I’m loving this deep dive that the Guardian is doing into Tristram Kenton’s archive, this time taking a turn into the many Open Air Theatre productions he has been witness to. Highly recommended:
Photos: Tristram Kenton
Jule Styne, Jerry Herman & Stephen Sondheim get a worthy lockdown tribute in Kings of Broadway 2020
“Knock-knock! Is anybody there?”
There certainly was a whole lot of people there as the online concert of Kings of Broadway 2020 in support of NHS Charities Together and Acting for Others brought a large dose of classic musical theatre back into our lives. Expertly marshaled by musical director and pianist Alex Parker, the choice to spotlight Black Lives Matter through a recital of Maya Angelou’s ‘And Still I Rise’ was a good one, even if it showed the relative caucasity of the main line up. Continue reading “Review: Kings of Broadway 2020”
The works of Jule Styne, Jerry Herman and Stephen Sondheim will be celebrated in a concert to support NHS Charities Together and Acting for Others
Participating remotely in the suitably testosteroney entitled Kings of Broadway 2020 will be Liz Callaway, Michael Colbourne, Deborah Crowe, Jordan Lee Davies, Louise Dearman, Janie Dee, Fra Fee, Rob Houchen, Damian Humbley, Ramin Karimloo, Claudia Kariuki, Emma Kingston, L Morgan Lee, Rebecca Lock, Nadim Naaman, Anna O’Byrne, Fiona O’Carroll, Jamie Parker, Laura Pitt-Pulford, Clive Rowe, Jenna Russell, Lucy Schaufer, Celinde Schoenmaker, Caroline Sheen, Samantha Spiro, Laura Tebbutt, Michael Xavier and Alex Young.
Creatively, the evening will feature musical direction from Alex Parker, it will be mixed by Jack Blume, edited by Ben Hewis and will have additional mixing and editing support from Martin Higgins.
Not a bad line-up eh? You can watch the show on Quick Fantastic’s YouTube channel at 7pm on Sunday 31st May and though it is billed as free, please think about making a donation, however small you think it might be, every little helps.
With an all-star cast, Horrible Histories: The Movie – Rotten Romans is a perfectly good piece of family entertainment
“All say yah
Horrible Histories: The Movie – Rotten Romans is my first experience of the multimedia franchise and as a piece of light-hearted entertainment, I thought it was rather good fun. It is especially notable for getting quite the company together to have a rollicking good time of it, Kim Cattrall and Rupert Graves rub shoulders, Sam Spiro pops in for a cameo as do any number of British comics, and no less than Derek Jacobi reprises his (I,) Claudius.
It’s all in aid of a kid-friendly rendition of Boudicca’s rebellion against the Roman rulers, told from the perspective of a dorky Roman kid (Sebastian Croft’s Atti) who finds himself conscripted into the army sent to defend their British territories and Orla (Emilia Jones) a teenage rebel Celt who is determined to be a warrior like her flame-haired rival. And in pairing them up in a rather charming way, it entertains in a pleasingly unexpected way. Continue reading “Film Review: Horrible Histories: The Movie – Rotten Romans (2019)”
Flying Rabbit Productions’s Di and Viv and Rose at the White Bear Theatre is a smart production of a play that has endured well
“I’ll be alright – won’t I?”
Amelia Bullmore’s Di and Viv and Rose is a play I’ve loved since its 2011 debut in the downstairs space at the Hampstead Theatre, from whence it graduated to the main house and from there into the West End. At each spot, it has been blessed with some superb actors – Nicola Walker, Claudie Blakley and Tamzin Outhwaite, Gina McKee and Anna Maxwell Martin, Samantha Spiro and Jenna Russell – so I was intrigued to see how it would fare in this off-West End production by Flying Rabbit.
And I have to say it stood up really rather well, a mark of the strength of its writing. The play follows the developing friendship between three women thrown together as undergraduates who move to a houseshare in which a real kinship is formed, connections which are tested by the trials and tribulations not only of student life, but through into the ‘real’ world as well. Did the Spice Girls really get it right? Does friendship never end…? Continue reading “Review: Di and Viv and Rose, White Bear Theatre”
The announcement of the new cast for Broadway’s hugely lauded Hello, Dolly! has been a most strange affair – names trickling out one by one, rather than one big splash. However, it is Bernadette Peters (from 20th January) who has the unenviable task of following in Bette Midler’s shoes and trying to maintain the hefty box office that she’s managed to garner, and maintain. Victor Garber and our very own Charlie Stemp (making his Broadway debut) have also been revealed and doubtless by the time you read this, more will be have been announced too, one by one.
