News: Constellations returns to the West End and how!

Constellations returns to the West End and how! One of my favourite plays, with four different casts?!  Amazing stuff.

“One drink. And if you never want to see me again you never have to see me again.”

This summer Nick Payne’s beautiful and heartbreaking romance Constellations is revived in the West End with a twist: four different casts take turns to journey through the multiverse exploring the infinite possibilities of a relationship; each refracting the play afresh. Starring Sheila Atim and Ivanno Jeremiah (18th June – 1st August), Peter Capaldi and Zoë Wanamaker (23rd June – 24th July), Omari Douglas and Russell Tovey (30th July – 11th September), and Anna Maxwell Martin and Chris O’Dowd (6th August – 12th September).

It’s a play I’ve followed as much as I can since it premiered upstairs at the Royal Court. From its West End transfer to its bow on Broadway, from the UK tour which also popped into the West End to the Southwark Playhouse production which never happened (very in keeping with the play!), plus there’s the new radio production which I’ve got lined up to listen to very soon. Safe to say I am handling my expectations very well and am in no way over-excited and chomping at the bit to book in to see the same show at least 4 times in less than 3 months…! See you there?

Book review: Time To Act – Simon Annand

Simon Annand’s Time To Act is a beautiful book of photos capturing actors in the minutes before they go on stage

Tackling the constraints of the pandemic in its own way, Simon Annand’s fantastic new book of photos Time To Act has launched a virtual exhibition of some of the photographs which has now been extended to until Christmas. It’s an ingenious way of sharing some of the hundreds of images from the book and should surely whet the appetite for either just buying it now or putting on your list for Santa to collect soon.

Continue reading “Book review: Time To Act – Simon Annand”

10 of my top moments of the decade

Ever behind the curve, I present 10 of my top moments in a theatre over the last ten years (plus a few bonus extra ones because whittling down this list was hard, and it will probably be different tomorrow anyway!)

© James Bellorini

Extraordinary Public Acts for a National Theatre

The establishment of the Public Acts programme at the National Theatre offered up something sensational in Pericles, an initiative designed to connect grassroot community organisations with major theatres, resulting in a production that swept over 200 non-professional performers onto the stage of the Olivier to create something that moved me more than 99% of professional productions.  A truly joyous and momentous occasion. 

Honourable mention: this year’s musical take on As You Like It proved just as heart-swellingly beautiful over at the Queen’s Theatre Hornchurch. Continue reading “10 of my top moments of the decade”

Review: Country Music, Omnibus Theatre

A sensational performance from Cary Crankson anchors a powerful production of Simon Stephens’ Country Music at Clapham’s Omnibus Theatre

“I want you to forgive me for the things I’ve done”

A glance at the cast for the original run of Simon Stephens’ 2004 Country Music at the Royal Court sees Sally Hawkins and Laura Elphinstone, a killer for the FOMO in me. But hopefully in 10 years time or so, people will be looking at the cast for this revival at Clapham’s Omnibus Theatre and saying I saw Cary Crankson way back when…

He’s an actor I’ve rated for a while now – he won my Best Actor in 2014 for The Saints, he was a standout in The Faction’s ensemble too, so if there’s any justice we’ll be talking about him much more very soon. For he is sensational here as the troubled Jamie, the young man at the heart of this elusive but exquisitely painful play.    Continue reading “Review: Country Music, Omnibus Theatre”

Review: Paddington 2 (2017)

I succumb easily to the charms of Paddington 2 and Hugh Grant having the time of his life

“Exit bear, pursued by an actor”

In a year when sequels have outperformed expectations (at least mine anyway), I should have heeded the signs that Paddington 2 heralded back last winter that sequels were ‘in’. Paul King’s follow-up to his 2014 warm-hearted original, reintroducing us to our ursine Peruvian hero, occupies a similar space of resolutely British family films that are a cut above. 

Written by King and Simon Farnaby, the film is unafraid to take its audience seriously and for every adorably sweet sequence, there’s genuine peril and even darkness in there too. Hugh Grant is the main antagonist, an actor called Phoenix Buchanan who has been reduced to making dog-food adverts and his ne’er-d-well ways see Paddington framed for a crime he did not commit. Continue reading “Review: Paddington 2 (2017)”

Oscar Week Film Review: The Shape of Water

It has 13, yes 13!, Oscar nominations and the luminous Sally Hawkins but does Guillermo del Toro’s The Shape of Water live up to the hype?

“Man is as silent as the grave. But if farts were flattery? Honey, he’d be Shakespeare”

First things first, Guillermo del Toro’s Pan’s Labyrinth is probably one of my all-time favourite films and definitely one of the ones that affected me most, as anyone who saw me sobbing helplessly outside the cinema on Haymarket for a good ten minutes after it ended. So The Shape of Water had something to live up to and including Sally Hawkins in its cast was a good start.

And in its love story between a mute cleaning lady and a 7 foot tall fish monster captured in the Amazon and held hostage in a government research facility, it certainly treads a unique path. And though it may sound unconventional, an interspecies rom-com with additional gay and African-American sidekicks seems pretty much par for the course  in 2018. Continue reading “Oscar Week Film Review: The Shape of Water”

71st British Academy Film Awards nominations

BAFTA Fellowship
Ridley Scott

Outstanding British Contribution to Cinema
National Film and Television School

Best Film
Call Me by Your Name – Émilie Georges, Luca Guadagnino, Marco Morabito, and Peter Spears
Darkest Hour – Tim Bevan, Lisa Bruce, Eric Fellner, Anthony McCarten, and Douglas Urbanski
Dunkirk – Christopher Nolan and Emma Thomas
The Shape of Water – Guillermo del Toro and J. Miles Dale
Three Billboards Outside Ebbing, Missouri – Graham Broadbent, Pete Czernin, and Martin McDonagh Continue reading “71st British Academy Film Awards nominations”

24th Screen Actors Guild Awards nominees

Film
Outstanding Performance by a Male Actor in a Leading Role
Timothée Chalamet – Call Me by Your Name as Elio Perlman
James Franco – The Disaster Artist as Tommy Wiseau
Daniel Kaluuya – Get Out as Chris Washington
Gary Oldman – Darkest Hour as Winston Churchill
Denzel Washington – Roman J. Israel, Esq. as Roman J. Israel

Outstanding Performance by a Female Actor in a Leading Role
Judi Dench – Victoria & Abdul as Queen Victoria
Sally Hawkins – The Shape of Water as Elisa Esposito
Frances McDormand – Three Billboards Outside Ebbing, Missouri as Mildred Hayes
Margot Robbie – I, Tonya as Tonya Harding
Saoirse Ronan – Lady Bird as Christine “Lady Bird” McPherson Continue reading “24th Screen Actors Guild Awards nominees”