Brosnan reaches an ignomious end as Die Another Day buckles under the weight of sponsorship deals, retrospective nods and that invisible car
“So, this is where they keep the old relics, then, eh?”
From opening surfing sequences to invisible cars, Die Another Day really does ask a lot of its audience, not least where Bond himself is concerned. Brosnan is 49 here and against co-leads Halle Berry (35), Toby Stephens (33) and Rosamund Pike (22), you feel it. Throw in an inordinate amount of product placement, random gadgetry and a misguided attempt to go dark in its opening segment, and the struggle is real.
What really hamstrings Lee Tamahori’s film though is the 40th anniversary of it all, the production choosing to acknowledge and explicitly reference the 19 films that went before. This further detracts from establishing any kind of workable, engaging plot or, more significantly, caring a jot about what is happening. My finger was hovering on the fast forward button for a considerable portion of the two hours plus, especially with John Cleese’s Q and his insufferable injokes – I couldn’t possibly recommend rewatching. Continue reading “Film Review: Die Another Day (2001)”
What a clunker! Garbage’s brilliant theme song deserved so much better than The World Is Not Enough
“What are you doing here in Kazakhstan”
Right from the off, The World Is Not Enough shows us how frustrating it is going to be as it mixes the solid and the silly. The opening speedboat chase which features London so brilliantly and then ridonkulously moves onto land, blowing up MI5 so effectively and then doing nothing with it as a plot device, offering up a beautiful final scene for Desmond Llewelyn’s Q and then introducing John Cleese as new apprentice R… We won’t mention Goldie, nor his X-ray specs that shows women in their underwear but somehow leaves the men fully dressed…
Directed by Michael Apted, the film really suffers from a nonentity of a storyline. There’s good ideas in here – Robert Carlyle’s Renard had real potential as a cold villain with nothing to lose and getting M out in the field is a great way to have more Judi Dench – but nothing memorable is done with them. I’ve just finished watching and I have already forgotten what plot there was, the focus is just on action-based callbacks to previous Bond films whilst never getting anywhere near as good as any of them. A definite disappointment. Continue reading “Film Review: The World Is Not Enough (1999)”
Even if it didn’t follow the big success of Goldeneye, Tomorrow Never Dies would still have disappointed. Bonus point for predicting something of the future though…
“The distance between insanity and genius is measured only by success”
Tomorrow Never Dies had the unenviable task of following up the enormous success of the reboot-of-sorts that was Goldeneye, which firmly established Pierce Brosnan as the new Bond and suggested a real place in contemporary cinema for the franchise. And despite a troubled production history due in large part to the rush to capitalise on this and director Roger Spottiswoode not necessarily firing on all cylinders, it ain’t too bad, mainly due to Michelle Yeoh.
Its main antagonist is a Robert Maxwell/Rupert Murdoch-type media mogul, played with relish by Jonathan Pryce who wants…to secure exclusive broadcasting rights in China for 100 years and is willing to start a world war to get them. It’s a strong if ultimately dull concept but Götz Otto gives good classic henchman as his underling Stamper and Brosnan’s gun-toting Bond gets to be more violent than perhaps we’re used to, which is a change if nothing else. Continue reading “Film Review: Tomorrow Never Dies (1997)”
Pierce Brosnan’s debut as Bond goes well in Goldeneye but the real star is Tina Turner’s iconic theme song
“I think you’re a sexist, misogynist dinosaur. A relic of the Cold War…”
Goldeneye heralds a lot of firsts for the James Bond franchise, as well as being Pierce Brosnan’s first appearance in the lead role. The first to use CGI, the first not to use any Ian Fleming story elements, the first in the post-Cold War era too. And coming after a six-year hiatus, director Martin Campbell had a lot on the line to reintroduce the idea of Bond movies as something more than mindless bank holiday rerun territory. Safe to say, I think he achieved that.
Adopting a more serious tone to address its plot of international terrorist networks and rogue agents, Brosnan’s slightly reserved interpretation works well to reset the playboy nature which preceded (and which is soon to return…) and against Sean Bean’s excellent Trevelyan, has a real tussle with real stakes on his hands. For all the talk of Phoebe Waller-Bridge coming into to retool scripts for No Time To Die, there’s work here that scratches intriguingly at Bond’s psychology, even if only briefly from both M and 006. Continue reading “Film Review: Goldeneye (1995)”
A pair of star-studded staged readings of Agatha Christie thrillers will support the Theatre Support Fund+ and Acting for Others.
Agatha Christie’s Spider’s Web – 9th December, 7.30pm
Clarissa, wife of a diplomat, is adept at spinning tales of adventure but when a murder takes place in her own drawing room she finds live drama much harder to cope with.
