“A good sinner can get into a lot of mischief in a week”
Much like its central character, the charms of A Man of No Importance are gentle and delicate and these remain the watchwords for Gareth Machin’s actor/musician production of this musical for Salisbury Playhouse. Based on a 1994 film and set in early 1960s Dublin, Alfie Byrne is an unassuming bus conductor whose main passion in life is directing his local am-dram society at St Imelda’s. But even that has stagnated with endless runs of The Importance of Being Earnest leaching his creativity so he makes the decision to stage the much more controversial Salome, also by Oscar Wilde, unaware of the tumultuous course of action it will unleash for all concerned.
For the weight of the Catholic Church’s disapproval is a heavy load to bear and as the production is condemned for its blasphemy after local busybodies go running to the monsignor, a light has been shone under the genteel façade of this community and exposed homosexual longings, extramarital affairs and illegitimate pregnancies. Alfie is at the centre of it all as it is his secret `desire for his handsome younger workmate Robbie that precipitates the most seismic change but even as he feels his whole world changing from underneath him, surprises lie in store all along the way. Continue reading “Review: A Man of No Importance, Salisbury Playhouse”