Royal & Derngate has announced four further productions to complete its 2021/22 Made in Northampton season. A new production of Joe Penhall’s biting contemporary satire Blue/Orange is brought to the stage this autumn by the producing team behind Ralph Fiennes’ hugely successful Four Quartets which is soon to transfer to the West End. Giles Terera and Michael Balogun will collaborate with Artistic Director James Dacre with original music by Valgeir Sigurðsson of Bedroom Community. The venue then premieres The Wellspring, an autobiographic work from playwright Barney Norris and his father David Owen Norris, directed by Jude Christian. The venue’s previously announced production of An Improbable Musical will then premiere with a cast including Niall Ashdown, Ruth Bratt, Adam Courting, Josie Lawrence and Janet Etuk.
This autumn also sees Royal & Derngate’s artist development programme Generate host a festival of new work and present 60 Miles by Road or Rail chronicling the recent history of Northampton Town. Meanwhile, the venue’s charity compilation album Incidental: Music for the Stage, will be released on 24 September on CD and all major streaming platforms. Continue reading “News: Royal & Derngate announces further productions for its 2021/22 Made in Northampton season”
Join stars of the West End stage for festive fun galore at West End Wonderland, a week of unique performances with plenty of stardust. All right in the heart of theatreland at the Welsh Chapel, Charing Cross Road.
Cabaret Whores, Sarah-Louise Young’s brilliant musical character comedy is packed with hilarious original songs, bitingly funny stories and lightning quick changes. Named as one of Time Out’s Top Ten Cabaret Acts of the Year, Sarah-Louise has appeared in the West End with Fascinating Aida, Julie Madly Deeply, La Soirée and Showstopper! The Improvised Musical.
Yes Queens is the West End’s first female-led improvised comedy night, featuring top UK improv talent from Olivier Award-winning productions such as Showstopper! The Improvised Musical, Austentatious and Mischief Theatre. Interactive Theatre at its best. Continue reading “News: West End Wonderland announced”
Since it is the season of goodwill to all men, I’m not going to belabour the point that it is a shame that ‘musicals’ have been lumped together as a category here, whereas the likes of Pinter and Kane got their own specials, whither Sondheim, Herman and Tesori. Still, it’s lovely as ever to stretch back over years of musical theatre productions to see some of Tristram Kenton’s most iconic shots for the Guardian:
Photos: Tristram Kenton
All the Web’s a Stageis a streaming initiative consisting of 12 marvellous jam-packed hours of all your favourite performers from the West End and theatre to comedy, drag and magic!
It’s fitting that the free livestream will be held on Thursday 23 April, Shakespeare’s birthday and the date that theatres began their process of restoration after strict censorship in 1661, the last time British theatres were ordered to close for a prolonged period.
The livestream is raising money for our artistic comrades who have been severely impacted by Covid-19. Whilst we appreciate the government’s initiatives, and the support made available for many self-employed workers, there are still many freelance artists who fall through the cracks of these new government programs. As a result, thousands of artists who are now unable to earn an income are facing the coronavirus crisis with no available financial support.
You can watch the livestream on the Theatre Together website or on the Theatre Together Facebook page this Thursday from midday. Continue reading “News: #AllTheWebsAStage details announced”
I look ahead to some of the 2020 shows exciting me most with an emphasis away from the West End, looking mostly instead at the London fringe and across the UK
Sure, there’s all sorts of big ticket shows coming to London in 2020 (with big ticket prices too to go with their big names), like Sunday in the Park with George with Jake Gyllenhaal, Sister Act with Whoopi Goldberg, A Doll’s House with Jessica Chastain. But there’s so much more to discover if you venture away from Shaftesbury Avenue…
1 The Glass Menagerie, Odéon–Théâtre de l’Europe at the Barbican
Not that I want to be predictable at all but Isabelle Huppert! Acting in French! Right in front of you! I understand that van Hove-fatigue might be setting in for people but only a FOOL would pass up the chance to see one of our greatest living actors. A FOOL!
2 The Glass Menagerie, Royal Exchange
And if you wanted to do a direct compare and contrast, Atri Banerjee’s revival for the Royal Exchange will be worth checking out too for an alternative perspective.
3 The Wicker Husband, Watermill
Even before Benjamin Button tore my heart apart, I was excited for the arrival of this new musical by Rhys Jennings and Darren Clark but now, the bar has been raised even higher. And the gorgeous intimacy of the Watermill feels like a perfect fit.
4 Children of Nora, Internationaal Theater Amsterdam
Me: “I don’t need any more Ibsen in my life”
Also me: Robert Icke revisiting the world of A Doll’s House through the eyes of the next generation? Yes please.