Desperate to dispose of the body before her husband arrives with an important politician, she enlists the help of her guests. Hilarity ensues when they are interrupted by the arrival of wry detective, Inspector Lord.
Starring: Nari Blair-Mangat | Nick Blakeley | Brian Bovell | Richard Clifford | Adam Gillen | Jessica Hynes | Sir Derek Jacobi | Matthew Kelley | Gerard McCarthy | Helen Monks | Gloria Onitiri | Stephanie Siadatan
Agatha Christie’s The Hollow – 10th December, 7.30pm
An unhappy game of romantic follow-the-leader explodes into murder one weekend at The Hollow, home of Sir Henry and Lucy Angkatell. Dr. Cristow, the Harley Street lothario, is at the centre of the trouble when, assembled in one place, we find his dull but devoted wife Gerda, his mistress and prominent sculptor Henrietta, and his former lover and Hollywood film star Veronica. As the list of romantic associations grows so does the list of potential suspects when someone is shot dead.
Nearly everyone has a motive but only one of them did the deed.
Starring: Samantha Bond | Simon Callow | James Dreyfus | Kathryn Drysdale | Richard Fleeshman | Beth Granville | Angela Griffin | Laura Haddock | Tom Hughes | Adam James | Valentine Olukoga | Nina Sosanya | Nia Towle
The Christmas Show Must Go On!
Put on your sparkles, your reindeer Christmas jumper, switch on the Christmas tree lights and settle down for an evening of festive fun and music. The Make a Difference Trust has announced A West End Christmas, the most Christmassy Christmas show ever and the perfect antidote to these extraordinary and difficult times.
With a cast of 80 and a 17-piece orchestra, including stars from The Phantom of the Opera, Only Fools and Horses, Wicked, Come From Away as well as the West End Kids, A West End Christmas will also feature special guest performances from Tom Allen, Samantha Bond, Kerry Ellis, Clive Rowe, Oliver Tompsett, Marisha Wallace and Robin Windsor & Anya Garnis. Continue reading “News: A West End Christmas for the MAD Trust”
“People don’t really want to be told the truth”
Just as The Father comes along with The Mother, The Truth is followed by The Lie. British theatre’s amour fou for Florian Zeller continues apace with another of his comedies making it over to London but are we approaching diminishing returns as we delve deeper into his back catalogue? Director Lindsay Posner and translator Christopher Hampton clearly don’t think so as they return to the Menier Chocolate with The Lie but I’m not so convinced.
The production got off to a rocky start when James Dreyfus had to withdraw due to illness, though choosing Alexander Hanson as his replacement provides a little extratextual spice as he stars opposite his wife Samantha Bond as married couple Paul and Alice. As we meet them, they’re havering over a dinner party they’re hosting that is meant to start imminently – Alice wants to cancel it as she just saw Michel kissing a woman who wasn’t his wife Laurence but their early arrival takes the decision out of their hands. Continue reading “Review: The Lie, Menier Chocolate Factory”
Outstanding Performance by a Male Actor in a Leading Role
Casey Affleck – Manchester by the Sea as Lee Chandler
Andrew Garfield – Hacksaw Ridge as Desmond T. Doss
Ryan Gosling – La La Land as Sebastian Wilder
Viggo Mortensen – Captain Fantastic as Ben Cash
Denzel Washington – Fences as Troy Maxson
Outstanding Performance by a Female Actor in a Leading Role
Amy Adams – Arrival as Dr. Louise Banks
Emily Blunt – The Girl on the Train as Rachel Watson
Natalie Portman – Jackie as Jackie Kennedy
Emma Stone – La La Land as Mia Dolan
Meryl Streep – Florence Foster Jenkins as Florence Foster Jenkins Continue reading “23rd Screen Actors Guild Awards nominees”
Best New Play
King Charles III by Mike Bartlett – Almeida / Wyndham’s
Taken at Midnight by Mark Hayhurst – Theatre Royal Haymarket
The Nether by Jennifer Haley – Duke of York’s
Wolf Hall / Bring up the Bodies by Hilary Mantel, adapted by Mike Poulton – Aldwych
Best New Musical
Beautiful – Aldwych
Here Lies Love – National Theatre Dorfman
Memphis – Shaftesbury
Sunny Afternoon – Hampstead / Harold Pinter
A Streetcar Named Desire – Young Vic
A View from the Bridge – Young Vic / Wyndham’s
My Night with Reg – Donmar Warehouse / Apollo
Skylight – Wyndham’s
The Crucible – Old Vic Continue reading “2015 Laurence Olivier Awards nominations”