Producers Tim Levy (Director, NT America) and Jordan Roth (President, Jujamcyn Theaters) announced today that the National Theatre Production of Tony Kushner’s epic and seminal masterwork, Angels in America: A Gay Fantasia on National Themes, will return to Broadway for the first time since its now-legendary original production opened in 1993. This spectacular new staging of Part One of Angels in America, Millennium Approaches, and of Part Two, Perestroika, had its world premiere earlier this year in a sold-out run at the National Theatre, where it became the fastest selling show in the organization’s history. This strictly limited, 18-week engagement will begin performances at The Neil Simon Theatre on Friday, February 23, 2018, with an official opening on Wednesday, March 21. Public on sale is: 27 October at 10am NYC time. Continue reading “Round-up of news and treats and other interesting things”
“This is not only your street with only your stories”
It’s always fascinating to get the opportunity to follow a playwright’s development in real time and so it has been with Deborah Bruce. From Godchild downstairs at the Hampstead (yes, a play written by a woman there!) to The Distance at the Orange Tree, later revived by Sheffield, and now to a Headlong co-production with Chichester, this is clearly a writer moving in the right direction.
The House They Grew Up In is a difficult play to watch though, a drama focused on reclusive siblings Daniel and Peppy whose hermit-like existence in their South-East London home sees them surrounded by the accumulated detritus of everything they’ve ever owned. The arrival of the inquisitive boy from next door, seeking refuge from his own problems, threatens the equilibrium they’ve constructed though, exposing it to severe outside scrutiny like never before. Continue reading “Review: The House They Grew Up In, Minerva”
Episodes, in order of preference
World Enough and Time
The Doctor Falls
The Eaters of Light
Empress of Mars
The Pyramid at the End of the World
The Lie of the Land
Top 5 guest spots
1 David Suchet’s Landlord was as perfectly written a character as befits one of our more superior actors
2 Regular readers will know I’m a big fan of Kieran Bew and his astronaut in Oxygen was no exception
3 Nicholas Burns‘ malevolent Sutcliffe was a delightfully Dickensian villain
4 Another theatrical delight of mine is Anthony Calf, impressive as the pseudo-Victorian Godsacre
5 Rebecca Benson’s young Pict impressively led The Eaters of Light from the front, a perfect vessel for Rona Munro’s vision
Michelle Gomez’s Missy has been a brilliant breath of fresh air and whilst her decision to follow Moffat and Capaldi out the door is understandable, it isn’t any less disappointing. And perhaps the timey-wimeyness of the circumstances around her passing mean that maybe this isn’t the last we see of her…
Most wasted guest actor
I don’t what I expected from the reliably excellent Samantha Spiro in Doctor Who but I didn’t get it from her part in The Doctor Falls.
Gay agenda rating
With Bill onboard, A+!
“One of your old favorite songs from way back when”
Seeing Hello, Dolly! at the Open Air Theatre still ranks as one of my all-time favourite theatrical experiences, tied up as it is with memories of my Aunty Mary, so it was only really practicality that held me back from booking to see the show on Broadway once the casting of Bette Midler was announced (heck, even Donna Murphy as her alternate was a seriously tempting proposition). But resist I did, in the anticipation of the inevitable Cast Recording that would offer a peek into Dolly’s new world.
It’s always a tricky thing, to embrace a new version of something so beloved and for me, every note, riff and chuckle of Barbra Streisand’s interpretation for the film soundtrack is ingrained on my memory. And so to hear someone else do it, no matter how well, always requires something of a readjustment. So it took me a couple of listens to really get into the groove of this album but in the new arrangements by Larry Hochman (orchestrations), and Don Pippin (vocal arrangements), the score feels familiar but fresh. Continue reading “Album Review: Hello, Dolly! (2017 New Broadway Cast Recording)”