5 Romantics Anonymous, Bristol Old Vic
I don’t think I thought this delicious Koomin and Dimond musical would ever actually return, so this short run in the UK ahead of a US tour feels like a real blessing. Now where did I put my badge? Continue reading “20 shows to look forward to in 2020”
Ahoy sailors, if what you thought the world of musical theatre was missing was the opportunity to be trapped on a boat for four days with a load of wealthy musical theatre fans, then worry no more. Stages – the Musical Theatre Festival at Sea has now been announced, a four night cruise from Southampton to Amsterdam and back, with entertainment from the likes of Michael Ball, Beverley Knight, Lee Mead, Christina Bianco, Sophie Evans, John Owen-Jones and the Showstopper guys.
It looks like it could be hilariously good fun – red carpet arrival onto the ship, masquerade balls and workshops and Q&As with the performers. But it sure ain’t cheap, prices starting at £609 with the taxes added on, though as it doesn’t set sail until 15th October 2018, there’s time to start saving those pennies. For me though, you can consider this my not-so-subtle hint to Floating Festivals
that they obviously need a blog review of their cruise and that I am the one for the job.
Continue reading “Round-up of news and treats and other interesting things”
“You can’t let the pipes play you, you play the pipes”
After their residency at the Apollo, the Showstopper team have skipped along to the Lyric where they have been performing their brand of improvised musical on a random selection of Mondays, roughly every three weeks. If you’re new to their work, Showstopper is created anew on the night, suggestions garnered from the audience for the title and the various styles of musical theatre in which the songs will be improvised. And it is always extremely good fun and frequently hilarious, hence my multiple visits over the years.
This evening we saw Greece!, a tale of aspiring thespians, goats, mischievous demi-gods, mysterious rambling women and some impressive pipes, set at the base of Mount Olympus and other assorted ancient Greek venues. And musically we went from Gilbert and Sullivan to West Side Story to Andrew Lloyd Webber, though the highlights were the Hamilton-style love duet (big up to Andrew Pugsley and Pippa Evans) and a truly lovely Waitress-inspired number which although ostensibly a comic number about Dionysus, possessed a strikingly powerful musicality (led by the divine Ruth Bratt). The perfect way to liven up a Monday evening.
Running time: 90 minutes (with interval)
Future performances: Monday 15 May 7.30pm; Monday 5 June 7.30pm
“We’re going to have to tell the vicar”
The 2017 London Jam is a festival of improvisation presented by The Showstoppers, in association with Extempore Theatre & Something for the Weekend, featuring a wide range of improv stars from across both the UK and the world – the improvised Ibsen troupe from Norway being the unlikeliest inclusion there. Naturally, we went along to see our beloved Austentatious and as ever, they did not disappoint.
Regaling us with the tale of Fear and Fascination, full of illicit hat-wearing, malevolent vicars with a predilection for flashbacks, and sheep-loving surprises, this was the team at their best, taking their time with a slow start to to tease out some utterly surreal story strands. The bit of audience participation was unexpected good fun, but it was the surprise murder and the group’s stunned reaction and subsequent glee that made it one of the best unknown Jane Austen novels I’ve yet seen.
“Who needs men?”
In advance of the return of the real Glenda J (Miss Jackson if you’re nasty…) in Deborah Warner’s King Lear for the Old Vic, The Glenda J Collective proved to be most entertaining. There’s no real connection (indeed I’m not entirely sure where the name comes from) but more importantly, The Glenda J Collective can call itself an improv supergroup and not be anywhere near overstating its case, featuring as it does the luminary talents of Josie Lawrence, Pippa Evans, Ruth Bratt and Cariad Lloyd.
And as with any improv show, it takes a far better writer than I to capture the ephemeral nature of the quickfire comedy which comes in the form of non-stop sketches and songs (the group is accompanied on keys by the fabulous Duncan Walsh-Atkins) that flow uninterrupted for a good hour. Suffice to say that it was consistently funny, frequently hilarious and often sidesplittingly genius. From a talking CD player (hello Toshiba…) to the 2 Wisconsin radio DJs coming up with songs for the other 2 performers to make up on the spot, Lawrence’s tie to Cariad Lloyd’s pregnancy bump, it was a cracking hour and one I hope to revisit as soon as new dates are announced.
Running time: 60 minutes (without interval)
Further dates hopefully to be announced…soon?
“What’s it gonna be Paul, what’s it gonna be?”
The beauty of improvised musical show The Showstoppers is that you can go as many times as you want as they make it up fresh for every performance. So even though I saw two performances on their press day last week, I was more than happy to go again this Sunday evening, this time to experience the delights of Jim’s Soggy Bottom.
A tale of love and Russian politics in the Bake-Off tent with numbers in the style of The Boy From Oz, Sweeney Todd, Urinetown and Jesus Christ Superstar among others, it was highly entertaining as always. Ruth Bratt continues to be a hoot but Pippa Evans has been in a real rich vein of form recently to nab MVP for me. Worth a trip if you’ve not been yet and worth a revisit if you have!