 22nd November at 5.30pm and 8.00pm. The concert will feature a large cast of West End singers who will perform songs from popular musicals to raise funds for Acting for Others.
The performances will be hosted by Sarah-Louise Young and the company, subject to availability natch, are: Kelly Agbowu, Kacey Ainsworth,Tsemaye Bob-Egbe, Charlie Bull,Colin Burnicle, Matthew Croke,Janie Dee, Nicole Raquel Dennis,Sue Devaney, Leanne Garretty,Rebecca Gilliland, Lisa Gorgin,Melissa Jacques , Claudia Kariuki,Natalie Kassanga, Sejal Keshwala,Anna McGarahan, James Meunier, Ceili O’Connor, Rosa O’Reilly,Mira Ormala, Sarah O’Connor,Charlotte O’Rourke, Sara Poyzer,Sophie Reeves, Joshua St Clair,Liam Tobin, Shona White,Pippa WinslowandBenjamin Yates.
Tickets for the new Sunday at the Musicals concert at The Actors’ Church can be booked here.
Nottingham Playhouse and Leeds Playhouse have announced that they’re postponing their co-production of Piaf until next year, but cushioned the blow with this exquisite video featuring Jenna Russell, Sara Poyzer and Sally Ann Triplett
18 years since it opened,Mamma Mia continues to tempt people to the island as it now ranks as the seventh-longest running show in the West End. It recently welcomed a new cast into the Novello and I got the opportunity to revisit this stalwart this week (only for the second time actually, here’s my review from 2014). I’ll post a link to my three star review once it gets published.
Running time: 2 hours 30 minutes (with interval) Booking until 3rd March 2018, at the moment
“The family business is a millstone round your neck”
It’s nice to be able to get the opportunity to follow through on recommendations from other bloggers – on a snowy day in Colchester, Gareth advised me to try and catch Northern Broadsides’ revival of Githa Sowerby’sRutherford and Son on its original tour but I was unable to fit it into the diary. So the announcement of its transfer to the St James was a most welcomed one but also a pleasing fit for what one hopes will be a frequent use for this newest of London’s theatres.
Set in 1912, John Rutherford is an archetypal paterfamilias, ruling both at work and at home with at iron fist. But the family business, a Yorkshire glassworks, is struggling and his three adult children are all entirely dissatisfied with their lot – his professional success has come at huge personal cost and it takes the most unexpected intervention to get him to even consider the changes would secure his legacy. Continue reading “Theatre Review: Rutherford and Son, St James”